
embrace
Description
Book Introduction
The fifth and final story in the new short story collection "Hada Anthology" by Open Books, "Anda," is written by novelists Kim Kyung-wook, Shim Yun-kyung, Jeon Seong-tae, Jeong I-hyeon, and Jo Kyung-ran.
The masters of Korean literature embrace us with their own stories about the word "anda," which means to open one's arms and pull someone toward one's chest or to hold someone in one's arms.
Kim Kyung-wook's "Disappeared, Disappearing, or Will Disappear" is the story of a novelist who suddenly remembers the unfamiliar arms that embraced her as a child when her mother disappears; Shim Yun-kyung's "Fake Birthday Party" depicts a day in the life of a mid-level executive who, despite her 21st year in the office, still finds it difficult to deal with company life with others; Jeon Seong-tae's "Hitchhiking" is about a college student couple who accidentally get a ride from a stranger and end up visiting his hometown; Jeong I-hyeon's "Once Again" is about two friends who went on a trip to Jeju Island 20 years ago and now, 20 years later, travel to Thailand once again and confirm their deep friendship; and Jo Kyung-ran's "Them" meticulously shows what it means to "embrace" someone by going back and forth between the past and present of three people who are now estranged. All five short stories vividly show how far we can understand others through the act of "knowing."
The masters of Korean literature embrace us with their own stories about the word "anda," which means to open one's arms and pull someone toward one's chest or to hold someone in one's arms.
Kim Kyung-wook's "Disappeared, Disappearing, or Will Disappear" is the story of a novelist who suddenly remembers the unfamiliar arms that embraced her as a child when her mother disappears; Shim Yun-kyung's "Fake Birthday Party" depicts a day in the life of a mid-level executive who, despite her 21st year in the office, still finds it difficult to deal with company life with others; Jeon Seong-tae's "Hitchhiking" is about a college student couple who accidentally get a ride from a stranger and end up visiting his hometown; Jeong I-hyeon's "Once Again" is about two friends who went on a trip to Jeju Island 20 years ago and now, 20 years later, travel to Thailand once again and confirm their deep friendship; and Jo Kyung-ran's "Them" meticulously shows what it means to "embrace" someone by going back and forth between the past and present of three people who are now estranged. All five short stories vividly show how far we can understand others through the act of "knowing."
index
Kim Kyung-wook has disappeared, is disappearing, or will disappear
Fake Birthday Party Sim Yoon-kyung
Hitchhiking Jeon Seong-tae
Jeong I-hyeon once again
Their landscape
Fake Birthday Party Sim Yoon-kyung
Hitchhiking Jeon Seong-tae
Jeong I-hyeon once again
Their landscape
Detailed image

Into the book
The past is the prison of the future.
--- From "First Sentence"
Neither my mother nor my father, nor anyone else, has ever hugged me like that.
I escape from the arms of a stranger.
Because if I hold on any longer, I feel like I'll never be able to escape.
--- From "Kim Kyung-wook, Disappeared, Disappearing, or Will Disappear"
Jae-eun stopped trying to clean up the mess and started crying, and I opened my arms to him with a helpless expression.
Amidst everyone's applause, I gave Jae-eun a light hug and patted his back.
--- From "Sim Yun-kyung, Fake Birthday Party"
She quietly stared at the silhouette of Seungho sleeping next to her.
Pity came over him and himself.
Jiyoung dug into Seungho's chest and hugged him tightly.
Seungho hugged her even while he was sleeping.
--- From "Jeon Seong-tae, Hitchhiking"
I gently placed my hand on Yonggi's back.
Awkwardly, I patted him once, twice.
I remember a long time ago when I was really drunk and Courage gave me this pat on the back.
Tell him to vomit out everything inside him, so he can feel better, pat pat.
--- From "Jeong I-hyeon, Once Again"
I can't say.
Some stories.
There are stories that can be told someday.
We still had stories to tell each other, and maybe there were more to come.
Yeongseo nodded, and so did her senior.
--- From "First Sentence"
Neither my mother nor my father, nor anyone else, has ever hugged me like that.
I escape from the arms of a stranger.
Because if I hold on any longer, I feel like I'll never be able to escape.
--- From "Kim Kyung-wook, Disappeared, Disappearing, or Will Disappear"
Jae-eun stopped trying to clean up the mess and started crying, and I opened my arms to him with a helpless expression.
Amidst everyone's applause, I gave Jae-eun a light hug and patted his back.
--- From "Sim Yun-kyung, Fake Birthday Party"
She quietly stared at the silhouette of Seungho sleeping next to her.
