{"product_id":"161407","title":"Textbook of Film Editing ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/WQt5W2Uei2UTL1Pv9KryKQ.png?v=1764860678\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e Textbook of Film Editing \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/143049988\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e  \u003cdiv\u003e\n\u003cb\u003e**Recommended by film director Jeong Yun-cheol!**\u003cbr\u003e This book is excellent not only for its editing techniques, but also for its thorough compilation of the video grammar that editors must know.\u003cbr\u003e - Jeong Yun-cheol (director of the film [Marathon])\u003cbr\u003e The secret to striking visuals lies in editing.\u003cbr\u003e The first step to video editing that even beginners can easily learn.\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Today, we live in an age overflowing with video content.\u003cbr\u003e YouTube remains the world's largest content platform, and Instagram is shifting away from its square grid and toward its video-centric Reels feature.\u003cbr\u003e With countless videos being released every day, to stand out, you need to create not just a simple video, but a 'strong video'.\u003cbr\u003e However, if you are new to video content creation, you may not have a sense of what makes a video memorable.\u003cbr\u003e\u003cbr\u003e The answer lies in ‘editing’.\u003cbr\u003e Editing is the key to determining the perfection of a video. \u003cbr\u003eAll great videos are made with editing, a skill anyone can learn.\u003cbr\u003e You can transform dull videos into something sensational with simple editing techniques, and you don't need any special equipment or qualifications.\u003cbr\u003e What matters is the passion and consistent effort to learn the skill.\u003cbr\u003e\u003cbr\u003e This book introduces 48 editing techniques that are at the core of video content.\u003cbr\u003e It contains only the essential information in an easy-to-follow, intuitive way, and covers everything from tool selection to shooting basics, editing flow, and final completion.\u003cbr\u003e Even beginners who are new to editing will be able to learn the flow of editing through this book and develop the ability to create their own content.\u003cbr\u003e Let's dive deep into the world of editing.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Introductory remarks 5\u003cbr\u003e Table of Contents 6\u003cbr\u003e How to Use This Book 8\u003cbr\u003e\u003cbr\u003e \u003cb\u003eCHAPTERⅠ.\u003c\/b\u003e \u003cbr\u003eLet's equip ourselves with the strongest tools\u003cbr\u003e\u003cbr\u003e TAKE 01 Even in the computer age, the basics of editing are flipbooks 10\u003cbr\u003e TAKE 02 Get to know your computer and create an environment that suits you. 12\u003cbr\u003e TAKE 03 Editing and playback require different environments. Choose equipment with screening in mind. 14\u003cbr\u003e TAKE 04 Streamlining editing tasks by using input devices 16\u003cbr\u003e TAKE 05 Get familiar with the editing software interface 18\u003cbr\u003e TAKE 06 Structure of video files that won't get lost when setting up 20\u003cbr\u003e Experience Column ① Editing has been the most enjoyable part of filmmaking since the film era. 22\u003cbr\u003e\u003cbr\u003e \u003cb\u003eCHAPTERⅡ.\u003cbr\u003e Editing techniques to enrich the story\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e TAKE 07 The essence of a story lies in change. Let's create a story by manipulating time. 24\u003cbr\u003e TAKE 08 Create a captivating composition with change and excitement 26\u003cbr\u003e TAKE 09 Let's combine materials to lead the audience into the story 28\u003cbr\u003e TAKE 10 Let's use the Kuleshov effect. Video collisions create a story. 30\u003cbr\u003e TAKE 11 Use audience illusions to induce empathy 32 \u003cbr\u003eTAKE 12: Be conscious of the film's hierarchical structure and create a thoroughly engaging structure. 34\u003cbr\u003e TAKE 13 Manipulating psychological time with tempo and intervals 36\u003cbr\u003e TAKE 14 Use order and omission to make the audience imagine the story 38\u003cbr\u003e TAKE 15 Knowing the shots and cuts will help you smoothly proceed from shooting to editing. 40\u003cbr\u003e TAKE 16 Depicts the inner self of a character with screen size and insert cuts 42\u003cbr\u003e TAKE 17 Using Imaginal Lines to Show Character Relationships 44\u003cbr\u003e TAKE 18 Create a sense of presence using cutbacks (reverse shots) 46\u003cbr\u003e TAKE 19 Let's study how to connect and create a cut with movement 48\u003cbr\u003e TAKE 20 Let's create the tempo of the story with frame in and frame out. 50\u003cbr\u003e TAKE 21 Changing the connection method changes the story 52\u003cbr\u003e TAKE 22 How you connect reactions influences the audience's impression. 