Prism of is a quarterly film magazine that contains various perspectives on a single film in each issue.
It is a compound word of Prism and Of, and it means containing the prism of movies and the prism of people who watch movies.
We aim to create a magazine with collection value by re-examining works from various angles to expand the audience's cinematic experience.

Prism of No. 29 "Love Letter"

When I face the pure white snow-covered mountains in midwinter, I naturally think of “Love Letter” and its earnest cry.
“What is it?” “Love Letter” has long been a symbol of winter and longing.
Prism of No. 29 looked deeper into the depths of “Love Letter.”
Starting with the universal emotions and special memories that created "Love Letter," and director Shunji Iwai, we will closely examine the work's thematic consciousness, themes, filming techniques, mise-en-scène, characters, and music.
In addition, after exploring the relationship between Love Letter and Korean cinema of the fin-de-siècle and the contemporary era, we also examine the position Love Letter occupies within Shunji Iwai's filmography.