Pity came over him and himself.
Jiyoung dug into Seungho's chest and hugged him tightly.
Seungho hugged her even while he was sleeping.
--- From "Jeon Seong-tae, Hitchhiking"
I gently placed my hand on Yonggi's back.
Awkwardly, I patted him once, twice.
I remember a long time ago when I was really drunk and Courage gave me this pat on the back.
Tell him to vomit out everything inside him, so he can feel better, pat pat.
--- From "Jeong I-hyeon, Once Again"
I can't say.
Some stories.
There are stories that can be told someday.
We still had stories to tell each other, and maybe there were more to come.
Yeongseo nodded, and so did her senior.
--- From "Jo Kyung-ran, Them"
Publisher's Review
A new anthology novel collection on the theme of [Anda]
A new anthology novel collection, "Anda," written by five novelists on a single topic, has been published by Open Books.
[Hada Anthology] is a collection of short stories written by 25 novelists, themed around the verb [hada] and covering five actions we do on a daily basis: walking, asking, seeing, listening, and knowing.
The fifth anthology and the final installment in the series, "Anda," features the pillars and great writers of Korean literature: Kim Kyung-wook, Shim Yun-kyung, Jeon Seong-tae, Jeong I-hyeon, and Jo Kyung-ran.
[The Evolving Novel Machine] Kim Kyung-wook, who has been consistently producing for over 30 years, goes back and forth between the present and past of a youngest son who stops making fermented soybean paste stew and goes out to buy tofu to find traces of his mother who never returns.
"Disappeared, Disappearing, or Will Disappear" intimately unfolds the past of my mother, unknown to me, while also bringing to mind the unfamiliar embrace that embraced me as a child.
Shim Yoon-kyung, who always captures our hearts with new and powerful stories, delicately follows the [fake birthday party] and day of Lee Yeon-kyung, an executive director who has been working hard for 21 years at a semiconductor post-processing company, and calmly tells us what we must live with.
In "Hitchhiking," Jeon Seong-tae, a shining milestone in Korean literature and a writer who tells a rich story with beautiful prose, depicts the one-night stand between Seung-ho and Ji-young, three college best friends who betray their friends and become lovers.
The two of them get into a man's car that they meet by chance on the street and end up following him to his hometown, where they also meet the man's old love...
Meanwhile, Jeong I-hyeon, who depicts the loneliness and desires of people living in the same era with her uniquely delicate and sharp writing style, not only confirms the deep friendship between two friends who went on a trip to Jeju Island 20 years ago but also warmly embraces the lives of people in their 40s who are tired of social life through “Once Again.”
The final installment of "Anda," "They," is another masterpiece by Kyung-ran Cho, which is supported by both readers and critics as a "true expression of life in our time."
It carefully shows what it means to [hug] someone through the relationship between Yeong-seo, who works as a part-time lecturer but is still having trouble finding her place at school, her old acquaintance, senior Yoon, and the poet [Oh], who was once close but has grown distant from her.
And it is full of stories about [people who are more heartbroken by not being able to hug than by the moments they hugged and were hugged] and [people who want to hug].
Kim Kyung-wook, "Disappeared, Disappearing, or Will Disappear"
I started writing this after seeing the safety information text asking for help finding someone and imagining what kind of life that person might have lived.
I wrote this with the hope that they are not lost, but are finding their own lost path.
Shim Yoon-kyung, "Fake Birthday Party"
I think that all humans live wearing masks in society.
I wanted to stop for a moment, when warmth lingered even on a masked face, and when I wanted to lean into that warmth.
Jeon Seong-tae, "Hitchhiking"
Of the three young men in the novel, I was closer to Youngho.
The private entered a hut in a cornfield and read his lover's farewell letter.
I went back there again after I was discharged from the military.
I met a man like Jang on the road and went over the mountain to see his hometown.
This is the only work that transfers military experience to a novel.
Writing a novel not only preserves memories, but also erases or lets go of time.
Jeong I-hyeon, "Once Again"
Exactly 20 years ago, in 2005, I wrote a short story titled “Tomorrow, Tomorrow Again.”
The story is about two friends in their mid-20s who unexpectedly go on a trip to Jeju Island. Their trip is trivial and sloppy, with no plan.
You just try to do what everyone else does, but you quickly realize that there is no such journey or life in the world.
A long time has passed since then, and even though I've been going crazy, I've occasionally thought of the two characters in that novel.
I was curious about their well-being, as if I were old friends.
When I heard the topic [I know], I now felt like I wanted to meet them.
What will the two people who endured the chaotic daily lives of their youth in 2005 be like in 2025?