54\u003cbr\u003e TAKE 23 A technique with a wide range of applications, advancing and pushing back the dialogue 56\u003cbr\u003e TAKE 24 Not only objective but also subjective sound, preparation and use of sound effects 58 \u003cbr\u003eTAKE 25 Use background music to describe the situation in the scene 60\u003cbr\u003e TAKE 26 Timing is key to effective music (BGM) 62\u003cbr\u003e TAKE 27 The connection between scenes and sequences that determine the tempo of the film 64\u003cbr\u003e TAKE 28 How to manage version and backup edit data 66\u003cbr\u003e TAKE 29 Always be aware of the overall flow, editing workflow 68\u003cbr\u003e Experience Column ② Artificial Intelligence (AI) and the Future of Film Editing 70\u003cbr\u003e\u003cbr\u003e \u003cb\u003eCHAPTER Ⅲ.\u003cbr\u003e Creating a worldview with color and letters\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e TAKE 30 Grading and Fade, Overlap 72\u003cbr\u003e TAKE 31 The Color Structure of Image Representation in Digital Editing 74\u003cbr\u003e TAKE 32 Expressing the brightness and color tone of an image with a videoscope 76\u003cbr\u003e TAKE 33 Adjust the color of the image, primary and secondary color adjustments 78\u003cbr\u003e TAKE 34 Let's adjust the brightness by knowing various parameters 80\u003cbr\u003e TAKE 35 Match the color of the cut Color temperature and adjustment method 82\u003cbr\u003e TAKE 36 Create a look for a film that conveys its worldview 84\u003cbr\u003e TAKE 37 From cutting-edge techniques to classic techniques, this is video compositing 86 \u003cbr\u003eTAKE 38 Title function at your disposal, Telop and subtitle 88\u003cbr\u003e TAKE 39 Main Title and Credit Title 90\u003cbr\u003e Experience Column ③ 92 Movies and Books That Kinugasa Recommended as References for Editing\u003cbr\u003e\u003cbr\u003e \u003cb\u003eCHAPTER Ⅳ.\u003cbr\u003e From sound tuning to delivery\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e TAKE 40 How to Record and Timing Your Voice 94\u003cbr\u003e TAKE 41 MA (Multi Audio) 96 to finish the voice\u003cbr\u003e TAKE 42 Level and Loudness Measurement 98\u003cbr\u003e TAKE 43 Adjust the volume to balance the sound throughout the movie 100\u003cbr\u003e TAKE 44 Sound Effects ① Equalizer, Pitch, Reverb 102\u003cbr\u003e TAKE 45 Sound Effects② Volume Adjustment and Noise Reduction 104\u003cbr\u003e Creating a Video File with TAKE 46 Rendering 106\u003cbr\u003e TAKE 47 Final confirmation of delivery format Complete package (finished product) 108\u003cbr\u003e TAKE 48 Let's create an engaging trailer that draws in audiences 110\u003cbr\u003e Review 112\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e Let's not take it seriously.\u003cbr\u003e Learn post-production techniques for editing and finishing to freely express your world!\u003cbr\u003e --- p.4\u003cbr\u003e \u003cbr\u003eNo matter how much we check in the editorial office, unexpected things happen.\u003cbr\u003e So, I hope you do a final check in the screening environment.\u003cbr\u003e If it is an internet video, it is screened online. If it is a movie theater screening, it is screened in the theater several times from the first screening or a preview screening is held during the screening.\u003cbr\u003e\u003cbr\u003e --- p.15\u003cbr\u003e\u003cbr\u003e The i or p indicating resolution stands for interlaced or progressive.\u003cbr\u003e Old CRT TVs broadcasted one frame as two frames of high resolution.\u003cbr\u003e\u003cbr\u003e --- p.20\u003cbr\u003e\u003cbr\u003e What do you see?\u003cbr\u003e When an actor acts, he feels the impulse of the role as if it were real, and moves his body while being especially conscious of gaze.\u003cbr\u003e To the audience, this creates a convincing expression.\u003cbr\u003e\u003cbr\u003e --- p.30\u003cbr\u003e\u003cbr\u003e Director Yasujiro Ozu is said to have determined the number of frames from the beginning of the cut until the character enters the frame, from the frame out until the end of the cut, or until or after the character says the line.\u003cbr\u003e\u003cbr\u003e --- p.37\u003cbr\u003e \u003cbr\u003eSince cameras have gotten smaller recently, we don't pay as much attention to the 30-degree rule as we used to.\u003cbr\u003e There are some productions that take advantage of this unnaturalness, but if you still want a natural connection, remember the 30-degree rule.\u003cbr\u003e\u003cbr\u003e --- p.44\u003cbr\u003e\u003cbr\u003e So where in the movement can we cut?\u003cbr\u003e The order can be omitted as in the story, middle〉beginning〉last (TAKE 14).\u003cbr\u003e In the case of the hand-raising action, if there is a video up to and including the hand-raising at the end, the part before and in the middle can be deleted.\u003cbr\u003e\u003cbr\u003e --- p.50\u003cbr\u003e\u003cbr\u003e Record sounds that are synchronized to movement, such as footsteps or the sound of doors opening and closing (foley), or the murmur of a crowd.\u003cbr\u003e The hitting sound can also be made by hitting a folded cushion close to the microphone.\u003cbr\u003e\u003cbr\u003e --- p.58\u003cbr\u003e\u003cbr\u003e Simple methods such as pulling the sound to the front of the scene or leaving it until the next scene are also effective.