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trust
Description
Book Introduction
A word from MD
The 2022 Novels That Shook America
Four intricately woven stories surrounding Andrew Bevel and his wife, who wrote the Wall Street success story of the 1920s.
Through a multi-layered narrative of novel, autobiography, memoir, and diary, it illuminates the truth within a reality distorted by money and power.
Winner of the 2022 Kirkus Prize and shortlisted for the Booker Prize.
March 10, 2023. Novel/Poetry PD Kim Yu-ri
Hernán Díaz, a young master whose first work, "From afar" (2017), was nominated for the Pulitzer Prize, immediately attracted the attention of the American literary world and the world at large.
He makes his debut in Korea with his second full-length novel, ‘Trust.’
Published in the United States in 2022, this work has almost always been included in the list of best books of the year selected by various media outlets at the end of the year.
It was selected as a top 10 book of the year by [The New York Times], [The Washington Post], [Time], [The New Yorker], [The Boston Globe], [The Guardian], [Vogue], NPR, and over 30 other media outlets, including former US President Barack Obama.
Moreover, this work won the Kirkus Award and was nominated for the Booker Prize, proving the quality of the work and the excellence of the author.

Set primarily on Wall Street in the 1920s, Trust tells four distinct stories about Andrew and Mildred Bevel, a couple who achieved legendary success in finance and amassed enormous wealth. It addresses some of today's most pressing and important issues: economics, finance, money, power, and class.
The title of the novel, 'Trust', is a word that has various meanings such as trust, entrustment, consignment, and joint venture, and is used with an ambiguous meaning that contains questions such as which story among several stories about the same person is trustworthy and which narrative to believe.
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index
bonds
Harold Banner _009

My life
Andrew Bevel _149

Remembering the memoir
Aida Partenza _221

gift
Mildred Bevel _421

Acknowledgments _477
Translator's Note _479

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Into the book
When someone who has prided themselves on living a self-sufficient life suddenly realizes that intimacy is what makes the world complete, intimacy can become an unbearable burden.
When you discover a blessing, you feel the fear that you might lose it.
Such people question whether they have the right to entrust their happiness to others.
They worry that their loved one might find their worship boring.
They fear that their longing for the other person may be revealed in a distorted expression that they cannot directly confirm.
And so, bent over by the weight of all these questions and worries, they look within themselves, and the newfound joy of companionship allows them to express more deeply the loneliness they thought they had shaken off.

--- p.69

Most people want to believe that they are active agents in their own victories but passive objects in their own failures.
We win, but we don't fail—we are destroyed by forces beyond our control.

--- p.88

Helen looked back at him.
Her face was like a desolate ruin.
Something was broken and abandoned.
Existence is exhausted.
Her eyes did not look at Benjamin.
It seemed to exist only so that Benjamin could look into the wreckage inside.
Benjamin bent down and kissed her tanned forehead, telling her she was very brave and that she had done well.
He hoped he was smiling.

--- p.135

“Money is an imaginary commodity.
Money can't be eaten or worn, but it represents all the food and clothing in the world.
So money is a fiction.
It is precisely for this reason that money becomes the standard by which we measure the value of all other goods.
What does that mean? It means that money has become a universal commodity.
But remember.
Money is a fiction.
A purely imaginary commodity, isn't it? Finance capital is even more so.
Things like securities, stocks, and bonds.
Do you think anything those highwaymen across the river are buying and selling has any real, concrete value? No.
No, that's not true.
All that crap like securities and stocks is just a claim about future value.
So, if money is a fiction, then financial capital is a fiction of fictions.
That's all these criminals deal in.
Fiction.”
--- pp.248-249

“My job is to get the right answer.
always.
If I make even the slightest mistake, I will use all means and resources to make sure that my mistake is no longer a mistake.
“I adjust reality and bend it to fit my mistakes.”
--- p.305

The individual characteristics of each of those men—Carnegie's self-sufficient piety, Grant's fundamental decency, Ford's hard-nosed pragmatism, Coolidge's rhetorical frugality, and so on—collapsed before what I then thought they all had in common.
That is, they all believed without a doubt that their stories were worth listening to.
They felt that their words deserved to reach someone's ears, that the story of their flawless lives must be told.
They all had the same unshakable confidence that my father had.
And I knew that was precisely the conviction Bevel wanted to put into words.
--- p.311

Publisher's Review
The man who dominated Wall Street in the early 20th century
Four different stories about him


"Trust" is largely divided into four chapters, each telling the story of the same person in the form of a novel, autobiography, memoir, and diary.
The first chapter, "Bonds," which opens the work, is in the form of a novel written by a fictional author named Harold Banner.
The protagonist of 'Bonds' is Benjamin Rask, a descendant of a family that amassed great wealth through the tobacco trade. After his parents' death, he sells the tobacco business and uses his family's wealth and innate mathematical acumen to enter the world of finance.
The solitary and self-sufficient nature of speculation suited Benjamin perfectly, who preferred to spend his time alone, almost like a hermit, rather than socializing and going out to social gatherings.
In the world of finance, where he never touches a single dollar bill or has to interact with anyone or anything that could be affected by his transactions, he amassed enormous wealth, even making unethical choices such as manipulating stock prices or exploiting market crises for personal gain.
As he passes the midpoint of his life, he begins to vaguely consider marriage, and at this time, Helen, who comes from a prestigious but wealthy family, appears before him.