Kyung-ran Cho, "Them"
I thought about the verb [to know] for a long time.
I wanted to write a story about people I couldn't hug and people I wanted to hug, rather than the moments when I hugged and was hugged.
A short story that makes you think about such a person after reading it.
A new anthology novel collection, "Anda," written by five novelists on a single topic, has been published by Open Books.
[Hada Anthology] is a collection of short stories written by 25 novelists, themed around the verb [hada] and covering five actions we do on a daily basis: walking, asking, seeing, listening, and knowing.
The fifth anthology and the final installment in the series, "Anda," features the pillars and great writers of Korean literature: Kim Kyung-wook, Shim Yun-kyung, Jeon Seong-tae, Jeong I-hyeon, and Jo Kyung-ran.
[The Evolving Novel Machine] Kim Kyung-wook, who has been consistently producing for over 30 years, goes back and forth between the present and past of a youngest son who stops making fermented soybean paste stew and goes out to buy tofu to find traces of his mother who never returns.
"Disappeared, Disappearing, or Will Disappear" intimately unfolds the past of my mother, unknown to me, while also bringing to mind the unfamiliar embrace that embraced me as a child.
Shim Yoon-kyung, who always captures our hearts with new and powerful stories, delicately follows the [fake birthday party] and day of Lee Yeon-kyung, an executive director who has been working hard for 21 years at a semiconductor post-processing company, and calmly tells us what we must live with.
In "Hitchhiking," Jeon Seong-tae, a shining milestone in Korean literature and a writer who tells a rich story with beautiful prose, depicts the one-night stand between Seung-ho and Ji-young, three college best friends who betray their friends and become lovers.
The two of them get into a man's car that they meet by chance on the street and end up following him to his hometown, where they also meet the man's old love...
Meanwhile, Jeong I-hyeon, who depicts the loneliness and desires of people living in the same era with her uniquely delicate and sharp writing style, not only confirms the deep friendship between two friends who went on a trip to Jeju Island 20 years ago but also warmly embraces the lives of people in their 40s who are tired of social life through “Once Again.”
The final installment of "Anda," "They," is another masterpiece by Kyung-ran Cho, which is supported by both readers and critics as a "true expression of life in our time."
It carefully shows what it means to [hug] someone through the relationship between Yeong-seo, who works as a part-time lecturer but is still having trouble finding her place at school, her old acquaintance, senior Yoon, and the poet [Oh], who was once close but has grown distant from her.
And it is full of stories about [people who are more heartbroken by not being able to hug than by the moments they hugged and were hugged] and [people who want to hug].
Kim Kyung-wook, "Disappeared, Disappearing, or Will Disappear"
I started writing this after seeing the safety information text asking for help finding someone and imagining what kind of life that person might have lived.
I wrote this with the hope that they are not lost, but are finding their own lost path.
Shim Yoon-kyung, "Fake Birthday Party"
I think that all humans live wearing masks in society.
I wanted to stop for a moment, when warmth lingered even on a masked face, and when I wanted to lean into that warmth.
Jeon Seong-tae, "Hitchhiking"
Of the three young men in the novel, I was closer to Youngho.
The private entered a hut in a cornfield and read his lover's farewell letter.
I went back there again after I was discharged from the military.
I met a man like Jang on the road and went over the mountain to see his hometown.
This is the only work that transfers military experience to a novel.
Writing a novel not only preserves memories, but also erases or lets go of time.
Jeong I-hyeon, "Once Again"
Exactly 20 years ago, in 2005, I wrote a short story titled “Tomorrow, Tomorrow Again.”
The story is about two friends in their mid-20s who unexpectedly go on a trip to Jeju Island. Their trip is trivial and sloppy, with no plan.
You just try to do what everyone else does, but you quickly realize that there is no such journey or life in the world.
A long time has passed since then, and even though I've been going crazy, I've occasionally thought of the two characters in that novel.
I was curious about their well-being, as if I were old friends.
When I heard the topic [I know], I now felt like I wanted to meet them.
What will the two people who endured the chaotic daily lives of their youth in 2005 be like in 2025?
Kyung-ran Cho, "Them"
I thought about the verb [to know] for a long time.
I wanted to write a story about people I couldn't hug and people I wanted to hug, rather than the moments when I hugged and was hugged.
A short story that makes you think about such a person after reading it.
GOODS SPECIFICS
- Date of issue: November 25, 2025
- Format: Paperback book binding method guide
- Page count, weight, size: 200 pages | 278g | 130*185*17mm
- ISBN13: 9788932925417
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카테고리
korean
korean