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A horse came into the bar.
A horse came into the bar.
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Book Introduction
A writer comparable to Dostoevsky and Kafka
A masterpiece by David Grossman, a master of modern Israeli literature


The 2017 Man Booker International Prize winner, A Horse Walked into a Bar, was published by Munhakdongne.
The Man Booker International Prize is awarded to novels translated and published in English in the UK. It became well known to Korean readers when Korean author Han Kang won the prize in 2016 for The Vegetarian.
David Grossman, who received the honor of the 2017 award, is a world-renowned writer who is considered a master of modern Israeli literature and has even been nominated for the Nobel Prize in Literature.
Since publishing his first work, 『Duel』, in 1982, he has published a variety of works, including novels, non-fiction, plays, and children's books, with his profound wisdom, delicate sensibility, and outstanding linguistic sense, and has received many prestigious awards worldwide, including the French Order of Arts and Letters, the Italian Valumbrosa Award, and the Frankfurt Peace Prize.
Grossman is also a writer who boldly portrays the reality of Israel in his works, asking the question, "What should writing do for the world?" He is also a peace activist who constantly questions and criticizes the Israeli government's occupation policy of Palestine.


In "A Horse Walked into a Bar," the author presents a stand-up comedian named Dovalle as the main character, and depicts his two-hour-long performance as a novel.
The novel begins with the beginning of the performance, and the novel ends with the end of the performance.
Within this unique and novel setting, Grossman relentlessly and thoroughly delves into the source of Dovalle's suffering, interspersed with occasional jokes.
And by blending this individual tragedy with the painful history of the Jewish people and satire on the reality of Israel, he creates a tragicomedy where the pain and humor of life coexist.


First published in Israel in 2014, the novel was translated into English by professional Hebrew translator Jessica Cohen and published in the English-speaking world in 2016.
Jessica Cohen, who shared the Man Booker International Prize with David Grossman, was born in England and grew up in Israel. She has introduced contemporary Israeli literature, including Grossman's previous works, To the Ends of the Earth and Out of Time, to the English-speaking world.
The Korean translation was translated into Korean by Professor Jeong Yeong-mok of the Ewha Womans University Graduate School of Interpretation and Translation.
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index
A horse came into the bar… 7
Translator's Note … 319

Into the book
The best way to be treated somewhere is to not be there, you understand? Isn't that the underlying idea of ​​God's entire Holocaust plan? Indeed, isn't that the underlying idea of ​​the entire concept of death? --- p.44

Birthdays, as you know, are a day of reckoning, a day of soul-searching, at least for those who have souls.
--- p.54

Can you grasp how astonishing it is to simply live? How subversive it is? --- p.63

This is how life ends up.
Man plans, and God fucks him up.
--- p.64

You understand - I have nothing.
But still, I'll give you something I've never given to anyone else.
Something that hasn't been tainted.
Life story.
Yeah, that's the best story ever.
--- p.99

“That,” he said quietly.
“There are things that just flow out of some people uncontrollably.
“That thing that only one person in the world may have.”
The brilliance of individuality, I thought.
Inner light.
Or inner darkness.
A secret, a uniqueness that is transmitted like a vibration.
Everything that lies beyond the words that describe a person, beyond what happened to them, beyond what is wrong and twisted in them.
Long ago, when I first started my career as a judge, I naively vowed to seek out what I could from everyone who stood before me, whether defendant or witness.
I swore that I would never be indifferent, that it would be the starting point of my judgment.
--- p.105

"Be nice to that guy," my mother whispered in my ear again.
Remember that everyone only has a short time to live, and we need to make the most of that time.
--- p.224

At that moment, a thought ripens within me.
I hope he reads what I'm going to write tonight.
I hope he has time to read it.
I hope it's there for him when he gets there.
In some way that I myself do not fully understand, nor even believe, I hope that what I write will have some kind of existence there too.
--- p.293

Publisher's Review
The more I imagine it, the more mystifying the pain of a single human being becomes.
Digging into the source of that pain thoroughly and persistently
A stand-up comedian's last performance


A small club located in the Israeli city of Netanya.
A stand-up comedian takes the stage.
The name is Dovalle G.
He celebrated his fifty-seventh birthday today and was dressed in ripped jeans, red suspenders with gold clips, and cowboy boots.
Dovalle, who stands “barely 158 centimeters tall even on a good day” and is so thin that his ribs are horribly exposed, begins his performance in front of an audience of various ages and occupations seated at several tables.
She calls herself a “laughing prostitute” and uses exaggerated gestures and a lively voice to make mischievous jokes to the audience.
And among the audience is the novel's narrator, retired judge Avishai.