\u003cbr\u003e It is also often used in combination with the following various connection methods:\u003cbr\u003e\u003cbr\u003e --- p.64\u003cbr\u003e \u003cbr\u003eIn color adjustment, there are many terms that are thrown around, such as hue, color, brightness, gamma, level, and saturation.\u003cbr\u003e Depending on the context in which it is used, the meaning or definition may be subtly different.\u003cbr\u003e\u003cbr\u003e --- p.78\u003cbr\u003e\u003cbr\u003e The latest synthetic techniques are familiar to audiences.\u003cbr\u003e So, on the contrary, reviving and using forgotten techniques can actually create a fresh taste.\u003cbr\u003e\u003cbr\u003e --- p.87\u003cbr\u003e\u003cbr\u003e When sound hits something, it reflects and arrives a little later than the original sound.\u003cbr\u003e This is called echo, reverb, reverberation, etc.\u003cbr\u003e\u003cbr\u003e --- p.96\u003cbr\u003e\u003cbr\u003e Even once completed, there are cases where detailed cut replacements, addition of front and back titles, and writing of a summary may occur later due to legal reasons in each country.\u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e --- p.109\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e \u003cb\u003eThe power of editing to transform a story\u003cbr\u003e Editing techniques that complete the emotional impact of a film\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e Editing is an essential process in film production, playing a crucial role in conveying the film's story and emotions. \u003cbr\u003eIn fact, its importance is so great that it is awarded separately in the editing category at the Academy Awards.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e This book provides a practical guide to learning and mastering editing techniques, using real-life examples from famous films to explain them in a way that even beginners can easily follow.\u003cbr\u003e By following the editing techniques and directing methods used in each case one by one, you can quickly learn your own editing style.\u003cbr\u003e Additionally, through the author's 'One More Advice' included in each chapter, you can learn sensational editing techniques that can change the flow of the story and various practical methods that can be applied to create your own film.\u003cbr\u003e\u003cbr\u003e \"The Textbook of Film Editing\" goes beyond simple technical content to provide a deeper understanding of how editing can enrich and enhance films. \u003cbr\u003eIf you follow along step by step, you will be able to advance to the next stage of film production.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eFrom selecting the tools needed for editing to delivering the finished work.\u003cbr\u003e Everything You Need to Know About Film Editing in One Book\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e This book details the entire process and key points of film editing, from selecting editing tools to editing techniques that enrich the flow of the story, color correction that steadily establishes the worldview, and detailed adjustments to sound and imagery to delivering the finished work.\u003cbr\u003e It also features interviews with experts working on actual film sets, offering practical insights and an editor's perspective that go beyond the theoretical.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Editing can seem daunting and complex at first, but this book will teach you the necessary skills.\u003cbr\u003e The important thing is to develop your own sense through consistent practice. \u003cbr\u003eIn fact, if you edit a lot of movies, your own style will naturally develop and you will gain a sense through experience.\u003cbr\u003e As you learn and practice techniques with \"Textbook of Film Editing,\" your latent editing sense will awaken.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eWho Should Read This Book\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e 1.\u003cbr\u003e Current and prospective film editors\u003cbr\u003e 2. People who want to learn video editing for social media and marketing.\u003cbr\u003e 3.\u003cbr\u003e Film industry workers\u003cbr\u003e 4.\u003cbr\u003e An ordinary person who enjoys video production, such as on YouTube\u003cbr\u003e 5.\u003cbr\u003e Anyone who wants to know the rules of directing and editing \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eDate of issue:\u003c\/strong\u003e March 5, 2025\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 112 pages | 244g | 148*210*10mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791189318666\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1189318660 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43889882234922,"sku":"161407","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/dd53332e8fd4e4773e21e828fa5f2dcf.jpg?v=1765275009","url":"https:\/\/librairie.coreenne.fr\/en\/products\/161407","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}