Helen, who spent her childhood wandering abroad, is someone who feels a sense of solitude and joy in being alone, and she finds her own solitude and freedom in Benjamin's solitude.
The couple enjoys a satisfying married life with a sense of intimacy that maintains a certain distance, and while Benjamin gains a reputation as a genius investor on Wall Street, Helen becomes a patron of the arts, inviting famous musicians of the time to her home and holding small concerts.
However, as the unprecedented Great Depression hit the United States in 1929, the shadow of tragedy began to fall over the couple's lives.

The second chapter, following 'Bonds', unfolds an unfinished autobiography titled 'My Life'.
Andrew Bevel, the real-life model for Benjamin Rask in "Bonds," speaks firsthand about his life, work, and marriage to his wife, Mildred.
Andrew Bevel writes this autobiography to refute rumors and fiction about his life, arguing that he achieved personal success while also contributing to the development of his nation, drawing on the teachings of his ancestors that "the good of the individual must be integrated with the good of the nation."
In this autobiography, which is littered with incomplete sentences, outlines, and instructions, Andrew's wife, Mildred, is portrayed as a delicate, homely woman with a love of art and flower arranging, and a delicate nature.
The third chapter, "Remembering the Memoir," is written by Aida Partenza, who recounts her experience as Andrew Bevel's secretary and autobiography writer in her younger days, and presents her perspective on the Bevels.
And in the fourth and final chapter, 'The Gift', a diary written by Mildred Bevel, a character who had been portrayed only through the eyes of others, appears, giving the reader a surprising twist.

A novel within a novel, an autobiography, a memoir, a diary.
Which story would you trust?


A novel about an early 20th-century Wall Street tycoon, an autobiography written by the model to refute the novel's content, a memoir by the author who ghostwrote the autobiography, and finally, the diary of Mildred Bevel, the wife who, in the three previous works, is always told from the perspective of others and never once has her own voice heard.
Hernán Díaz transforms one story into four different writing styles, perfectly capturing the style and atmosphere of each story.
The novel "Bonds" feels like a classic from the last century by Edith Wharton or Fitzgerald, and the unfinished autobiography seems to vividly convey the confident voice of a man who knows exactly how much wealth and power he possesses.


But the true brilliance of this work lies in the way its four intricately constructed texts influence one another to form a seamless yet powerful narrative.
Naturally, the story changes slightly depending on who is narrating it, and none of the four stories provides an overall picture, so the reader cannot trust the previous narrator as one story ends and another begins.
You read the novel as if you were putting together a puzzle, constantly guessing what the 'real' story is and whose story you should believe.
And when the story, which has been built up step by step, finally reveals the truth, the reader feels the emotional fulfillment and catharsis that great literature provides.

“The only thing that is certain in this work is the excellence of the author Diaz,
And that's the value of this book, a must-read." _The Washington Post


Just as the title 'Trust' implies not only the values ​​of trust and faith but also the economic concept of corporate partnership, this novel also explores 'trust' in various fields.
Amidst the sharp conflict between texts telling different stories, it raises the fundamental question of which narrative to believe. Through the married life of Andrew and Mildred Bevel, it tells the story of trust between a married couple and closely examines the role of trust and betrayal in human history as a whole.

Meanwhile, the author unfolds a story about 'money' as an omnipotent entity that dominates our lives, but at the same time, as an unrealistic and fictional entity.
Based on thorough research, this book realistically portrays the stock market and financial world of the early 20th century, delving into the characteristics and abstract structure of financial capital, represented by Wall Street, and exposing the illusion of the myth of wealth and power.
And it talks about timeless, yet still pressing and important issues, such as capitalism, finance, power, and class.


In the novel, Andrew Bevel tells Ida Partenza, who is ghostwriting his autobiography:
“My job is to get the right answer.
always.
If I make even the slightest mistake, I will use all means and resources to make sure that my mistake is no longer a mistake.
“I adjust reality and bend it to fit my mistakes.”

Through "Trust," author Hernán Díaz seems to be asking the reader this question:
In a reality where people with money and power manipulate and bend, whose story would you trust?
After reading the last sentence of the novel, the reader will want to go back to the first page and ponder that question.
And you will read the four articles again with a completely new perspective.
Revisiting the unique yet sophisticated format, the insightful perspective that confronts issues that permeate past and present, the exquisite layers and beautiful prose, and the enchanting story full of surprises.

▶ Recommendation

Sophisticated, complex, and consistently surprising.
The joy of this novel comes from its unpredictability, from the surprises that come with each chapter.
A fascinating and intelligent novel.
_The New York Times

What is certain in this work is only the excellence of the author Diaz and the value of this book as a must-read.
An elegant and seductive puzzle, this novel doesn't simply tell the story of how history and biographies are written; it reveals the process itself.
By the end, the only narrator the reader can trust is Dias.
_The Washington Post

It is a historical novel with an original composition and postmodern elements.
In other words, the reader cannot completely believe anything in the story he is reading.
_NPR

Dias weaves together a number of disparate threads to show how our changing perception of story is linked to wealth's ability to "bend and manipulate reality."
_The New Yorker

Through perfectly written sentences and a deft exploration of certainty, Trust paints a compelling portrait of New York in a century of change.
A novel that is a testament to Diaz's experience as a writer.
_Guardian

It's a brilliant achievement in its own right, while sharply deconstructing capitalism, class, greed, and the meaning of money.
A novel full of surprises, ecstasy, and timely.
Meticulous research, a compelling narrative, and the author's unique and masterful way of telling the story create a novel that will remain in your memory for a long time.
_Vogue
GOODS SPECIFICS
- Date of issue: February 24, 2023
- Page count, weight, size: 488 pages | 494g | 140*210*30mm
- ISBN13: 9788954691673
- ISBN10: 8954691676

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