MMS directional cut order
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Description
Book Introduction
The Birth of MMS Directional Cut
MMS directional cuts are the result of 30 years of practical experience in salons on the Korean head structure, hair quality, and hair volume, and 18 years of research into hair designs optimized for the Korean face shape.
Afterwards, the 'MMS Directional Cut' training program was developed, and the accumulated data from two years of serialization in Beauty Life Magazine was published as a book.
Just as small pieces of knowledge accumulate to become great knowledge, this book organizes the most curious and difficult parts for designers in the field into scientific theories and diagrams learned through practical experience.
It is also a practical textbook that allows you to learn together through practice videos linked to YouTube.
MMS directional cut
I can confidently say that this is the standard for Korean-style basic cuts in Korea.
MMS directional cuts are the result of 30 years of practical experience in salons on the Korean head structure, hair quality, and hair volume, and 18 years of research into hair designs optimized for the Korean face shape.
Afterwards, the 'MMS Directional Cut' training program was developed, and the accumulated data from two years of serialization in Beauty Life Magazine was published as a book.
Just as small pieces of knowledge accumulate to become great knowledge, this book organizes the most curious and difficult parts for designers in the field into scientific theories and diagrams learned through practical experience.
It is also a practical textbook that allows you to learn together through practice videos linked to YouTube.
MMS directional cut
I can confidently say that this is the standard for Korean-style basic cuts in Korea.
index
index
Author's Note 6
While serializing Beauty Life 8
1.
Line Flow 9
1-1.
1st Guideline (Under Line) 11
1-2.
Second Guideline (Over Line) 12
1-3.
Up & Down Line 15
2.
The Difference Between Light and Heavy Head Parting 17
2-1.
Differences between baseline and arbitrary lines for left and right 19
2-2.
Lightness and heaviness for the upper and lower layers 21
2-3.
Lightness and Heaviness in Position 23
3.
The Difference Between Light and Heavy Face Shapes 27
3-1.
10 Face Shapes 28
4.
Understanding the Head 34
4-1.
One & Multi-Point Parting 35
4-2.
One Point Parting 36
4-3.
36 Ways to Cut a Short Bob Top
4-4.
How to Cut Medium Layers 38
5.
The Difference Between Light and Heavy Layer Cuts 41
5-1.
The Difference Between Lightness and Heaviness According to Length 42
5-2.
The Difference Between Light and Heavy Layers 43
5-3.
The Difference Between Light and Heavy Positions 45
6.
Line flow according to hand position and comb parting 47
6-1.
The Difference Between Light (Volume Down) and Heavy (Volume Up) Layer Cut Methods 48
6-2.
Lightness and heaviness according to combing method 50
6-3.
Elevation Difference 52
6-4.
Differences Between Lifts 54
7.
Differences Between Fixed and Mobile Design 57
7-1.
Long hair V-line 1st guideline (underline) 58
7-2.
Long hair U-line 1st guideline (underline) 60
7-3.
Second Guideline (Over Line) 61
8.
The concept of Shanghai lineage 64
8-1.
Long Hair Layer 65
8-2.
Medium Hair Layer 66
8-3.
Short Bob Hair Layer 68
9.
71 Views of the Flow of Haircut Lines
9-1.
1st Guideline (Under Line) 72
9-2.
2nd Guideline (Over Line) 75
9-3.
Up & Down Line 81
10.
The Importance of Section 85
10-1.
Section Type 86
11.
Balance 94 for Layers
11-1.
1:1 Balance 95
11-2.
2:1 Balance 97
11-3.
3:1 Balance 98
11-4.
5:1 Balance 100
11-5.
1:2 Balance 101
11-6.
1:3 Balance 102
11-7.
Medium Layer 1:4 Balance 104
12.
Differences Between Top Volume Up and Top Volume Down 105
12-1.
Horseshoe Zone Corner Trimming 105
12-2.
Vertical On-Base Over Reverse Diagonal 107
12-3.
Straight Up 109
12-4.
Front Vertical Large Triangle 110
13.
Differences Between Square and Triangular Partings 112
13-1.
Differences in the skeleton of Baekdu Sang 113
13-2.
Hair Design 117 for Head Bone Parting
14.
121 Bangs Cuts That Will Change Your Look
14-1.
Design by Karma 122
14-2.
Karma 124 for the upper and lower layers
14-3.
126 bangs according to left and right width
15.
Front Side Cut Method 128
15-1.
Straight Combing 129
15-2.
