Opening remarks

-The dinosaurs of opera are alive!
Enrico Caruso
-Charisma of fear, bass like black magic
Fyodor Chaliapin
-The harpsichord of song, its beautiful sentiment
Tito Scippa
-Jilli is the truth
Beniamin Gigli
-The heavy, yet innocent, moody Siegfried
Lauritz Melchior
-Lehar's Song for Tauberman
Richard Tauber
- Wotan for Eternal Bayreuth
Hans Hotter
-The Opera's Frontier Genius Taken Away by Alcohol
Yusi Björling
-A teacher with insight who gazed upon old music
Alfred Deller
-Voice acting that moves right in front of your eyes
Tito Gobbi
-Italian soul delivered by a Jewish-American tenor
Richard Tucker
-Super Mario with Golden Trumpet
Mario Del Monaco
-An Italian stallion with a weak heart
Franco Corelli
-Weak and pure, your name is Tenor.
Giuseppe Di Stefano
-You think Italian tenors are ignorant? Not at all!
Carlo Bergonzi
-A new horizon in vocal art, Eternal Winter Wanderer
Dietrich Fischer-Dieskau
-Consistently beautiful voice, chameleon-like acting
Nikolai Geda
-The life of a hero, full of twists and turns
John Vickers
-There is no retirement in my dictionary.
Alfred Krauss
-A voice as friendly as a freshly steamed bun
Hermann Frey
-A presence that dominates the stage, a happy veteran
Nikolai Gyaurov
-The splendid beauty fell down the stairs that she had stepped on wrongly.
Fritz Wunderlich
-A shameless but lovable scoundrel
Cheryl Milnes
-The King of High C, an Excuse for Him
Luciano Pavarotti
-The path to the base leads to Raimondi.
Ruggero Raimondi

Representative aria of male vocalists
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The story of great vocalists, presented for the first time in Korea
Two precious books containing the musical worlds and life stories of 50 male and female vocalists who will forever be remembered in music history.

Immortal Voice 1: Male Vocalist
From the 20th century tenor idol Caruso to the great bass Raimondi,
That breathtaking musical journey

Enrico Caruso, one of the biggest stars in the early days of the record industry.
He took the world by storm with his powerful voice and lustrous tone, and remains a legend to this day.
Bass Chaliapin, who followed Caruso, was famous for his thrilling power and grotesque charisma that captivated audiences.
Schippa, a representative lyric tenor of the first half of the 20th century, also has his name on the list of immortal voices. He was a pioneer of crossover, enjoying popular popularity with light Latin music.
Among Caruso's successors, Gigli, the greatest singer and the so-called 'textbook of vocal skills', was the epitome of a lyric tenor, but he was also not at all lacking in dramatic roles.
Melchior, who followed him, was also the most famous heldentenor of the 20th century.
Armed with lyricism that contained large scale and rich expressions, he was a great figure who contributed to the globalization of Wagner's operas.

Tenor Tauber, who collaborated with Franz Lehar in the twilight of opera and achieved success after success; the peerless Wotan Hotter; the genius tenor Bjölling, who rose to become the king of Italian opera despite being from Sweden; Deller, who contributed greatly to the revival of the countertenor in the 20th century; and Gobbi, the protagonist of the 'acting voice', all have their names on the list of immortal voices.

Other immortal protagonists that readers should remember include tenor Tucker, who ushered in the golden age of American tenors; Monaco, a representative dramatic tenor of the 20th century; Corelli, the epitome of a handsome male singer; Di Stefano, possessing flowing articulation and a pure voice; and tenor Bergonzi, who shattered the prejudice against Italian opera.

Fischer-Dieskau, a perfectionist who rekindled the spirit of German music, Gedda, the owner of a wide repertoire, Vickers, with her powerful yet twisted tone and unique personality, and Kraus, a Spanish gem known for her elegant singing style, are also famous singers of the century waiting to meet readers.

In addition, the stories of great male vocalists continue breathlessly, including Fry, another star of German baritone, the Bulgarian orthodox bass Gyaurov, the representative of beautiful voices who died in an unexpected accident, Milns with his cynical temperament and tragic style, Pavarotti, the most popular tenor, and Raymond, who was skilled in both heavy roles and basso buffa.