
What I wanted in summer
Description
Book Introduction
★ New work by Seo Hanna, author of "Love's Silverfish"
★ Highly recommended by poet Ko Seon-gyeong, "Shower Gel and Soda Water."
“He must have come to suffocate me.
Now he stands in every summer place I loved.”
-Go Seon-gyeong, poet
"The impatience toward something and the subsequent lull are, of course, the very essence of this season."
On living in a summer state of boredom and fascination in one day
As we enter the middle of summer, a book has been published that will make you experience this season in a different way.
The protagonist is the new work, What I Wanted in Summer, by Seo Hanna, who was praised by fellow writers as “the writer with the most eloquent writing among her peers” when her first prose collection, “Love’s Silver Lining,” was published.
In this book, instead of the scorching sun that seems ready to burn at any moment, the sweat-soaked outerwear, and the discomfort index that seems to make even humanity disappear, we encounter the author's unique romanticism that is enthusiastic about the image of 'summer.'
The author says, “Summer is about inflating everything beyond its reality, imagining things that aren’t there, and as if reality were something, thinking that what has disappeared exists in some way next to me.”
For example, the allure of summer is talking about the love of a summer gone by, or liking a summer that can never return, finding music or movies that sing of such summers and playing them over and over again, missing the youth of hot countries and living in the weary present.
It is in line with the saying, “The excitement toward something and the subsequent lull are things of this season.”
As poet Ko Seon-gyeong, who recommended this book, said, “He must have come to suffocate us all.
Now he will stand in every summer place we loved.”
“While writing this, I listened to music by someone who sang like a beast.
I watched a sweaty movie.
On the tennis court, at the pool.
I've seen movies where people want each other at the same time but don't say a word.
(…) For me, that is what summer is like.
Boredom and fascination are both present in one day, and noon and midnight cannot be so different.
“Rather than describing a happy time on a summer day, I wanted to talk about living in a state of summer, no matter what time it is.” (p. 8)
“Since this book is about summer, I tried to write it like someone singing with their whole body, like a player who rushed at the king of kings and was defeated miserably.
“The excitement for something and the subsequent lull are, of course, things of this season.” (p. 8)
★ Highly recommended by poet Ko Seon-gyeong, "Shower Gel and Soda Water."
“He must have come to suffocate me.
Now he stands in every summer place I loved.”
-Go Seon-gyeong, poet
"The impatience toward something and the subsequent lull are, of course, the very essence of this season."
On living in a summer state of boredom and fascination in one day
As we enter the middle of summer, a book has been published that will make you experience this season in a different way.
The protagonist is the new work, What I Wanted in Summer, by Seo Hanna, who was praised by fellow writers as “the writer with the most eloquent writing among her peers” when her first prose collection, “Love’s Silver Lining,” was published.
In this book, instead of the scorching sun that seems ready to burn at any moment, the sweat-soaked outerwear, and the discomfort index that seems to make even humanity disappear, we encounter the author's unique romanticism that is enthusiastic about the image of 'summer.'
The author says, “Summer is about inflating everything beyond its reality, imagining things that aren’t there, and as if reality were something, thinking that what has disappeared exists in some way next to me.”
For example, the allure of summer is talking about the love of a summer gone by, or liking a summer that can never return, finding music or movies that sing of such summers and playing them over and over again, missing the youth of hot countries and living in the weary present.
It is in line with the saying, “The excitement toward something and the subsequent lull are things of this season.”
As poet Ko Seon-gyeong, who recommended this book, said, “He must have come to suffocate us all.
Now he will stand in every summer place we loved.”
“While writing this, I listened to music by someone who sang like a beast.
I watched a sweaty movie.
On the tennis court, at the pool.
I've seen movies where people want each other at the same time but don't say a word.
(…) For me, that is what summer is like.
Boredom and fascination are both present in one day, and noon and midnight cannot be so different.
“Rather than describing a happy time on a summer day, I wanted to talk about living in a state of summer, no matter what time it is.” (p. 8)
“Since this book is about summer, I tried to write it like someone singing with their whole body, like a player who rushed at the king of kings and was defeated miserably.
“The excitement for something and the subsequent lull are, of course, things of this season.” (p. 8)
- You can preview some of the book's contents.
Preview
index
prolog
Part 1: Lovers
I will help you through your hell
Summer Lovers
senior
canned cherries
Why there today?
