
Magazine C: Poteuil Grand Confort No. 4
Description
Book Introduction
The greatness of the Pouteuil Grand Confort, designed by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand in 1928, does not lie simply in its ‘comfort.’
This is because it became an icon that encapsulated modernity with its innovative image of using steel pipe, which was the latest material at the time, and the new concept of a 'chair being a machine for sitting on.'
The form, which borrows vertical and horizontal elements, modular concepts, and piloti structures frequently seen in Le Corbusier's architecture, is reminiscent of Le Corbusier's words that a chair is architecture.
In other words, the Poteuil Grand Confort is a great chair that creates a rich beauty through the combination of a pure, machine-like form, discipline and order derived from a simple structural system, and the interconnectedness between them.
The Pouteuil Grand Confort, previously known as the LC2 and LC3, bearing Le Corbusier's initials, regained its original French name in 2022 by its manufacturer, Cassina.
Magazine C interviewed Luca Puso, CEO of Cassina, who led the effort, about the production process of the Pouteuil Grand Confort, and met with world-renowned designer Patricia Urquiola and architect Mario Botta to hear about the architectural aesthetics inherent in the Pouteuil Grand Confort.
We also introduce the homes and lifestyles of people who use the Pouteuil Grand Confort in cities around the world, from famous Japanese actors who inherited Japan's modern architecture to a musician and engineer couple living in the Le Corbusier-designed Unité d'Habitation in Berlin.
In addition to this, there is also the Pouteuil Grand Confort, which is placed like a painting in Le Corbusier's monuments designed based on the five points of modern architecture, such as Maison La Roche in Paris and the Le Corbusier Pavilion in Zurich, and the 'Chairs of Architects I Love' introduced by nine architects.
It contains a variety of information and insights covering architecture, design, and lifestyle, centered around the Porteuil Grand Confort.
This is because it became an icon that encapsulated modernity with its innovative image of using steel pipe, which was the latest material at the time, and the new concept of a 'chair being a machine for sitting on.'
The form, which borrows vertical and horizontal elements, modular concepts, and piloti structures frequently seen in Le Corbusier's architecture, is reminiscent of Le Corbusier's words that a chair is architecture.
In other words, the Poteuil Grand Confort is a great chair that creates a rich beauty through the combination of a pure, machine-like form, discipline and order derived from a simple structural system, and the interconnectedness between them.
The Pouteuil Grand Confort, previously known as the LC2 and LC3, bearing Le Corbusier's initials, regained its original French name in 2022 by its manufacturer, Cassina.
Magazine C interviewed Luca Puso, CEO of Cassina, who led the effort, about the production process of the Pouteuil Grand Confort, and met with world-renowned designer Patricia Urquiola and architect Mario Botta to hear about the architectural aesthetics inherent in the Pouteuil Grand Confort.
We also introduce the homes and lifestyles of people who use the Pouteuil Grand Confort in cities around the world, from famous Japanese actors who inherited Japan's modern architecture to a musician and engineer couple living in the Le Corbusier-designed Unité d'Habitation in Berlin.
In addition to this, there is also the Pouteuil Grand Confort, which is placed like a painting in Le Corbusier's monuments designed based on the five points of modern architecture, such as Maison La Roche in Paris and the Le Corbusier Pavilion in Zurich, and the 'Chairs of Architects I Love' introduced by nine architects.
It contains a variety of information and insights covering architecture, design, and lifestyle, centered around the Porteuil Grand Confort.
index
Intro
Letter From C
Publisher's Note
Quotes
The design philosophies of Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, which became the creative starting point for world-renowned architects and designers.
5 Cities, 5 Homes
In cities around the world, the Poteuil Grand Confort stands as a symbol of modernism, a place of perfect proportions and great comfort.
New York Ruba Abunima, Moncler Creative Director
Berlin musician and engineer couple Henryk & Natalia Sverdlund
Tokyo actress Kyoka Suzuki
Yangpyeong Lee, collector and mk2 representative
Milano Piero Lissoni Architect and Designer
Designers: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Everything about architecture, interior design, and furniture design that emerged from the teamwork of three people who worked together at Le Corbusier's atelier from 1927 to 1937.
Iconic Chair
The timeless grandeur of a chair born in 1928, embracing Le Corbusier's architectural principles and modernist aesthetics.
Equipment of a Dwelling
'Machine for Home', which showcased an innovative design using steel pipes, and Cassina's Imaestri collection, which continues its legacy today.
