{"product_id":"161442","title":"I hope this lesson never ends ","description":"\u003ccenter\u003e\u003cdiv style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/tmgdisk01.cafe24.com\/images\/vs\/4172\/sv\/3jYFs3zYy6np5fKu0S67T5p7eWfB7N.png?v=1765006908\" style=\"max-width:100%;max-height:10px\"\u003e\u003c\/div\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\u003ccenter\u003e\n\n\u003cdiv style=\"width:95%\"\u003e\n\n\u003cdiv style=\"text-align:center;font-size:30px;font-weight:bolder;line-height:1.6em\"\u003e I hope this lesson never ends \u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"border-bottom:1px;border-bottom-style:dotted;border-color:;padding-bottom:20px\"\u003e\u003ccenter\u003e\u003ctable align=\"center\" width=\"100%\"\u003e\u003ctbody style=\"border:0px\"\u003e\n\n\u003ctr\u003e\u003ctd align=\"center\" style=\"line-height:1.2em;text-align:center;font-size:18px;color:black;font-weight:bold;padding-bottom:20px;\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\u003ctr\u003e\u003ctd style=\"text-align:center\"\u003e\u003cimg src=\"https:\/\/image.yes24.com\/goods\/125696428\/XL\" style=\"max-width:100%;height:auto\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\n\n\u003c\/tbody\u003e\u003c\/table\u003e\u003c\/center\u003e\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;{split_style6}padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e Description \u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;word-break:break-all;font-size:14px;line-height:1.6em;\"\u003e\n\n\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eBook Introduction\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ctable\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd\u003e\u003cdiv\u003e\u003cdiv\u003e \u003cb\u003e“Every moment spent with the piano\u003cbr\u003e “They were all my teachers.”\u003cbr\u003e\u003cbr\u003e From neighborhood piano academies to masterclasses by world-renowned masters\u003cbr\u003e A piano lesson of pain and joy unfolding beneath the stage\u003cbr\u003e\u003cbr\u003e - New York Times bestseller\u003cbr\u003e - 2022 New Yorker Book of the Year\u003cbr\u003e Richard Yongjae O'Neill \u0026amp; Jeremy Denk to perform at the Seoul Arts Center Concert Hall on December 26th\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e In 2022, pianist Lim Yun-chan surprised the world by becoming the youngest winner of the Van Cliburn Competition. \u003cbr\u003eAfter that, the Korean classical music world began to suffer from a real 'Im Yun-chan fever'.\u003cbr\u003e Interest in pianists is at an all-time high, and the craze for learning the piano, which began during the COVID-19 pandemic, continues steadily.\u003cbr\u003e Every time I see a great pianist, I wonder.\u003cbr\u003e What process goes into becoming a classical pianist? How do pianists practice and what lessons do they receive? How wonderful would it be to be able to closely observe the hours spent behind the scenes, from interpretation of the piece to technique and emotional expression, creating a beautiful and moving performance?\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\n\u003cdiv\u003e\u003cul\u003e\u003cli\u003e You can preview some of the book's contents.\u003cbr\u003e \u003cspan\u003ePreview\u003c\/span\u003e\n\n\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eindex\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e To Korean readers\u003cbr\u003e\u003cbr\u003e Prelude\u003cbr\u003e\u003cbr\u003e \u003cb\u003e1st period Mars\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Chapter 1: The First Lesson\u003cbr\u003e Chapter 2 Mars: The First Lesson\u003cbr\u003e Chapter 3 I can't hear you practicing!\u003cbr\u003e Chapter 4 Mars: The Second Lesson\u003cbr\u003e Chapter 5: Set to Piano \u003cbr\u003eChapter 6 Mars: The Third Lesson\u003cbr\u003e\u003cbr\u003e \u003cb\u003e2nd period melody\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Chapter 7 Do you really think so?\u003cbr\u003e Chapter 8 Melody: First Lesson\u003cbr\u003e Chapter 9 You don't have to be a piano teacher\u003cbr\u003e Chapter 10 Melody: Second Lesson\u003cbr\u003e Chapter 11: The Crisis that Befell the Fourth Finger\u003cbr\u003e Chapter 12 Melody: The Third Lesson\u003cbr\u003e\u003cbr\u003e \u003cb\u003e3rd period rhythm\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Chapter 13: \"If You Do Nothing, Everything Happens\"\u003cbr\u003e Chapter 14 Rhythm: Lesson One\u003cbr\u003e Chapter 15: Competitions and Masterclasses\u003cbr\u003e Chapter 16 Rhythm: Lesson Two\u003cbr\u003e Chapter 17: Reaching the Destination\u003cbr\u003e Chapter 18 Rhythm: Lesson Three\u003cbr\u003e Chapter 19 So I want to go to Juilliard\u003cbr\u003e\u003cbr\u003e Coda (Transitional Department)\u003cbr\u003e\u003cbr\u003e Acknowledgements\u003cbr\u003e Translator's Note\u003cbr\u003e\u003cbr\u003e Appendix Playlist Commentary\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eDetailed image\u003c\/b\u003e \u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cimg src=\"https:\/\/image.yes24.com\/momo\/TopCate4466\/MidCate001\/446502639.jpg\" border=\"0\" alt=\"Detailed Image 1\"\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003eInto the book\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e To help me play under pressure, Teacher Lillian taught me a simple and effective method she developed called the \"Memory Stop.