Southeastern Jirisan - Hamyang and Sancheong 1: Endless Stories from Old Roads and Villages
Southeast of Jirisan - Hamyang·Sancheong 2: The mountain is Jirisan
Yeongju Bu Seok Sa Temple: I keep going and going with a heavy heart
Auraji River Reminiscences - Pyeongchang and Jeongseon 1: The Mountain Cannot Cross the River
Auraji River Reminiscences - Pyeongchang and Jeongseon 2: A Road Detour Under the Triple Sky
Tohamsan Seokbulsa Temple 1: A History of Glory and Shame
Tohamsan Seokbulsa Temple 2: Those Who Challenged the Mysteries of the Stone Grottoes
Tohamsan Seokbulsa Temple 3: Even inanimate objects have a lifespan.
Near the Military Demarcation Line in Cheorwon: The Song of the Hantangang River
Cheongdo Unmunsa Temple and its surroundings 1: The scar on that blue pine tree
Cheongdo Unmunsa Temple and its surroundings 2: Unmunsa Temple's historical records and the history of Unmunjeok
Cheongdo Unmunsa Temple and its surroundings 3: When the lotus flowers bloom, come to Nammaeji
Unfinished Journey 1 - Buan Byeonsan: Precious Beauties Preserved to the End
Unfinished Journey 2 - The Birthplace of General Nokdu, the Gobu: Unfinished Revolution, Unfinished History
Appendix: Tour Schedule and Guide Map

The second volume of the travelogue, 'Mountains cannot cross rivers', begins with an interesting story about the 'takjok' (washing feet in running water) culture of the Joseon Dynasty.
This book covers the areas such as Nongwoljeong in the southeastern part of Jirisan, Muryangsujeon Hall of Bulguksa Temple, Seokguram Grotto in Tohamsan Mountain in Pyeongchang and Jeongseon, Unmunsa Temple in Cheongdo, and Byeonsan Mountain in Buan.
The picturesque beauty of the apple orchard at the entrance to Buseoksa Temple, the grandeur of the Sobaek Mountains seen from Muryangsujeon Hall, the beauty of the curved pillars of Muryangsujeon Hall, and the feminine beauty of Unmunsa Temple in Cheongdo all make us realize what the joy of field trips truly is.


The author's argument that works like Hwang Jae-hyung's "Ambulance" and Im Ok-sang's "Wildfire" appear abstract at first glance, but when you learn about their actual subject matter, you realize how realistic they are is vividly conveyed along with the beauty of the sites of study included in Volume 2.
In particular, the Seokguram section, which contains the design aesthetics of Seokguram that have not yet been discovered, the analysis of the mysterious beauty of the main Buddha statue of Seokguram, and the regret over the destruction of Seokguram during the Japanese colonial period, is a book within a book that could stand alone.
Among the entire travelogue, Volume 2 in particular emphasizes the importance of interpreting our cultural heritage. Accordingly, it introduces the high, deep, and broad interpretations of contemporary alternatives from various angles, making it the most comprehensive collection of information on Korean art history.