Synopsis
Characters
original script
Interview: The Poetics of That Moment Between the Script and Film of "One Fine Spring Day" ─ Joo Sung-chul and Heo Jin-ho's Special Interview
Memories of Spring: Behind-the-Scenes Stills
Creators

The moment you feel that love has come this far,
Spring days are passing by.

From the terminal waiting room scene where Eun-soo and Sang-woo first meet, to the moments of meeting and parting represented by lines like “Would you like to eat ramen?” and “How does love change?”, and the countless scenes that the actors created together with the director according to their emotions at that time, we have created a place to understand and interpret “One Fine Spring Day” in a completely different way than we have known it until now.
In other words, just by comparing the script and the finished film, you gain a completely new perspective.
_Joo Seong-cheol, editor-in-chief of Cineplay, from an interview included in the script collection

The most interesting aspect of the script for "One Fine Spring Day" is the gap between the original script and the finished film.
The experience of reading and comparing the changes and differences that actors and directors create on set allows us to look at films we thought we already knew from a new perspective.
From the terminal scene where Eun-su and Sang-woo first meet, to the moment they become closer while collecting the sounds of nature, to the lines that foreshadow their separation, the gap between the text and the film itself allows for another interpretation of One Fine Spring Day.
Beyond simple text appreciation, it offers a special reading experience that traces director Jin-ho Heo's directing intentions and creative process.

Additionally, the film's key scenes are included in high-definition still cuts so that they can be viewed together with the script.
From the two people's greening journey against the backdrop of the Gangneung sea and Samcheok bamboo forest to the process of how their gazes towards each other change in daily life, the film's depiction of seasonal changes and the flow of emotions blends with the script's sentences to add a gentle resonance.

The script collection also includes an in-depth conversation between director Jin-ho Heo and Cineplay editor-in-chief Sung-chul Joo.
From the background of the creation of the famous scene to the impromptu choices made on set and the in-depth stories about the moments created together with the actors, this will be a special record for fans as it contains a creative context never heard before.

As critic Lee Dong-jin said, “This is the best work of each of Heo Jin-ho, Lee Young-ae, and Yoo Ji-tae,” “One Fine Spring Day” remains a monumental work in the history of Korean melodramatic films.
If “Christmas in August” was about the power of unspoken love, “Spring Days Are Gone” shows the maturity of love that accepts its end.
Director Jin-ho Heo's unique 'contemplative gaze' that runs through both works has elevated the quality of Korean melodramatic films to a new level.
This script collection will be a valuable record that allows us to fully glimpse into the secrets of its creation.