\"\u003cbr\u003e The teacher had me number several key points in the music. \u003cbr\u003eThen I had to learn how to play it by heart from there.\u003cbr\u003e When the teacher called out a number during class time, I skipped to that point.\u003cbr\u003e “Five!” I said, and then I turned to the topic halfway down the page.\u003cbr\u003e When I said “Set!” I went back to where I had played before.\u003cbr\u003e I couldn't get into a particular mood.\u003cbr\u003e The music is ruined.\u003cbr\u003e But while my parents sweat, I hear coughs in the audience, and I regret the moment Ms. Lillian gave me a chance, at least I won't be on stage, heartbroken, thinking about what's to come.\u003cbr\u003e Because there was always a point where I could skip over it with ease.\u003cbr\u003e There was no need to fumble and stop playing.\u003cbr\u003e --- p.45~46\u003cbr\u003e\u003cbr\u003e While all the piano teachers in the world would stick star stickers on my practice notebooks, Bill would hand-draw stars to convey his praise. \u003cbr\u003eSometimes, they would put a halo or crown on the star to show their pride.\u003cbr\u003e Sometimes the star was depicted as squinting to show its dissatisfaction, and other times it was depicted as limping with a cane.\u003cbr\u003e When I couldn't help feeling disappointed, I drew snails, caterpillars, and poisonous civets.\u003cbr\u003e The most brilliant star emerged at the 1981 Piano Teachers Association Auditions, which became our first milestone.\u003cbr\u003e --- p.79\u003cbr\u003e\u003cbr\u003e I went to have my last lesson with Bill.\u003cbr\u003e He was pleased with our achievements and thrilled that I was taking the next step.\u003cbr\u003e But he said there were also some regrets.\u003cbr\u003e “I should have been born 50 years ago.” There was nothing I could do about it.\u003cbr\u003e “There weren’t many pianists back then.\u003cbr\u003e Someone like you would definitely make a name for yourself.\u003cbr\u003e There are a million pianists out there these days who can play, and it's nearly impossible to make a living. \u003cbr\u003eA few days ago I received a letter from the winner of the Cliburn Competition.\u003cbr\u003e \"Can you help me find a job?\" \"Damn it, even you are like this?\" I thought.\u003cbr\u003e But now it was time to leave.\u003cbr\u003e --- p.165\u003cbr\u003e\u003cbr\u003e “Just give it a try,” he said.\u003cbr\u003e After several failed attempts, I finally got the sforzando, staccato, and pedal notation down.\u003cbr\u003e Oh my goodness! The grumpy trio were the epitome of romanticism.\u003cbr\u003e The upper note has more urgency, and the lower note is hesitant with a lingering feeling, as if the hand of a former lover is still felt.\u003cbr\u003e It wasn't just a single note, it was a layered experience, a stirring of uneasy memories.\u003cbr\u003e I looked at Greg with gratitude.\u003cbr\u003e (…) “That’s not so outrageous, is it?” Greg said smugly.\u003cbr\u003e He opened our eyes to great wonders, yet he never missed a word that provoked anger. \u003cbr\u003e\"Do I even have to tell you this? You're a prodigy, aren't you? You should know how to read music.\" Then, softening his tone, he relayed the lesson of the day.\u003cbr\u003e “I should be able to write down the music while listening to your performance.\u003cbr\u003e “I want to hear all the notations with my ears.”\u003cbr\u003e --- p.278\u003cbr\u003e\u003cbr\u003e Two people walked out.\u003cbr\u003e Sadly, a cough erupted from the audience.\u003cbr\u003e As if in response, a quiet adjustment and creaking sound was heard on stage.\u003cbr\u003e Finally, Starker took hold of the cello and glanced to the side.\u003cbr\u003e Shebok lowered his arm and played the A for him to tune.\u003cbr\u003e There was a murmur among the audience.\u003cbr\u003e The person sitting next to me leaned over and asked me.\u003cbr\u003e “You know, you’re a pianist.\u003cbr\u003e “How on earth did he do it?” I wanted to know too.\u003cbr\u003e That A was the most seductive sound I've ever heard.\u003cbr\u003e A focused, uncluttered sound.\u003cbr\u003e It was Shebok's magic. \u003cbr\u003eIt was a talent that only he had.\u003cbr\u003e By the way, was it really necessary to play the introductory note for practical purposes so beautifully?\u003cbr\u003e --- p.404\u003cbr\u003e\u003cbr\u003e My scheduled debut at Alice Tully Hall was in April.\u003cbr\u003e In February and March, I listened to dozens of recordings of Bach's E minor Partita.\u003cbr\u003e Most of the performances by renowned Bach experts such as Schiff, Gould, and Turek were considered boring.\u003cbr\u003e I had to fix this boring world.