/ BOOK 1 Lightroom
/ From the moment you take it from the camera until you export it

PART 1.
Photo & Photographer_ The photographer's studio is as visible as you know.
1.
Is the overall flow more important than the correction? - The photo workflow
2.
Is correction impure because it is manipulation? - The purpose of correction
3.
A photo is a bunch of pixels - Bit
Understanding Digital Bits
Why is higher bit rate better?
｜Interview｜I'm still curious about bit depth.

4.
Please shoot in RAW - RAW
The perfection of the digital photography era: RAW files
｜Interview｜The Story of People Who Ditched RAW and Preferred JPG

5.
Creating a Work Environment for Photographers
The ideal workspace? Ideals are just ideals.
Hardware Photographers Need to Consider
What to Consider When Choosing a Monitor for Photographers
You don't need anything else, just the Cali tool!

6.
Choosing a Program for Photographers
History of Photographers' Programs
Why Lightroom? Bridge + Photoshop = Lightroom!
The First Choice: Lightroom vs. Lightroom Classic

7.
Setting up Photoshop and Lightroom
Photoshop basic settings
Lightroom basic settings
Lightroom seems slow? Optimize

8.
My name instead of a logo, an identification plate

PART 2.
Lightroom_ The unfamiliar Lightroom
[Catalog of Making Lightroom a Photographer's Program]
1.
Leave all your photo management to Lightroom.
2.
If you don't understand, even if you use Lightroom for a hundred days, it's useless - the concept of a catalog
3.
Why Lightroom is the photographer's program - The Catalog Advantage
｜Interview｜Let's get to know the Lightroom catalog.
4.
Installing Lightroom Classic - Subscribe, Unsubscribe
5.
Loading another catalog - Open catalog, Open example file
6.
The first thing to do after installation is to create a new catalog.
7.
Importing photos from your camera to Lightroom - Copy to DNG, Copy
8.
Import the photo folder from my hard drive as is - Add
9.
Import original photos by reorganizing them by date like a book - Move
10.
When a massive backup is needed - Export to Catalog
11.
Importing other catalogs and merging them into one - Import from another catalog

[Library Module - Photo Management]
12.
A quick look at the first screen - the library module
13.
Four ways to view photos - shortcuts, preview toolbar, filmstrip, and explorer panel
14.
Everything you need to know about folder management, from creation to deletion - Folder Panel
15.
3 Ways to Choose an A-Cut Photo - Star Rating, Flag, and Color
16.
Create photo albums that collect your photos as needed - Collections panel
17.
Create a smart photo album that automatically collects your photos - Smart Collection
18.
This is real practical keywording! - Keyword Application Panel
19.
Find the photos you need - Library Filter Bar
20.
Creating an IPTC Preset That Displays My Copyright - Metadata Panel

[Development Module - Photo Correction]
21.
Why do photo colors look weird when I import them into Lightroom? - Presets
22.
A quick look at the calibration screen - How to use the development module and panels
23.
From cropping to adjusting the angle - the overlay cropping tool
24.
Work with before and after corrections on one screen - Compare View
25.
Automatically save your workflow - Work History Panel, Snapshot Panel
26.
Correct multiple photos at once - Sync settings
27.
Switch between Lightroom and Photoshop with one click

PART 3.
Exposure_ From exposure theory to exposure compensation
What the histogram wants to tell you
1.
Everything about histograms that were once elusive
2.
Differences and Features of Lightroom, Photoshop, and Camera Histograms
3.
Learn how to read exposure information with a histogram - underexposure, overexposure
4.
Clipping to maximize the gradation with the histogram!
5.
So is it always right to maximize the gradation?

[The ABCs of Exposure Compensation]
6.
Step 1: Clipping to find the brightest and darkest areas - white/black
7.
Step 2: Expressing the Photographer's Personality with Contrast After Clipping - Highlights/Dark Areas
8.
Step 3: Correcting overall brightness with midtones - Exposure
9.
Powerful yet sensitive tone curve - Curve
10.
2 Lightroom Filters for Quick Correction - The Difference Between Profiles and Presets
11.
Change the starting value of the photo - Profile (Profile)
12.
What happens when powerful AI meets filters? - Presets

[The Basics of Correction: Smarter AI Masking]
13.
Learn masking and you're halfway there in Lightroom - AI-powered selection of titles, skies, backgrounds, and objects.
14.
Select wide, straight lines and diagonal lines - Linear Gradient Mask
15.
Select Round - Radial Gradient Mask
16.
Select by specific color - Color Range Mask
17.
Select by specific brightness - luminance range, depth range mask
18. Rediscovering Manual Craftsmanship in the AI ​​Era - Brush Mask

