
My pockets are clear and windy
Description
Book Introduction
When Choi Jin-young writes a novel
The novel 'Choi Jin-young' is also sweeping the nation!
Take it out and read it when you need love
Choi Jin-young's sharp insight and dazzling love
After finishing the novel, I feel like meeting the author and asking him questions.
As a reader, I become curious about the story surrounding the novel: how the world in the novel was created, where the characters in the work go, and what kind of time the author spent while writing a book.
As our love for stories grows, we find ourselves wanting to meet more often.
Here's a book you can take out and read when that happens.
We will carry this book in our pockets and read it whenever we need a little love.
I feel somehow secure knowing that I have novelist Choi Jin-young's clear, passionate, and turbulent story in my pocket.
Jinyoung Choi, a trusted novelist in the literary world who wrote 『Proof of the Sphere』, 『Now to My Sister』, and 『Only One Person』, reveals his creative notes.
Choi Jin-young, the most beloved author in Korean literature today, has carefully filled his notebooks with the time he had to endure alone to create a world within his novels.
In his creative notes, Choi Jin-young vividly shows how lonely, mysterious, and fulfilling a writer's time is while writing a novel, and how much the writer struggles to continue with his daily life as he fills each page of the manuscript.
Until he completes the novel, every scene he encounters is directed towards the novel, and he never lets the novel go from his mind for even a moment.
For him, writing novels is every moment of life.
*This book was produced in a pocket-sized size to fit in your pocket, in keeping with the nature of the work.
It is bound with a four-season binding for durability, and the text opens firmly while the soft cover provides a flexible grip when putting it in and taking it out of a pocket.
The novel 'Choi Jin-young' is also sweeping the nation!
Take it out and read it when you need love
Choi Jin-young's sharp insight and dazzling love
After finishing the novel, I feel like meeting the author and asking him questions.
As a reader, I become curious about the story surrounding the novel: how the world in the novel was created, where the characters in the work go, and what kind of time the author spent while writing a book.
As our love for stories grows, we find ourselves wanting to meet more often.
Here's a book you can take out and read when that happens.
We will carry this book in our pockets and read it whenever we need a little love.
I feel somehow secure knowing that I have novelist Choi Jin-young's clear, passionate, and turbulent story in my pocket.
Jinyoung Choi, a trusted novelist in the literary world who wrote 『Proof of the Sphere』, 『Now to My Sister』, and 『Only One Person』, reveals his creative notes.
Choi Jin-young, the most beloved author in Korean literature today, has carefully filled his notebooks with the time he had to endure alone to create a world within his novels.
In his creative notes, Choi Jin-young vividly shows how lonely, mysterious, and fulfilling a writer's time is while writing a novel, and how much the writer struggles to continue with his daily life as he fills each page of the manuscript.
Until he completes the novel, every scene he encounters is directed towards the novel, and he never lets the novel go from his mind for even a moment.
For him, writing novels is every moment of life.
*This book was produced in a pocket-sized size to fit in your pocket, in keeping with the nature of the work.
It is bound with a four-season binding for durability, and the text opens firmly while the soft cover provides a flexible grip when putting it in and taking it out of a pocket.
- You can preview some of the book's contents.
Preview
index
prolog
Creative Notes 1–99
Epilogue
Creative Notes 1–99
Epilogue
Detailed image

Into the book
It was very clear today.
I could see the waves of the distant sea.
I got bored trying to fix the novel, so I wrote a new episode.
An episode of my mom saying “that’s ridiculous” to everything I try to do, but still doing it with me.
A story about a mother who says nonsense, nonsense, and makes it make sense.
--- p.20
If your loved one is lonely, tell them you're sorry.
Sorry.
I'm so sorry that I'm different from you.
But because you and I are different, we can love.
When love disappears, let's wait.
There are times when love gets boring and you want to go outside.
There are times when I want to write a new episode instead of fixing it.
--- p.23
Would my twenty-five-year-old self have known? Why was I writing? I want to ask that question to myself.
How do you write a novel?
What makes you write?
My future self will probably have questions for my present self.
If you're alive.
If there's anything you want.
If you want to find the answer.
So let's live in the present.
Don't look for meaning, just live.
--- p.75
In the end, I couldn't go to the summer beach.
I haven't touched the sea.
I just need to take a day off and go to the nearby beach, but I have to.
I was stingy for just one day.
Why would that be?
Every day there were things to write or books to read.
I sat at my desk and did something.
Yet, I feel like I haven't done anything.
I feel like summer has been stolen.
I don't want it back.
