Part 1: Beginner Mars

Chapter 1: Preliminary Knowledge
1. Pitch
2. Scale
3. Timing and composition

Chapter 2 Triads
1. Harmony of chords
2. Triad chords
3. First inversion of the third chord
4. Second inversion of the main chord
5. Minor third chord
6. Inversion of the minor third chord
7. Connection of Mars functions
8. End

Chapter 3 Seventh Chord
1. Composition and solution
2. Potential

Chapter 4 Reduced Seventh Chords and Half-Diminished Seventh Chords
1. Composition and solution
1. Avant-garde

Chapter 5: Minor Seventh Chord
1. Types and Solutions
2. Potential

Chapter 6: 9th and 11th chords

Chapter 7 Non-harmonic sounds
1. Transient sounds and auxiliary sounds
2. Continuing consonants and preceding consonants
3. Deviating sounds and pre-stroke sounds
4. Mutations and continuous sounds

Chapter 8 Premonitions
1. Diatonic modulation
2. Chromatic modulation

Part 2 Advanced Mars

Chapter 1: Accessory Chords
1. Composition and solution
2. Potential
3. Resolving false positives
4. Continuous use of accessory chords

Chapter 2: Seventh Chord
1. Composition and solution
2. Potential
3. Resolving false positives
4. Sub-harmonic 7th chord

Chapter 3: Transformed Chords
1. Minority in major keys
2. Major key in minor key

Chapter 4 Neapolitan Six Chords

Chapter 5: Sixth Chord
1. Italian 6-note chord
2. French 6-note chord
3. German 6th chord
4. Avant-garde
5. Sixth chord in the middle

Chapter 6 Medium Chords
1. Medium chord
2. Subordinate chords
3. Medium fast 7th chord and sub-medium fast 7th chord
4.5 note upward chord

Chapter 7 Other Variations of Chords

Chapter 8 Advanced Prelude
1. Tinnitus aura
2. Transposition of the chord
3. Changed chord modulation

Chapter 9: Isomorphic Progress and Variation
1. Homogeneous progression
2. Parallel progression

Chapter 10 Bach Chorale
1. Melodic characteristics of chorale
2. End and modulation area by musical phrase
3. Martian vocabulary
4. Typical chord progression types
5. Rhythm and non-harmonic sounds
6. General prohibitions and exceptions on the progress of Mars

Chapter 11 Comprehensive Problems
1. Forming a Martian context
2. The role of the base
3. Melodic quality of the soprano
4. Characteristics of the rhythm of each part
5. Contrapuntal considerations

Chapter 12: Extended Chord Structure