[LIGHT]
14 Generation X Collages: Post, Anti, Counter, Multi | Prism of Editorial Team
20 Surviving in a Postmodern World through Film | Jeong Heon
26 Between the Fringe and the Mainstream: Hollywood and Quentin Tarantino | Kim Hyo-jeong

[PRISM]
44 The Aesthetics of Transcending Tradition and Borders: "Pulp Time Cinema" | Park Ji-yoon
52 A Tangled World of Cheap Genre Fiction, or a Melting Pot of Genres | Park Dong-su
60 A machine that does not intervene, from its signal tone | Aesthetics
68 Surprise and Suspense: How "Pulp Fiction" Creates Tension | Lee Jun-yeop
76 Divine Intervention or Tarantino's Play | Park So-yeon

[SPECTRUM]
95 Audience Survey: You know what they call a Quarter Pounder with Cheese in Paris? | Prism of Editorial Staff
103 Rethinking Masculinity and Violence, and the Irony Surrounding It: "Pulp Fiction" and "Fight Club" | Park So-yeon
111 Once Upon a Time… in Pulp Fiction: Tarantino, Hybrid Imitation, and Internet Memes | Kim Kyung-soo
119 Tarantino's 'N-word' and the Racist Controversies Surrounding It | Park Ye-ji
127 Tarantino's Women, the Women Who See Them | Son Si-nae

Prism of Issue #28 "Pulp Fiction"

I think the best way to describe the work “Pulp Fiction” is “a film that cannot be described in a single word.”
From buddy movies to romantic comedies, from romantic comedies to gangster movies, from gangster movies back to buddy movies… .
In Prism of Issue #28, we take a closer look at the intricate pages of Pulp Fiction.
For him, first and foremost, we explore Quentin Tarantino, the creator of Pulp Fiction, and the various aspects of American society in the 1990s that he lived in.
And after carefully examining the time and space, narrative and plot, cinematography and sound, genre and symbolism of Pulp Fiction, we explore the artistic, gender and racial positions of Pulp Fiction in our society today.