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PRISMOf (Quarterly): Fall [2025]
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Description
Book Introduction
Prism of No. 36, Portrait of a Lady on Fire
From her feature debut, Water Lilies, to her latest, Petite Maman, Celine Sciamma has consistently explored female/queer identity and love.
“Portrait of a Lady on Fire,” which made Celine Sciamma’s name known in Korea, was also born from this trend.
The reason this film is constantly being talked about and loved is, above all, because it delicately captures the emotions of the women sharing the love through the eyes of the people involved.
Prism of Issue No. 36, Portrait of a Lady on Fire, takes the world of Celine Sciamma as its starting point and analyzes multi-layered elements such as gaze, music, images of water and fire, class, and mythology in the film through the gazes of female lovers towards each other.
Furthermore, it sheds new light on Portrait of a Lady on Fire by re-examining the painting in the film within the context of art history, expanding its perspective to include the activities of contemporary French female directors and various lesbian period dramas.
From her feature debut, Water Lilies, to her latest, Petite Maman, Celine Sciamma has consistently explored female/queer identity and love.
“Portrait of a Lady on Fire,” which made Celine Sciamma’s name known in Korea, was also born from this trend.
The reason this film is constantly being talked about and loved is, above all, because it delicately captures the emotions of the women sharing the love through the eyes of the people involved.
Prism of Issue No. 36, Portrait of a Lady on Fire, takes the world of Celine Sciamma as its starting point and analyzes multi-layered elements such as gaze, music, images of water and fire, class, and mythology in the film through the gazes of female lovers towards each other.
Furthermore, it sheds new light on Portrait of a Lady on Fire by re-examining the painting in the film within the context of art history, expanding its perspective to include the activities of contemporary French female directors and various lesbian period dramas.
index
Light
18
Prism of Editorial Department
Portraits of loving women
36
Prism of Editorial Department
18th-Century France: The Story Beyond the Portrait
42
Moon Ah-young
Queer Landscapes of Love and Parting: Repetition and Variation in Celine Sciamma's Films
Prism
60
Lee Eun-seon
The memory of the eternal fire that broke down oppression and burned with love
64
Park So-yeon
The feminine gaze and the position of female audiences
68
Moon Seok-min
Two firsts and one last
74
Lee Ja-yeon
The world's most equal number: one-third
78
Kim Yoon-ah
Beyond Orpheus and Eurydice, a Reimagining of Eternal Love
Spectrum
97
Prism of Editorial Department
Audience Survey: Don't regret, remember.
109
Choo Ah-young
Céline Sciamma and contemporary French feminist cinema: a portrait of a burning female director.
117
Kim Seon-ji
A picture drawn by a movie, a movie that a picture tells
125
Park So-yeon
Unlike the blackout, writing down ghostly existences
133
Park Ye-ji
A Double Challenge: Portraits of Lesbians in Period Dramas
18
Prism of Editorial Department
Portraits of loving women
36
Prism of Editorial Department
18th-Century France: The Story Beyond the Portrait
42
Moon Ah-young
Queer Landscapes of Love and Parting: Repetition and Variation in Celine Sciamma's Films
Prism
60
Lee Eun-seon
The memory of the eternal fire that broke down oppression and burned with love
64
Park So-yeon
The feminine gaze and the position of female audiences
68
Moon Seok-min
Two firsts and one last
74
Lee Ja-yeon
The world's most equal number: one-third
78
Kim Yoon-ah
Beyond Orpheus and Eurydice, a Reimagining of Eternal Love
Spectrum
97
Prism of Editorial Department
Audience Survey: Don't regret, remember.
109
Choo Ah-young
Céline Sciamma and contemporary French feminist cinema: a portrait of a burning female director.
117
Kim Seon-ji
A picture drawn by a movie, a movie that a picture tells
125
Park So-yeon
Unlike the blackout, writing down ghostly existences
133
Park Ye-ji
A Double Challenge: Portraits of Lesbians in Period Dramas
Detailed image
Publisher's Review
Prism of is a quarterly film magazine that contains various perspectives on a single film each issue.
It is a compound word of Prism and Of, and it means containing the prism of movies and the prism of people who watch movies.
We aim to create a magazine with collection value by re-examining works from various angles to expand the audience's cinematic experience.
[Copyright]
Publisher
Jinseon Yu
Editor-in-Chief
Jeongyun An
Contribution
Sunji Kim
Yoona Kim
Seokmin Mun
Ahyeong Moon
Soyeon Park
Yeji Park
Eunsun Lee
Jayeon Lee
Ahyoung Choo
Editing Support
Dayeon Kim
Design
Paper Press
Printing
Seguleum (three steps)
Publishing
MATTER Press
It is a compound word of Prism and Of, and it means containing the prism of movies and the prism of people who watch movies.
We aim to create a magazine with collection value by re-examining works from various angles to expand the audience's cinematic experience.
[Copyright]
Publisher
Jinseon Yu
Editor-in-Chief
Jeongyun An
Contribution
Sunji Kim
Yoona Kim
Seokmin Mun
Ahyeong Moon
Soyeon Park
Yeji Park
Eunsun Lee
Jayeon Lee
Ahyoung Choo
Editing Support
Dayeon Kim
Design
Paper Press
Printing
Seguleum (three steps)
Publishing
MATTER Press
GOODS SPECIFICS
- Date of issue: October 15, 2025
- Page count, weight, size: 160 pages | 170*240*20mm
- ISBN13: 9791199248526
- ISBN10: 1199248525
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