About Cassina
Since its establishment in 1927, Cassina has created numerous design icons, including collections by outstanding designers.
The Cassina Perspective
Cassina CEO Luca Puso on the company's core values: Cassina Perspective
Cassina imaestri
The Imaestri Collection, a collection of works by modernist masters that hold a significant place in design history, is revealed by Barbara Lehman, curator of Cassina.
Timeless Comfort
The essence of Cassina's design, which creates a sense of stability and quality that remains unchanged even as times change.
Cassina Creative Vision
Cassina's Artistic Director Patricia Urquiola talks about the process, collaborative experience, and design philosophy of connecting the brand's design heritage with its contemporary vision.
Digest
Cassina, a leading Italian company that systematically manages 20th-century classic designs, demonstrates its tradition and expertise.
Opinion - Arthur Ru?egg
An interview with Arthur Rüeck, an architect and design researcher who has studied Le Corbusier for the past 50 years, analyzing his philosophy and designs and restoring his furniture and architecture.
The Grand Monuments
From Maison La Roche in Paris to the Le Corbusier Pavilion in Zurich.
Four monuments where the Grand Confort of Poteuil is placed
Opinion - Mario Botta
An interview with world-renowned architect Mario Botta, who learned architectural thinking and urban wisdom from Le Corbusier.
The Architect's Architect's Chairs
Architect's Chairs Selected and Used by Nine Architects
Opinion - Shumi Bose
Architectural historian Schmi Bos defines 'architectural' as creative inspiration.
Architectural ( )
Neuf Voix, a musician who attempts to spatialize architectural (sound) sound
Mu:p, a performance group exploring the relationship between architectural (gestural) space and movement
Marie Troitskaia creates another kind of architecture with architectural (cake) cakes
The hyper-elliptical sine that gives order to the relationship between the text and images inside the architectural (book) and the way the exterior is assembled
New Wave
Studio Destroyer/Builders and Atelier KHJ create "works for sitting" based on the aesthetics of modern architecture.
Chairpunk
Twisting the Poteuil Grand Confort by architect and Studio SMA principal Seung-Beom Ma
Chair Index
my favorite chair
Outro
Letter From C
Publisher's Note
Quotes
The design philosophies of Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, which became the creative starting point for world-renowned architects and designers.
5 Cities, 5 Homes
In cities around the world, the Poteuil Grand Confort stands as a symbol of modernism, a place of perfect proportions and great comfort.
New York Ruba Abunima, Moncler Creative Director
Berlin musician and engineer couple Henryk & Natalia Sverdlund
Tokyo actress Kyoka Suzuki
Yangpyeong Lee, collector and mk2 representative
Milano Piero Lissoni Architect and Designer
Designers: Le Corbusier, Pierre Jeanneret, Charlotte Perriand
Everything about architecture, interior design, and furniture design that emerged from the teamwork of three people who worked together at Le Corbusier's atelier from 1927 to 1937.
Iconic Chair
The timeless grandeur of a chair born in 1928, embracing Le Corbusier's architectural principles and modernist aesthetics.
Equipment of a Dwelling
'Machine for Home', which showcased an innovative design using steel pipes, and Cassina's Imaestri collection, which continues its legacy today.
About Cassina
Since its establishment in 1927, Cassina has created numerous design icons, including collections by outstanding designers.
The Cassina Perspective
Cassina CEO Luca Puso on the company's core values: Cassina Perspective
Cassina imaestri
The Imaestri Collection, a collection of works by modernist masters that hold a significant place in design history, is revealed by Barbara Lehman, curator of Cassina.
Timeless Comfort
The essence of Cassina's design, which creates a sense of stability and quality that remains unchanged even as times change.
Cassina Creative Vision
Cassina's Artistic Director Patricia Urquiola talks about the process, collaborative experience, and design philosophy of connecting the brand's design heritage with its contemporary vision.
Digest
Cassina, a leading Italian company that systematically manages 20th-century classic designs, demonstrates its tradition and expertise.
Opinion - Arthur Ru?egg
An interview with Arthur Rüeck, an architect and design researcher who has studied Le Corbusier for the past 50 years, analyzing his philosophy and designs and restoring his furniture and architecture.
The Grand Monuments
From Maison La Roche in Paris to the Le Corbusier Pavilion in Zurich.