Avishai, who had shared a brief, open friendship with Dovale during their childhood, had completely forgotten about him for over forty years.
Then one day, Dovalle suddenly calls and asks me to come see his show.

“The point is, I thought about this a lot, mulled it over for a long time, and couldn’t make up my mind, and I wasn’t sure, but then I finally realized that you were the only person I could ask for this.” (…)
“Keep talking,” I said.
“I wish you would look at me,” he spat out violently.
“If you look at me, really look at me, then I would like you to tell me.”
“What are you telling me?”
“What you saw.” _From the text

Dovalle continues his performance by sometimes making funny jokes and sometimes mocking the audience.
The audience, a mix of people who have clearly seen him perform several times, first-timers, and people who once knew him, initially enjoys his jokes and taunts.
But the show takes a completely different turn when Dovalle begins to tell the story of his childhood, more specifically, the military camp he attended when he was fourteen and the personal events that followed.


Through Dovaleh's performance, the audience, including Avishai, learn that Dovaleh was raised by a father who provided practical care for his son but was also abusive, and a mother who survived the Holocaust and suffered from depression and suicidal tendencies, but who also expressed love for her son.
We also hear that he was bullied severely by other children at school because he was smaller than his peers.
Avishai recalls the time he was in the military camp with Dovale, the last day he saw him, as he hears what he knew (that Dovale had been bullied and he had ignored him) and what he didn't know (that he had been abused by his parents).
And while other audience members express their dissatisfaction with the performance and leave one by one, he continues to sit there and silently watch his performance, the source of his suffering.

Recorded with the 'eyes of a loving witness'
A man's desperate survival story


This novel is written in a format that could be considered a recording of a performance from beginning to end.
Although flashbacks to Avishai's past life are interspersed here and there, the reader has the unique experience of reading this novel and simultaneously watching a stand-up comedy performance.
The novel's formal uniqueness becomes even more apparent when we recall that the title of this book, "A Horse Walked into a Bar," is a phrase often used as a cliché at the beginning of jokes in English-speaking countries.
However, the actual content of the novel completely betrays the expectations of a typical comedy that the title suggests.
Rather than a comedy, this work is closer to the survival story of a man who has lived his entire life in pain.
And Avishai, who sees, records, and conveys this survival story to the reader, only knew the protagonist briefly during his childhood.

Even Dovaleh cannot explain exactly why he asked Avishai, of all people, to watch the performance and tell him what he saw.
But he instinctively knows that Avishai is the right person for the job.
Avishai was a judge who vowed to find out “what lies beyond the words that describe a person, beyond what happened to them, beyond what is wrong and twisted in them.”
Avishai was also the one who was there at the very moment when the suffering that Dovala had carried all his life began, but he did nothing and forgot about him and lived on.
A faint sense of guilt for having lived in ignorance of Dovalle's suffering revives in Avishai's heart, and he is able to watch Dovalle with "the eyes of a loving witness."
In doing so, Avishai can become someone who can witness “what just flows out of someone uncontrollably,” someone who can feel Dovalle’s pain deep within and understand that he survived that painful life.


The skill of a master who succeeded in a nearly impossible challenge

“Every comma, every word, and every drop of sweat shed while joking
None of them are unrelated to the theme of the work.

The technical mastery of this work is incredible.” _The New York Times

As the New York Times noted, and as the reason for its Man Booker International Prize win, which it described as “a novel that demonstrates a masterful mastery of the writer’s craft,” A Horse Walks Into a Bar is a work that highlights David Grossman’s exceptional skills as a writer.
In his previous work, "Out of Time," Grossman wrote about the profound loss of parents who have lost a child in a way that was difficult to classify into a specific genre, as if it were a prose poem or a play. In "A Horse Walked Into a Bar," Grossman has brilliantly demonstrated his genre-transcending writing ability, creating a novel that is incomparable to any other novel.


But what makes this novel even more special is Grossman's empathetic voice contained within its novel format.
Grossman's voice, which illuminates Dovalle's personal tragedy and the tragedy of the times, is based on a meticulous exploration of humanity, a deep understanding, and a warm gaze.
As Professor Jeong Yeong-mok, who translated the novel, said, “It feels like it gives everything a novel can give, whether it’s in technique, content, or true emotion.”
It's about telling an unimaginably large and expansive story set on a single comedy show stage in a small club.
A novel that perfectly blends sharp satire, deep insight into life, and warm empathy for human wounds.
David Grossman has masterfully accomplished this nearly impossible challenge.
GOODS SPECIFICS
- Date of issue: April 30, 2018
- Format: Hardcover book binding method guide
- Page count, weight, size: 324 pages | 430g | 128*188*30mm
- ISBN13: 9788954650632
- ISBN10: 8954650635

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