\u003cbr\u003e I was debating whether to play the last movement in eighth notes or go for crazy triplets.\u003cbr\u003e Stesin wanted me to play like jazz.\u003cbr\u003e He loved rough Bach.\u003cbr\u003e (…) One day, after a lesson, over a martini (his favorite drink), he said:\u003cbr\u003e “Eventually you will find a way to play Bach in your own way.\u003cbr\u003e “Not now, though.”\u003c\/div\u003e\n\u003cdiv\u003e --- p.480\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv\u003e\u003ch5\u003e \u003cb\u003ePublisher's Review\u003c\/b\u003e\n\u003c\/h5\u003e\u003c\/div\u003e\n\u003cdiv\u003e  \u003cdiv\u003e\n\u003cb\u003eHow Great Pianists Are Made\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e There are countless people in this world who know how to play the piano even a little.\u003cbr\u003e Among them, there are quite a few pianists who are active and famous all over the world (if you put your mind to it), but you could count them all.\u003cbr\u003e Among them, there are quite a few pianists (so many that it would take more than two hands and two feet to name them) who have left a deep impression on music lovers and general readers through their writings.\u003cbr\u003e Perhaps God gave them the talent to play the piano and also gave them the talent to write.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e There is another outstanding pianist we should add to this list.\u003cbr\u003e In the United States, Jeremy Denk is known as the 'genius pianist'. \u003cbr\u003eHe may be a bit unfamiliar to us as he is mainly active in the US and Europe, but he visited Korea in 2018 and held a solo concert, and in 2019, he also met Korean audiences with a duo concert with Richard Yongjae O'Neill.\u003cbr\u003e And in April 2024, his first book, \"I Hope This Lesson Never Ends,\" which fully demonstrated his other \"genius,\" was published in Korea.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eHow a six-year-old who couldn't even read sheet music became a world-renowned pianist\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The original title of this book, “Every Good Boy Does Fine,” was taken from a game of making sentences using the note names (EGBDF) corresponding to the staff of the treble clef.\u003cbr\u003e This is a memorization technique for children who are learning music for the first time.\u003cbr\u003e This unusual title tells you at a glance what makes Jeremy Denk's book different.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eThis book, which depicts the journey of a cute six-year-old boy who sat on a piano bench and kicked the soundboard with his feet that didn't touch the floor, to a mature young pianist in his thirties who understands music and life while contemplating technique, expression, and emotion, is no exaggeration in saying that it most honestly and accurately depicts the meaning of being a pianist.\u003cbr\u003e Because it contains not the life as a concert pianist, but the life from childhood until becoming a concert pianist.\u003cbr\u003e The time behind the stage that we never knew about until one person became a world-class pianist unfolds in detail and delight. \u003cbr\u003eYou will encounter the process of growing stronger and growing through endless cycles of boring and arduous practice sessions, incomprehensible lessons, unavoidable competition preparation, thrilling moments of inspiration, small successes and small failures, and big successes and big failures.\u003cbr\u003e As the author described this book in an interview as “a love letter to music teachers,” there were certainly many teachers along the way.\u003cbr\u003e\u003cbr\u003e \u003cb\u003eA record of love dedicated to the countless piano teachers around the world.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Your first lesson begins with a local piano teacher.\u003cbr\u003e Hold your hands horizontally, fingers curled and wrists low.\u003cbr\u003e Keep your back straight and lift only one finger joint at a time.\u003cbr\u003e Learn the notes, learn the beats, and learn fingering. \u003cbr\u003eReading these passages—the Dohnányi scale exercises that opened up a new horizon of boredom, the joy of discovering the structure of music while practicing Mozart's A major Concerto K. 488, the struggle with the metronome to control the ever-increasing tempo—brings to mind the endearing image of a child sitting in front of the piano, struggling, and a smile comes to my face.\u003cbr\u003e The scene where the village elders step in to support his tuition before he goes to college reminds us once again that outstanding talent is not created alone.\u003cbr\u003e\u003cbr\u003e As I entered college, the process of learning as a pianist began in earnest. \u003cbr\u003eHaving studied with Joseph Schwartz of Oberlin College, György Schebok of Indiana University, and Herbert Stencin of the Juilliard School, Denk records in considerable detail not only his private and studio lessons with them, but also his masterclasses with Leon Fleischer, Janos Starker, and others, providing a glimpse into the nature of professional piano lessons.