[panorama]
19.
Overcoming Exposure Limitations - HDR Photography
20.
Create stunning landscape photos with super detail - Panoramic photos
21.
Capturing the same scene multiple times to capture the thrill of realism - HDR Panorama

PART 4.
Color_ From color theory to color correction
[Why Photographers Need to Know Color, Even if It's a Headache]
1.
Are the colors we see really the colors they are?
2.
Our Efforts to Fill the Limitations - Color Space, Color Gamut, and Calibration
3.
What is the material of color? - Color space
4.
What is the range of colors we can express? - Color gamut
5.
Squeezing a larger gamut into a smaller one? - Intent
6.
The difference that enriches the color gamut - bit depth
7.
Want to color correct your sunglasses? - Calibration
8.
So here's a rundown of what I need to do to bring out the colors in my photos.
｜Interview｜Color, the topic of conversation for all of us

9 Techniques for Color Correction
9.
Start by establishing a baseline for all colors - white balance, color temperature
｜Interview｜ It's gray, what's the white balance?
10.
Overall color correction - Vividness/Saturation
11.
Correcting by Color - Color Mixing Panel
12.
Change the color root - Correction panel
13.
Divide into bright, medium, and dark areas for correction - Color Correction panel
14.
Dividing by Brightness Area, but in More Detail! - Color Balance (Photoshop)
15.
Correcting only the desired color - Hue/Saturation (Photoshop)
16.
That Thing That Sometimes Gets Us Bummed - Channel Mixing (Photoshop)
17. Converting Black and White Photos to Color with AI - Colorize (Photoshop AI)

PART 5.
Noise, Sharpen, Blur_ Special features to remove defects
[Sensor dust, stains, chromatic aberration, distortion]
1.
Take care of sensor dust, electrical wires, spots, and blemishes - Spot Removal Tool
2.
The first way to fix lens errors such as chromatic aberration and distortion - Lens Correction Panel, Enhancement
3.
A second way to catch lens errors that are specific to distorted images - the Transform panel.
4.
The ultimate distortion correction tool! - Applied Wide-Angle Filter (Photoshop)

[Vignetting, Grain, Fog, Light]
5.
Darkening the Outlines - Vignetting
6.
Adding film-like noise - grain
7.
Add or remove fog effects - Haze, Dehaze
8.
Creating a Sun-Blooded Effect - Lens Flare (Photoshop)

[Noise and Clarity]
9.
The difference between the three functions that deal with sharpness - sharpening, texture, and local contrast.
10.
Sharpen only the desired part - Sharpen
11. AI and Professional Photographer Techniques - Noise Removal
12.
Create a perfect image by combining multiple photos with different focal points - Auto-Blend Layers (Photoshop)
13.
Change the focus with powerful AI - Lens Blur panel, Depth Blur filter (Photoshop)
14.
Common and Chronic Lens Problems - Photography Common Sense

PART 6.
Export_ Save? No, export!
1.
Save As? NO! - Export
2.
Everything you need to know about export options when you're curious
3.
One-click tedious export process - Presets
4.
Export for web - Instagram, Facebook, websites
5.
Send to a professional designer - newspapers, publishers, corporations
6.
Print in small sizes - Domestic printing companies
7.
Print for Professionals - High-Quality, Display-Ready Prints
8.
Print at Home - Print Module
9.
Create your own seal - watermark

/ BOOK 2 Retouching
/ Retouching Secrets by Photography Category

｜Basic Correction Basics with Reader Photos｜
1. A Beautiful Cat in Front of Grandma's House - Separating Subject and Background
2 As always, plodding through the day - creating atmosphere with colors and tones
3 Dawn, more beautiful than the special beauty of a sea of ​​clouds - Post-production of high ISO shooting
4 Our daily lives - soft and natural
5 Blue sky, green trees, white airplane - simple and bright
6 Neat and loud bokeh - neat colors in a variety of colors
7 Landscapes, sometimes more unrealistic than synthetic - expressing a sense of space and perspective
8 Feels like an alleyway I saw as a child - old and vintage

｜LANDSCAPE｜
Correction areas: nature, street, panorama, black and white photography
9 I also want to take good landscape photos.
10. Remove Unnecessary Objects - Generative Fill (Photoshop AI)
11. Expanding the required area - Generative Fill (Photoshop AI)
12 Creating Dramatic Night Scenes - Basic Landscape Photo Editing
13 Imagine it? Anything is Possible! - Generative Fill (Photoshop AI)