Harmful pleasure
Punch Drunk Love
We can hypnotize each other
The perfect dessert
The first kiss tastes like an apple
Pure love
What a person in love can't bear
Falling in love too easily
Summer walk
Not mine
Leftover ochazuke
The revolution that Seo Jeong is making
Short video
Original Love
I bought that book of poetry because I wanted to feel warm.
school playground
A woman who wants to have a lover
Please tell me everything
Yuseong Market
Sister, can you confess your love in Korean?
Part 2: The Senses
Summer conditions
Listening to music at home
luxury
Thoughts on summer
Kabam
A summer thing
Ambition in the Closet
summer onions
watermelon
summer cucumbers
Summer of 1954
One way to eat food in summer
Find the best vanilla shoe
McDonald's ice cream
Summer Sugar
shower
Summer in high school
summer breeze
asylum
What I fell in love with in the summer
Equipment you want to have in the summer
My Summer Track
Desire is excessive, summer allows it, and the camera captures it.
Let's talk for the two of us, for the two of us, for our future.
The Surrogate's Love
I need his voice to spend my summer nights.
The laxity of a hot country
Even if it's fake, it's okay
A festival of the senses
Part 3 Locations
Imagine a summer vacation
What I did in the summer
Saying let's go to Hawaii
LA
My Girl's Tropical
Vanilla bean yogurt
bath
grant
There is a foot volleyball court in Namhae.
Emotional Map of the City
Night park walk
Evening Jungle Gym
summer vacation
Summer in Seongbuk-dong
My beloved basement
A summer that cannot return
Directions to the National Museum of Western Art
Lemon in the off-season
Epilogue
Recommendation
Part 1: Lovers
I will help you through your hell
Summer Lovers
senior
canned cherries
Why there today?
Harmful pleasure
Punch Drunk Love
We can hypnotize each other
The perfect dessert
The first kiss tastes like an apple
Pure love
What a person in love can't bear
Falling in love too easily
Summer walk
Not mine
Leftover ochazuke
The revolution that Seo Jeong is making
Short video
Original Love
I bought that book of poetry because I wanted to feel warm.
school playground
A woman who wants to have a lover
Please tell me everything
Yuseong Market
Sister, can you confess your love in Korean?
Part 2: The Senses
Summer conditions
Listening to music at home
luxury
Thoughts on summer
Kabam
A summer thing
Ambition in the Closet
summer onions
watermelon
summer cucumbers
Summer of 1954
One way to eat food in summer
Find the best vanilla shoe
McDonald's ice cream
Summer Sugar
shower
Summer in high school
summer breeze
asylum
What I fell in love with in the summer
Equipment you want to have in the summer
My Summer Track
Desire is excessive, summer allows it, and the camera captures it.
Let's talk for the two of us, for the two of us, for our future.
The Surrogate's Love
I need his voice to spend my summer nights.
The laxity of a hot country
Even if it's fake, it's okay
A festival of the senses
Part 3 Locations
Imagine a summer vacation
What I did in the summer
Saying let's go to Hawaii
LA
My Girl's Tropical
Vanilla bean yogurt
bath
grant
There is a foot volleyball court in Namhae.
Emotional Map of the City
Night park walk
Evening Jungle Gym
summer vacation
Summer in Seongbuk-dong
My beloved basement
A summer that cannot return
Directions to the National Museum of Western Art
Lemon in the off-season
Epilogue
Recommendation
Detailed image

Into the book
The beginning of love is breaking up with him and thinking about him.
It's about finding the traces he left behind in the world.
(…) Wasn’t it nice to have a short car ride with him back then?
Wouldn't it be better to listen to the song with him than to listen to it alone?
Where was that willow-lined path I ran on back then? Was it always like that? Now, without him, the song doesn't feel the same, and the path doesn't feel the same, and that's starting to feel unfortunate.
--- p.32
We never said a word about our feelings for each other.
Nothing has been more painful to me than this.
I confirm everything with words.
‘Do you like me? How much do you like me?’ and… .
But nothing about this person was possible to put into words, so it was hard to believe that love was truly between us.
(…) The outside lights came into the car and in the darkness, he and I looked at each other as we talked about something.
It was like a confession of love in an unknown language.
--- pp.34-35
After that, I went through a series of things in my life and realized that everyone has a defensive wall and they live without breaking it down or looking into it.
That means you can live and die without feeling the need to change, whether it helps you or not, even if it's a little uncomfortable.
As long as that wall is there, you can neither give love to others nor receive love.
Still, some people choose to give up love and protect themselves.
--- p.67
I think it's okay to touch his hair when he looks cute.
I feel like I can hug him when he tosses and turns in his sleep.
I believe it's okay to say good night to him and place your palm on his cheek before leaving the room.