\u003cbr\u003e When you happen to hit it right, how do you apply that technique to the rest of the piece? What does it mean to give a piece a sense of direction? How do you differentiate the meaning of two separate notes from those connected by a slur? How can you play a note so it feels sad, heavy, or sweet? How can you make it sound like the note is soaring into the sky, or barely lifting off its feet?\u003cbr\u003e\u003cbr\u003e \u003cb\u003eEvery moment I spent with the piano, they were all my teachers.\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eJust because you can play the piano doesn't mean you have to learn from a piano teacher.\u003cbr\u003e This book unfolds the author's colorful daily experiences as he grew as a pianist, along with his piano lessons. Through his time with the conductor of the school orchestra he was active in during his high school years, the local orchestra he met through concerts, and the musicians he met at various music festivals, the author gains profound insights at every moment.\u003cbr\u003e And during my college years, I learned a lot from professors in various fields while giving lessons to my friends to earn money, such as playing the violin, cello, flute, and singing.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e From Larry Rechlef, conductor of the Contemporary Music Ensemble, I learned the precision and rigor of every notation written in the score, and from cello professor Norman Fischer, I learned how to express the human warmth and musical motivation that are not written in the score. \u003cbr\u003eI learned from violin professor Greg Fulkerson how to describe music as a flowing river.\u003cbr\u003e Also, the way he prepares for the competition, learns the repertoire, learns about competition, and grows steadily as a pianist while going back and forth between confidence and self-deprecation on the competition stage is deeply human.\u003cbr\u003e\u003cbr\u003e Music isn't learned just through music.\u003cbr\u003e A word from his fellow musicians, a glance, a look, a hug, a small smile, a fleeting moment of escape, a leisurely river, a star in the night sky… so many things enlightened and inspired him.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eDenk's Music Lessons and Playlist Commentary\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e Another highlight of this book is Denk's commentary on classical pieces that appear in music lessons and stories. \u003cbr\u003eHis music classes, which are divided into the three fundamentals of music—harmony, rhythm, and melody—explain complex musical concepts in an easy-to-understand way using a variety of metaphors while being professional. (“Melody has, how should I put it, an object-like aspect.\u003cbr\u003e (I hum and own it by myself.) Also, the writing style, which sparkles with humor and wit throughout and poetically connects classical music and universal aspects of the human spirit, will satisfy even readers who enjoy literary essays.\u003cbr\u003e The song descriptions and recommended albums in the playlist commentary included as an appendix fully reveal the direction and tendency of the music that Denk pursues.\u003cbr\u003e Recommended performances by Artur Schnabel, Ignaz Friedmann, Alfred Brendel, Alfred Cortot, and others are enough to open the eyes and ears of classical music lovers as well as majors. \u003cbr\u003e\n\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cdiv style=\"width:95%;padding-top:20px;padding-bottom:20px\"\u003e\n\n\u003cdiv style=\"text-align:left;font-size:16px;font-weight:bold;padding-bottom:20px\"\u003e GOODS SPECIFICS\u003c\/div\u003e\n\n\u003cdiv style=\"text-align:left;font-size:14px;line-height:1.6em;\"\u003e\n\n \u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e- \u003cstrong\u003eDate of issue:\u003c\/strong\u003e April 5, 2024\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003ePage count, weight, size:\u003c\/strong\u003e 576 pages | 728g | 140*210*35mm\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN13:\u003c\/strong\u003e 9791198123145\u003c\/div\u003e\n\n\u003cdiv style=\"width:100%;margin-bottom:5px;line-height:1.6em;font-size:14px\"\u003e - \u003cstrong\u003eISBN10:\u003c\/strong\u003e 1198123141 \u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003ccenter\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003ccenter\u003e\u003ctable\u003e\u003ctr\u003e\u003ctd style=\"height:10px\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\u003c\/table\u003e\u003c\/center\u003e\n\n\u003cspan\u003e\u003c\/span\u003e\n\n\u003c\/center\u003e\n\n\n\u003c\/center\u003e","brand":"LIBRAIRIE COREENNE","offers":[{"title":"Default Title","offer_id":43889886756906,"sku":"161442","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0683\/2750\/5962\/files\/db417a316b935304df795a76c27abcd4.jpg?v=1765275384","url":"https:\/\/librairie.coreenne.fr\/en\/products\/161442","provider":"LIBRAIRIE COREENNE","version":"1.0","type":"link"}