--- p.80
Now I will write a novel.
Weather affects everything.
I wish today's weather would influence my novel so that I could write as if it were a typhoon.
--- p.85
Love is anger.
Love is fear, it is terror, it is an endless loss that no matter how much you lose, you will continue to lose.
There are those who are sad forever.
Because I love you forever.
Those who mock and destroy the great love that embraces sorrow.
Will be eaten.
--- p.105
When I imagine the vast, cold, and silent world, the planets and moons moving at incredible speeds, the stars blazing, the universe, I feel lighter and lighter.
I feel like I should put down all the worries and concerns I have accumulated in my pockets and live well in the present.
When I feel like realistic worries are surrounding me and putting pressure on me, I need to step back from myself.
--- p.115
I, who was obsessively and compulsively fond of something, flowed and flowed and went to the distant sea.
Now I'm a person who's afraid of revealing my feelings.
I don't know about you, but I like you.
I like to be alone, quiet and peaceful.
There is no regret in this heart, and this heart will disappear with time.
I will try my best to leave no trace.
--- p.167
I want to write.
I'm writing.
It's finished.
I want to fill my life with three sentences.
I could see the waves of the distant sea.
I got bored trying to fix the novel, so I wrote a new episode.
An episode of my mom saying “that’s ridiculous” to everything I try to do, but still doing it with me.
A story about a mother who says nonsense, nonsense, and makes it make sense.
--- p.20
If your loved one is lonely, tell them you're sorry.
Sorry.
I'm so sorry that I'm different from you.
But because you and I are different, we can love.
When love disappears, let's wait.
There are times when love gets boring and you want to go outside.
There are times when I want to write a new episode instead of fixing it.
--- p.23
Would my twenty-five-year-old self have known? Why was I writing? I want to ask that question to myself.
How do you write a novel?
What makes you write?
My future self will probably have questions for my present self.
If you're alive.
If there's anything you want.
If you want to find the answer.
So let's live in the present.
Don't look for meaning, just live.
--- p.75
In the end, I couldn't go to the summer beach.
I haven't touched the sea.
I just need to take a day off and go to the nearby beach, but I have to.
I was stingy for just one day.
Why would that be?
Every day there were things to write or books to read.
I sat at my desk and did something.
Yet, I feel like I haven't done anything.
I feel like summer has been stolen.
I don't want it back.
--- p.80
Now I will write a novel.
Weather affects everything.
I wish today's weather would influence my novel so that I could write as if it were a typhoon.
--- p.85
Love is anger.
Love is fear, it is terror, it is an endless loss that no matter how much you lose, you will continue to lose.
There are those who are sad forever.
Because I love you forever.
Those who mock and destroy the great love that embraces sorrow.
Will be eaten.
--- p.105
When I imagine the vast, cold, and silent world, the planets and moons moving at incredible speeds, the stars blazing, the universe, I feel lighter and lighter.
I feel like I should put down all the worries and concerns I have accumulated in my pockets and live well in the present.
When I feel like realistic worries are surrounding me and putting pressure on me, I need to step back from myself.
--- p.115
I, who was obsessively and compulsively fond of something, flowed and flowed and went to the distant sea.
Now I'm a person who's afraid of revealing my feelings.
I don't know about you, but I like you.
I like to be alone, quiet and peaceful.
There is no regret in this heart, and this heart will disappear with time.
I will try my best to leave no trace.
--- p.167
I want to write.
I'm writing.
It's finished.
I want to fill my life with three sentences.
--- p.228
Publisher's Review
99 faithful records for me who keeps falling
“There is an end to a losing streak.
“That fact is always new and surprising.”
This creative notebook, which focuses on the process of writing the novel "Only One Person," contains the scenery of Seoul and Jeju that Choi Jin-young saw while conceiving the novel, the wondrous moment of encountering the novel's first scene, and the author's efforts to soothe himself and move forward while writing the novel in earnest.
In particular, this creative notebook contains the three years he spent in Jeju, during which he published five major works and received major awards. The mere fact that it records important spaces and scenes in his trajectory as a writer makes this book invaluable.
It's almost too much to call it a creative note, as it's filled with Jinyoung Choi's signature sharp insight and dazzling love. As you follow the process of completing a full-length novel, you'll find yourself enjoying the pleasure of reading "a novel called Jinyoung Choi."
This is why the novelist's time flowing within it is also read as a full narrative like another novel.
"My Pocket is Clear and Strong Wind" consists of 99 creative notes between the prologue and epilogue.