I think I can like that kid forever.
If he had a rapper boyfriend and she became the most impressive woman at his concerts, I would spend the whole day upset and wish the rapper would go to jail, but I still couldn't stop watching him.
--- p.108
If you ask what I look forward to in summer, it's definitely the night.
Summer nights never wear out no matter how much you use them.
There is also a female student who rents a public bicycle and rides it to Cheonbyeon and back, and continues to walk the same path while talking on the phone.
People say they hate humid weather, but they really like it.
That's why I walk into the moisture.
--- p.116
As my mom said, watermelon tastes best before midsummer starts.
There's nothing quite like the refreshing sweetness of a crisp, watery bite.
I went to my mom's house and unexpectedly got some watermelon.
The sweetness of cutting the watermelon in half with a large knife, filling a plate with slices enough to ask who will eat it all, and then picking up the fallen watermelon and chewing it without thinking.
It was especially sweet and refreshing to eat watermelon in that comfortable state, with nothing to do, no responsibilities, and no need to throw away the watermelon rind.
--- p.135
The beginning of love is breaking up with him and thinking about him.
It's about finding the traces he left behind in the world.
(…) Wasn’t it nice to have a short car ride with him back then?
Wouldn't it be better to listen to the song with him than to listen to it alone?
Where was that willow-lined path I ran on back then? Was it always like that? Now, without him, the song doesn't feel the same, and the path doesn't feel the same, and that's starting to feel unfortunate.
--- p.32
We never said a word about our feelings for each other.
Nothing has been more painful to me than this.
I confirm everything with words.
‘Do you like me? How much do you like me?’ and… .
But nothing about this person was possible to put into words, so it was hard to believe that love was truly between us.
(…) The outside lights came into the car and in the darkness, he and I looked at each other as we talked about something.
It was like a confession of love in an unknown language.
--- pp.34-35
After that, I went through a series of things in my life and realized that everyone has a defensive wall and they live without breaking it down or looking into it.
That means you can live and die without feeling the need to change, whether it helps you or not, even if it's a little uncomfortable.
As long as that wall is there, you can neither give love to others nor receive love.
Still, some people choose to give up love and protect themselves.
--- p.67
I think it's okay to touch his hair when he looks cute.
I feel like I can hug him when he tosses and turns in his sleep.
I believe it's okay to say good night to him and place your palm on his cheek before leaving the room.
I think I can like that kid forever.
If he had a rapper boyfriend and she became the most impressive woman at his concerts, I would spend the whole day upset and wish the rapper would go to jail, but I still couldn't stop watching him.
--- p.108
If you ask what I look forward to in summer, it's definitely the night.
Summer nights never wear out no matter how much you use them.
There is also a female student who rents a public bicycle and rides it to Cheonbyeon and back, and continues to walk the same path while talking on the phone.
People say they hate humid weather, but they really like it.
That's why I walk into the moisture.
--- p.116
As my mom said, watermelon tastes best before midsummer starts.
There's nothing quite like the refreshing sweetness of a crisp, watery bite.
I went to my mom's house and unexpectedly got some watermelon.
The sweetness of cutting the watermelon in half with a large knife, filling a plate with slices that will fill the plate enough to ask who will eat it all, and then picking up the fallen watermelon and chewing it without thinking.
It was especially sweet and refreshing to eat watermelon in that comfortable state, with nothing to do, no responsibilities, and no need to throw away the watermelon rind.
--- p.135
Even though I didn't read anything, that time was over.
There was no discomfort in my body, I could hear the sound of a car passing by in the distance, and the fatigue of playing in the water created a feeling of languidness and freedom as time passed.
The wind did nothing but stir the leaves floating on the pool and bring the scent of the grass from outside.
There was a small table in front of me where I could put my feet, and the coffee was fragrant and had plenty of ice.
--- pp.213-214
Our motorboat was the color of cream mixed with a drop of lemon juice.
The sea and sand looked like paint had been poured over them.
As the boat began to drift away, making a tremendous noise and roaring, I thought, 'The old white is pretty.'
People's bare feet, the water splashing, T-shirts clinging to their bodies and shirts blowing in the wind, warm, wet bodies.
Now I am in a country that is colder than Korea and I am walking through a city covered in snow.
When walking down the street, be careful not to get hit by a falling sign.
Because there are many good things in the world.
--- p.216
Sometimes I think that memories that are entangled in space are too scary.
Whenever I go there, the days when I used to frequent that place come rushing back, and I start to cherish the people I used to hang out with often back then.
At that time, the present or the current circumstances or anything like that are not important at all.
