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PRISMOf (Quarterly): Summer [2025]
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Description
Book Introduction
Prism of No. 35, "Substance"
“You are one.” The mysterious voice in “Substance” emphasizes the fact that “you are one.”
But we all have something about ourselves that we find so disgusting that we can't even accept it as 'ourselves'.
"Substance" is a work that pushes to the extreme the desire for a "better self" and the disgust for the "ugly self" that women inevitably face in the male-dominated media capitalist market.
Prism of No. 35 illuminates the exploitative realities of Hollywood that gave birth to Substance, the lineage of female body horror films, and various references.
Next, we explore every corner of the work, from the self and the other, to the colors and sounds, special makeup and symbols, and even the feminist implications of “Substance.”
We also broaden our perspective to include works that can be viewed alongside “Substance,” focusing on the body and mind, aging, and mother-daughter relationships.
“You are one.” The mysterious voice in “Substance” emphasizes the fact that “you are one.”
But we all have something about ourselves that we find so disgusting that we can't even accept it as 'ourselves'.
"Substance" is a work that pushes to the extreme the desire for a "better self" and the disgust for the "ugly self" that women inevitably face in the male-dominated media capitalist market.
Prism of No. 35 illuminates the exploitative realities of Hollywood that gave birth to Substance, the lineage of female body horror films, and various references.
Next, we explore every corner of the work, from the self and the other, to the colors and sounds, special makeup and symbols, and even the feminist implications of “Substance.”
We also broaden our perspective to include works that can be viewed alongside “Substance,” focusing on the body and mind, aging, and mother-daughter relationships.
index
Light
18
Im Soo-yeon
Actresses: How Hollywood Conventions Erase 'Actresses'
24
Son Hee-jung
"The Return of the Female Monster": The Feminist New Wave and Body Horror
30
Choo Ah-young
A reinterpretation that extracts the spine of a classic: Coralie Farza's film aesthetics
Prism
48
Lee Ja-yeon
MATRIX: The Gap Between Elizabeth and Sue: What Makes an "Archetype"?
52
Jo Hae-in
ACTIVATOR: From White to Rainbow, the Colors of Substance
56
Shin Ye-seul
OTHER SELF: From the sound of sirens
60
Hong Su-jeong
STABILIZER: Women Who Eat and Be Eaten: "Substance" as Food Horror
64
Dune
SWITCH: Faces Through Imperfections, Foam Latex-Eliza-Sue
70
Lee Eun-seon
TERMINATION: Monstro Elizasu, a monster born of sexual objectification and self-loathing.
Spectrum
87
Prism of Editorial Department
Audience Survey: You can't escape from yourself.
97
Prism of Editorial Department
Should Pretty Women Always Smile?: An Interview with Musician Hot Felt
115
Park So-yeon
The ambiguity of gendered representations of aging
123
Park Ye-ji
Repeated Desire Through a Fragmented Body: Portrait of a Female Monster
129
Jeon Seung-min
The revenge of embodied bodies
18
Im Soo-yeon
Actresses: How Hollywood Conventions Erase 'Actresses'
24
Son Hee-jung
"The Return of the Female Monster": The Feminist New Wave and Body Horror
30
Choo Ah-young
A reinterpretation that extracts the spine of a classic: Coralie Farza's film aesthetics
Prism
48
Lee Ja-yeon
MATRIX: The Gap Between Elizabeth and Sue: What Makes an "Archetype"?
52
Jo Hae-in
ACTIVATOR: From White to Rainbow, the Colors of Substance
56
Shin Ye-seul
OTHER SELF: From the sound of sirens
60
Hong Su-jeong
STABILIZER: Women Who Eat and Be Eaten: "Substance" as Food Horror
64
Dune
SWITCH: Faces Through Imperfections, Foam Latex-Eliza-Sue
70
Lee Eun-seon
TERMINATION: Monstro Elizasu, a monster born of sexual objectification and self-loathing.
Spectrum
87
Prism of Editorial Department
Audience Survey: You can't escape from yourself.
97
Prism of Editorial Department
Should Pretty Women Always Smile?: An Interview with Musician Hot Felt
115
Park So-yeon
The ambiguity of gendered representations of aging
123
Park Ye-ji
Repeated Desire Through a Fragmented Body: Portrait of a Female Monster
129
Jeon Seung-min
The revenge of embodied bodies
Detailed image
Publisher's Review
Prism of is a quarterly film magazine that contains various perspectives on a single film in each issue.
It is a compound word of Prism and Of, and it means containing the prism of movies and the prism of people who watch movies.
We aim to create a magazine with collection value by re-examining works from various angles to expand the audience's cinematic experience.
Publisher: MATTER Press
Matter Press is a studio that visually embodies critical discourse.
We document, analyze, and expand on discussions surrounding film, politics, and culture.
We explore the power, resistance, and meaning of media.
We embody reason.
[Copyright]
Publisher
Jinseon Yu
Editor-in-Chief
Jeongyun An
Contribution
Djuna
Soyeon Park
Yeji Park
Jay Heejeong Sohn
Yeasul Shin
Eunsun Lee
Jayeon Lee
Sooyeon Lim
Seungmin Jeon
Hain Cho
Ahyoung Choo
Soojung Hong
Design
Paper Press
Printing
Seguleum (three steps)
Publishing
MATTER Press
It is a compound word of Prism and Of, and it means containing the prism of movies and the prism of people who watch movies.
We aim to create a magazine with collection value by re-examining works from various angles to expand the audience's cinematic experience.
Publisher: MATTER Press
Matter Press is a studio that visually embodies critical discourse.
We document, analyze, and expand on discussions surrounding film, politics, and culture.
We explore the power, resistance, and meaning of media.
We embody reason.
[Copyright]
Publisher
Jinseon Yu
Editor-in-Chief
Jeongyun An
Contribution
Djuna
Soyeon Park
Yeji Park
Jay Heejeong Sohn
Yeasul Shin
Eunsun Lee
Jayeon Lee
Sooyeon Lim
Seungmin Jeon
Hain Cho
Ahyoung Choo
Soojung Hong
Design
Paper Press
Printing
Seguleum (three steps)
Publishing
MATTER Press
GOODS SPECIFICS
- Date of issue: August 11, 2025
- Page count, weight, size: 160 pages | 170*240*20mm
- ISBN13: 9791199248519
- ISBN10: 1199248517
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