The notebook I started before writing a novel contains the daily experiences of writing and not writing, sometimes indifferently, sometimes passionately.
As an avid fan of the professional baseball team Hanwha Eagles, the author often places "playing baseball" and "writing" side by side, promising to "break the losing streak" and "definitely start a new novel."
And even if the baseball team is losing, I never think they will lose.
It is also the earnest hope of a writer who hopes that even if the novel does not go well today, “tomorrow I can write better than today” (p. 17).
Just as “even a losing streak has an end” (page 207), a novel that had been stagnant has now found its way into the flow, and a full-length novel that did not even exist as “0” before “Creative Note 1” began has been filled to 100 after “Creative Note 99” was written.
Perhaps creation is a process of endlessly repeating the time from 0 to 100.
In that infinity, Choi Jin-young writes.
There may be times when I fall down while writing, but I will easily get up and write again.
Because I have such a blue creative notebook in my pocket.
Here's a notebook and pen.
I can write today.
I can live a day.
Someday, what I write will lift me up.
I won't be the first to extend my hand, I won't be the first to ask you to walk again, but just by being there, I will make you get up on your own.
I write every day for myself, who keeps falling down. (Prologue, pages 8-9)
From the epilogue
The sentences in this note are my most personal and intimate stories.
A record of anxiety, loneliness, and love that was special at the time but is now extremely ordinary, poured out on paper because I couldn't tell anyone.
The conclusion that we have reached today after going through those days.
So, even if you falter again, it is a prophecy that you will eventually be okay.
(…)
I keep that feeling and that moment in this note.
For me, who will fall again and again someday and try to rely on despair and unhappiness.
Between spring and summer of 2025
Choi Jin-young
“There is an end to a losing streak.
“That fact is always new and surprising.”
This creative notebook, which focuses on the process of writing the novel "Only One Person," contains the scenery of Seoul and Jeju that Choi Jin-young saw while conceiving the novel, the wondrous moment of encountering the novel's first scene, and the author's efforts to soothe himself and move forward while writing the novel in earnest.
In particular, this creative notebook contains the three years he spent in Jeju, during which he published five major works and received major awards. The mere fact that it records important spaces and scenes in his trajectory as a writer makes this book invaluable.
It's almost too much to call it a creative note, as it's filled with Jinyoung Choi's signature sharp insight and dazzling love. As you follow the process of completing a full-length novel, you'll find yourself enjoying the pleasure of reading "a novel called Jinyoung Choi."
This is why the novelist's time flowing within it is also read as a full narrative like another novel.
"My Pocket is Clear and Strong Wind" consists of 99 creative notes between the prologue and epilogue.
The notebook I started before writing a novel contains the daily experiences of writing and not writing, sometimes indifferently, sometimes passionately.
As an avid fan of the professional baseball team Hanwha Eagles, the author often places "playing baseball" and "writing" side by side, promising to "break the losing streak" and "definitely start a new novel."
And even if the baseball team is losing, I never think they will lose.
It is also the earnest hope of a writer who hopes that even if the novel does not go well today, “tomorrow I can write better than today” (p. 17).
Just as “even a losing streak has an end” (page 207), a novel that had been stagnant has now found its way into the flow, and a full-length novel that did not even exist as “0” before “Creative Note 1” began has been filled to 100 after “Creative Note 99” was written.
Perhaps creation is a process of endlessly repeating the time from 0 to 100.
In that infinity, Choi Jin-young writes.
There may be times when I fall down while writing, but I will easily get up and write again.
Because I have such a blue creative notebook in my pocket.
Here's a notebook and pen.
I can write today.
I can live a day.
Someday, what I write will lift me up.
I won't be the first to extend my hand, I won't be the first to ask you to walk again, but just by being there, I will make you get up on your own.
I write every day for myself, who keeps falling down. (Prologue, pages 8-9)
From the epilogue
The sentences in this note are my most personal and intimate stories.
A record of anxiety, loneliness, and love that was special at the time but is now extremely ordinary, poured out on paper because I couldn't tell anyone.
The conclusion that we have reached today after going through those days.
So, even if you falter again, it is a prophecy that you will eventually be okay.
(…)
I keep that feeling and that moment in this note.
For me, who will fall again and again someday and try to rely on despair and unhappiness.
Between spring and summer of 2025
Choi Jin-young
GOODS SPECIFICS
- Date of issue: June 23, 2025
- Page count, weight, size: 232 pages | 196g | 105*150*15mm
- ISBN13: 9791199022911
- ISBN10: 1199022918
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카테고리
korean
korean