｜Portrait of a person｜
Correction areas: women, men, children, seniors, animals, weddings, commercials, documentaries
14 I also want to take good portraits.
15 The First Step in Photo Retouching - Selecting Only the Area You Want to Work on (Photoshop)
The 5 Most Used Photoshop Tools When Choosing
Lasso Tool, Polygonal Lasso Tool
Object Selection Tool
Quick Selection Tool
Pen tool
And the 'Select and Mask' window, which is dedicated to the selection area.
Practice making selections - changing the background
16 Muscles More Amazing Than 10 Years of Fitness - Shape-Changing Pixel Liquification (Photoshop)
17 Now, clear skin retouching is done with AI! - Neural Filter (Photoshop AI)
18 The Power of Manual Processing That Makes Portraits Special - Burning and Dodging
19 Documentary Portraits that Transcend the Image - Comprehensive Lightroom Correction Examples

｜Product PRODUCT｜
Correction field: Product photos of miscellaneous goods, cosmetics, beverages, clothing, etc.
20 Creating a Flawless, Perfect Product - The Basics of Commercial Photo Retouching: Removing Scratches and Dust
21 Capturing a Moment of Action - Product Photography Retouching with Added Emotion
22 Transparent Mannequins? Amazing how they're made! - Clothing Product Photography Retouching
Step 1: How to Make a Transparent Mannequin
Step 2: Making transparent clothes
Step 3: Joining Two Photos - Liquify
Step 4: Add natural shading

｜Stack Mode STACK｜ The Hidden Know-How of Experts, Stack Mode
23 Stack mode to make photographer's hands and feet easier
24. Take a photo of the Milky Way that isn't romantic at all.
25. Create a Noise-Free Milky Way Photo - Median Stack Rendering (Photoshop)
26. Using it in real work - Stack rendering maximum value (Photoshop)
27. A tripod is always needed, but it's not there! High-quality images without a tripod? - Stack rendering sum and median (Photoshop)

Lightroom Classic Shortcuts (Mac/Windows)

Nine years since its first publication
Why was it the undisputed leader in the Photoshop/Lightroom field?
It's time you knew!

BOOK1_ The easiest approach to photo management
BOOK2_ This book boasts of its generous transfer of know-how in photo editing.
We're back, armed with readers' photos and the latest AI features!

1.
You know everything from 1 to 100, so where do you use it?
- Focus on what photographers need!
This is not just a simple software manual.
We'll guide you through the easiest path to a photographer's workflow, from importing files from the camera to editing and printing.
We eliminate the clutter and focus on 'knowing exactly what you need'.

2.
Histograms? You know those? That one!
- A clear answer to things that were actually ambiguous
A photo taken by simply pressing the camera shutter button.
Why would you bother reading a book about it? It's not something you'll just take a page or two of.
You can clearly and clearly organize photography concepts that have never been clearly answered anywhere, such as camera and computer problems that inevitably arise when handling photos, histograms, clipping, color gamut, calibration, and chromatic aberration.

3.
What's the difference between a professional's photo and mine?
- Before and after comparison of corrections that develop the eye for seeing
You need to know what the problem is before you can correct it.
This book begins by taking the original photo, which is the photographer's true face, and determining what the problems are with the photo and how to correct them.
After developing your eye for vision, it is time to learn correction techniques.
The fun of seeing the story in the photos is a bonus!

4.
You can learn the ABCs of correction just by following along.
- Meticulously designed and repetitive correction techniques
From the basic techniques needed for any type of photography to landscapes, portraits, documentaries, products, and stacked modes, it's all here.
Even if you learn everything one by one, you can never truly claim to know every single feature. While BOOK 1 covers the photography-related Lightroom and Photoshop features one by one, BOOK 2 will apply everything you've learned to practice the actual retouching process.
Discover the real retouching know-how of experts who work across Photoshop and Lightroom.
All the industry's secret techniques will be revealed.

5.
I wonder if this is okay
- Beautiful examples of the photographer's work for sale
These are not hastily made examples to explain the function.
I started with an actual work for sale, and prepared the finished file with a professional editing process so that you can compare it to my own work.
The key is that it doesn't just show the results!

6.
I still don't understand even after reading the book
- Readers' bulletin board and YouTube videos filled with the author's sincerity
Detailed explanations are provided in the book, and important practical courses can be easily and quickly understood through YouTube videos.
Still confused? Feel free to ask questions on our dedicated readers-only bulletin board! Don't hesitate.
You can really hear the answer.