Curved Combing 131
15-3.
Slicing 133
15-4.
Solution for Heavy Forehead Hair 135
16.
Short Side Cut Method 138
16-1.
Hair Designs According to Underline 139
16-2.
Side Cut Method 141
17.
How to Address Four Risk Areas Based on Head Shape 144
17-1.
Front Zone 146
17-2.
Sideburn Zone 148
17-3.
Temporal Zone 150
17-4.
Nape Side Point Zone 152
18. MMS Directional Cut Sequence 155
18-1.
mms directional cut order key point 155
18-2.
Exterior 157
18-3.
Interior 16
Author's Note 6
While serializing Beauty Life 8
1.
Line Flow 9
1-1.
1st Guideline (Under Line) 11
1-2.
Second Guideline (Over Line) 12
1-3.
Up & Down Line 15
2.
The Difference Between Light and Heavy Head Parting 17
2-1.
Differences between baseline and arbitrary lines for left and right 19
2-2.
Lightness and heaviness for the upper and lower layers 21
2-3.
Lightness and Heaviness in Position 23
3.
The Difference Between Light and Heavy Face Shapes 27
3-1.
10 Face Shapes 28
4.
Understanding the Head 34
4-1.
One & Multi-Point Parting 35
4-2.
One Point Parting 36
4-3.
36 Ways to Cut a Short Bob Top
4-4.
How to Cut Medium Layers 38
5.
The Difference Between Light and Heavy Layer Cuts 41
5-1.
The Difference Between Lightness and Heaviness According to Length 42
5-2.
The Difference Between Light and Heavy Layers 43
5-3.
The Difference Between Light and Heavy Positions 45
6.
Line flow according to hand position and comb parting 47
6-1.
The Difference Between Light (Volume Down) and Heavy (Volume Up) Layer Cut Methods 48
6-2.
Lightness and heaviness according to combing method 50
6-3.
Elevation Difference 52
6-4.
Differences Between Lifts 54
7.
Differences Between Fixed and Mobile Design 57
7-1.
Long hair V-line 1st guideline (underline) 58
7-2.
Long hair U-line 1st guideline (underline) 60
7-3.
Second Guideline (Over Line) 61
8.
The concept of Shanghai lineage 64
8-1.
Long Hair Layer 65
8-2.
Medium Hair Layer 66
8-3.
Short Bob Hair Layer 68
9.
71 Views of the Flow of Haircut Lines
9-1.
1st Guideline (Under Line) 72
9-2.
2nd Guideline (Over Line) 75
9-3.
Up & Down Line 81
10.
The Importance of Section 85
10-1.
Section Type 86
11.
Balance 94 for Layers
11-1.
1:1 Balance 95
11-2.
2:1 Balance 97
11-3.
3:1 Balance 98
11-4.
5:1 Balance 100
11-5.
1:2 Balance 101
11-6.
1:3 Balance 102
11-7.
Medium Layer 1:4 Balance 104
12.
Differences Between Top Volume Up and Top Volume Down 105
12-1.
Horseshoe Zone Corner Trimming 105
12-2.
Vertical On-Base Over Reverse Diagonal 107
12-3.
Straight Up 109
12-4.
Front Vertical Large Triangle 110
13.
Differences Between Square and Triangular Partings 112
13-1.
Differences in the skeleton of Baekdu Sang 113
13-2.
Hair Design 117 for Head Bone Parting
14.
121 Bangs Cuts That Will Change Your Look
14-1.
Design by Karma 122
14-2.
Karma 124 for the upper and lower layers
14-3.
126 bangs according to left and right width
15.
Front Side Cut Method 128
15-1.
Straight Combing 129
15-2.
Curved Combing 131
15-3.
Slicing 133
15-4.
Solution for Heavy Forehead Hair 135
16.
Short Side Cut Method 138
16-1.
Hair Designs According to Underline 139
16-2.
Side Cut Method 141
17.
How to Address Four Risk Areas Based on Head Shape 144
17-1.
Front Zone 146
17-2.
Sideburn Zone 148
17-3.
Temporal Zone 150
17-4.
Nape Side Point Zone 152
18. MMS Directional Cut Sequence 155
18-1.
mms directional cut order key point 155
18-2.
Exterior 157
18-3.
Interior 16
GOODS SPECIFICS
- Date of issue: October 30, 2025
- Page count, weight, size: 162 pages | 188*257*20mm
- ISBN13: 9791112077653
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