Four monuments where the Grand Confort of Poteuil is placed
Opinion - Mario Botta
An interview with world-renowned architect Mario Botta, who learned architectural thinking and urban wisdom from Le Corbusier.
The Architect's Architect's Chairs
Architect's Chairs Selected and Used by Nine Architects
Opinion - Shumi Bose
Architectural historian Schmi Bos defines 'architectural' as creative inspiration.
Architectural ( )
Neuf Voix, a musician who attempts to spatialize architectural (sound) sound
Mu:p, a performance group exploring the relationship between architectural (gestural) space and movement
Marie Troitskaia creates another kind of architecture with architectural (cake) cakes
The hyper-elliptical sine that gives order to the relationship between the text and images inside the architectural (book) and the way the exterior is assembled
New Wave
Studio Destroyer/Builders and Atelier KHJ create "works for sitting" based on the aesthetics of modern architecture.
Chairpunk
Twisting the Poteuil Grand Confort by architect and Studio SMA principal Seung-Beom Ma
Chair Index
my favorite chair
Outro
Detailed image
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Publisher's Review
Magazine <C> is a chair documentary magazine that introduces design and lifestyle centered around an iconic chair selected by Grande Clip and Magazine <B> each issue.
Covering everything from famous chairs that have had a profound impact on related industries and public life to street chairs, it illuminates the designers, brands, manufacturers, collectors, and the lifestyles of those who sit in them, as well as their contemporary influence.
Grande Clip, which publishes the magazine “C,” is a new startup launched by Kim Bong-jin, founder of Woowa Brothers (Baedal Minjok). With the motto of “making small things great,” the company aims to find value in small and ordinary things like clips and make them meaningful and great.
*
When you first see the Poteuil Grand Confort, you might think, "Huh? What is this? Isn't it too simple and boring?"
But if you think about it a little, you'll realize that things that seem so obvious and ordinary now were actually quite innovative products in the past.
Close examples would be iPhones and computers, and looking a little further afield, things like paper and glass would be examples.
The appearance of the Pouteuil Grand Confort may seem ordinary now, but when the design was first introduced, it reflected a very groundbreaking and innovative philosophy.
That's why I think many designers and architects, including myself, want to own the Pouteuil Grand Confort out of respect for Le Corbusier.
Le Corbusier is a name I have admired for a long time, and I also own several of his furniture pieces.
I've been working hard all this time. (Laughs) I use the Poteuil Grand Confort Petit Grand model and the LC14 Tabouret made for a 4-pyeong cabin here and there.
I have over 10 pairs of Lesca glasses, which Le Corbusier favored, and I also have two drawings of Le Corbusier's buildings by artist Kim Soo-young.
I sit in front of his works with reverence, hang them all over my house to admire them, and wear them with my glasses as I go about my daily life. (Laughs) I still can't forget the emotion I felt when I visited the Unité d'Habitation in Berlin and Marseille.
I'm finally here! Wandering around the Unité d'Habitation, I was able to experience the philosophical side of Le Corbusier, who coined the concept of "a house is a machine for living in," where the various functional elements that make up a home serve people like a single machine, and the ideals he pursued.
There's a saying that modern architects try this and that to avoid the uniform design of apartments, but they always end up coming back to this.
This means that Le Corbusier has already provided all the answers.
Four years ago, I finally visited the Bauhaus, which was a kind of pilgrimage for me.
3 When it comes to the Porteuil Grand Confort Grand Model, you can't help but mention Steve Jobs.
Every time a new product is announced, you can easily find a picture of someone sitting in this chair, and it feels like a chair that Steve Jobs would love.
It seems to perfectly match the Apple design philosophy he pursued, such as the neat rectangular shape and material of steel tubes, simple composition, and simple finish.
Apple's design philosophy traces back to Le Corbusier and the Bauhaus.
Chairs that can be discussed alongside the Pouteuil Grand Confort include Mies Van Der Rohe's Barcelona Chair and Marcel Breuer's Wassily Chair, and in fact, all three were designed around the same time.
Since they share the same zeitgeist of modernism, represented by Bauhaus, wouldn't it be natural to place them together?
Buying these chairs means bringing the spirit of modernism, represented by Bauhaus and Le Corbusier, into your home.
I love the Poetry of Grand Confort so much that I wish it had been featured in the first or last issue.
It's a bit of a shame that it comes out in the middle. (Laughs) When I published the magazine <F>, the theme of the first issue was salt and the theme of the last issue was water, and the intention was to place the most important things at the beginning and end.
The influence of the Grand Confort and Le Corbusier on modern design is highly regarded.
This issue delves into little-known facts, including the contributions of Le Corbusier and his co-designers Pierre Jeanneret and Charlotte Perriand, and the challenging production process.
I am confident that the aspirations for modernism and the zeitgeist they sought to capture in the Poteuil Grand Confort will continue to inspire many designers and architects.
Publisher Kim Bong-jin
Covering everything from famous chairs that have had a profound impact on related industries and public life to street chairs, it illuminates the designers, brands, manufacturers, collectors, and the lifestyles of those who sit in them, as well as their contemporary influence.
Grande Clip, which publishes the magazine “C,” is a new startup launched by Kim Bong-jin, founder of Woowa Brothers (Baedal Minjok). With the motto of “making small things great,” the company aims to find value in small and ordinary things like clips and make them meaningful and great.
*
When you first see the Poteuil Grand Confort, you might think, "Huh? What is this? Isn't it too simple and boring?"
But if you think about it a little, you'll realize that things that seem so obvious and ordinary now were actually quite innovative products in the past.
Close examples would be iPhones and computers, and looking a little further afield, things like paper and glass would be examples.
The appearance of the Pouteuil Grand Confort may seem ordinary now, but when the design was first introduced, it reflected a very groundbreaking and innovative philosophy.
That's why I think many designers and architects, including myself, want to own the Pouteuil Grand Confort out of respect for Le Corbusier.
Le Corbusier is a name I have admired for a long time, and I also own several of his furniture pieces.
I've been working hard all this time. (Laughs) I use the Poteuil Grand Confort Petit Grand model and the LC14 Tabouret made for a 4-pyeong cabin here and there.
I have over 10 pairs of Lesca glasses, which Le Corbusier favored, and I also have two drawings of Le Corbusier's buildings by artist Kim Soo-young.
I sit in front of his works with reverence, hang them all over my house to admire them, and wear them with my glasses as I go about my daily life. (Laughs) I still can't forget the emotion I felt when I visited the Unité d'Habitation in Berlin and Marseille.
I'm finally here! Wandering around the Unité d'Habitation, I was able to experience the philosophical side of Le Corbusier, who coined the concept of "a house is a machine for living in," where the various functional elements that make up a home serve people like a single machine, and the ideals he pursued.
There's a saying that modern architects try this and that to avoid the uniform design of apartments, but they always end up coming back to this.
This means that Le Corbusier has already provided all the answers.
Four years ago, I finally visited the Bauhaus, which was a kind of pilgrimage for me.
3 When it comes to the Porteuil Grand Confort Grand Model, you can't help but mention Steve Jobs.
Every time a new product is announced, you can easily find a picture of someone sitting in this chair, and it feels like a chair that Steve Jobs would love.
It seems to perfectly match the Apple design philosophy he pursued, such as the neat rectangular shape and material of steel tubes, simple composition, and simple finish.
Apple's design philosophy traces back to Le Corbusier and the Bauhaus.
Chairs that can be discussed alongside the Pouteuil Grand Confort include Mies Van Der Rohe's Barcelona Chair and Marcel Breuer's Wassily Chair, and in fact, all three were designed around the same time.
Since they share the same zeitgeist of modernism, represented by Bauhaus, wouldn't it be natural to place them together?
Buying these chairs means bringing the spirit of modernism, represented by Bauhaus and Le Corbusier, into your home.
I love the Poetry of Grand Confort so much that I wish it had been featured in the first or last issue.
It's a bit of a shame that it comes out in the middle. (Laughs) When I published the magazine <F>, the theme of the first issue was salt and the theme of the last issue was water, and the intention was to place the most important things at the beginning and end.
The influence of the Grand Confort and Le Corbusier on modern design is highly regarded.
This issue delves into little-known facts, including the contributions of Le Corbusier and his co-designers Pierre Jeanneret and Charlotte Perriand, and the challenging production process.
I am confident that the aspirations for modernism and the zeitgeist they sought to capture in the Poteuil Grand Confort will continue to inspire many designers and architects.
Publisher Kim Bong-jin
GOODS SPECIFICS
- Date of issue: April 23, 2025
- Page count, weight, size: 188 pages | 170*240*20mm
- ISBN13: 9791198807069
- ISBN10: 1198807067
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