Only past memories and the feelings of that time become important.
It's a big deal whether a place disappears or remains the same.
--- p.232
I've been looking for a perfume that can smell like a summer night even when it's not summer, but perhaps because perfume has to be good, I've never been able to achieve that smell.
The smell of plankton, bacteria, and bad things mixed together.
The smell of dirt and dust.
Bad luck… .
Does it take all of that combined to create a nostalgic smell?
I came back from my trip and turned on a game called 'Pikmin Bloom'.
I picked up a lemon.
They said it would take 24 days to get it.
It was a yellow, fresh lemon.
It's about finding the traces he left behind in the world.
(…) Wasn’t it nice to have a short car ride with him back then?
Wouldn't it be better to listen to the song with him than to listen to it alone?
Where was that willow-lined path I ran on back then? Was it always like that? Now, without him, the song doesn't feel the same, and the path doesn't feel the same, and that's starting to feel unfortunate.
--- p.32
We never said a word about our feelings for each other.
Nothing has been more painful to me than this.
I confirm everything with words.
‘Do you like me? How much do you like me?’ and… .
But nothing about this person was possible to put into words, so it was hard to believe that love was truly between us.
(…) The outside lights came into the car and in the darkness, he and I looked at each other as we talked about something.
It was like a confession of love in an unknown language.
--- pp.34-35
After that, I went through a series of things in my life and realized that everyone has a defensive wall and they live without breaking it down or looking into it.
That means you can live and die without feeling the need to change, whether it helps you or not, even if it's a little uncomfortable.
As long as that wall is there, you can neither give love to others nor receive love.
Still, some people choose to give up love and protect themselves.
--- p.67
I think it's okay to touch his hair when he looks cute.
I feel like I can hug him when he tosses and turns in his sleep.
I believe it's okay to say good night to him and place your palm on his cheek before leaving the room.
I think I can like that kid forever.
If he had a rapper boyfriend and she became the most impressive woman at his concerts, I would spend the whole day upset and wish the rapper would go to jail, but I still couldn't stop watching him.
--- p.108
If you ask what I look forward to in summer, it's definitely the night.
Summer nights never wear out no matter how much you use them.
There is also a female student who rents a public bicycle and rides it to Cheonbyeon and back, and continues to walk the same path while talking on the phone.
People say they hate humid weather, but they really like it.
That's why I walk into the moisture.
--- p.116
As my mom said, watermelon tastes best before midsummer starts.
There's nothing quite like the refreshing sweetness of a crisp, watery bite.
I went to my mom's house and unexpectedly got some watermelon.
The sweetness of cutting the watermelon in half with a large knife, filling a plate with slices enough to ask who will eat it all, and then picking up the fallen watermelon and chewing it without thinking.
It was especially sweet and refreshing to eat watermelon in that comfortable state, with nothing to do, no responsibilities, and no need to throw away the watermelon rind.
--- p.135
The beginning of love is breaking up with him and thinking about him.
It's about finding the traces he left behind in the world.
(…) Wasn’t it nice to have a short car ride with him back then?
Wouldn't it be better to listen to the song with him than to listen to it alone?
Where was that willow-lined path I ran on back then? Was it always like that? Now, without him, the song doesn't feel the same, and the path doesn't feel the same, and that's starting to feel unfortunate.
--- p.32
We never said a word about our feelings for each other.
Nothing has been more painful to me than this.
I confirm everything with words.
‘Do you like me? How much do you like me?’ and… .
But nothing about this person was possible to put into words, so it was hard to believe that love was truly between us.
(…) The outside lights came into the car and in the darkness, he and I looked at each other as we talked about something.
It was like a confession of love in an unknown language.
--- pp.34-35
After that, I went through a series of things in my life and realized that everyone has a defensive wall and they live without breaking it down or looking into it.
That means you can live and die without feeling the need to change, whether it helps you or not, even if it's a little uncomfortable.
As long as that wall is there, you can neither give love to others nor receive love.
Still, some people choose to give up love and protect themselves.
--- p.67
I think it's okay to touch his hair when he looks cute.
I feel like I can hug him when he tosses and turns in his sleep.
I believe it's okay to say good night to him and place your palm on his cheek before leaving the room.
I think I can like that kid forever.
If he had a rapper boyfriend and she became the most impressive woman at his concerts, I would spend the whole day upset and wish the rapper would go to jail, but I still couldn't stop watching him.
--- p.108
If you ask what I look forward to in summer, it's definitely the night.
Summer nights never wear out no matter how much you use them.
There is also a female student who rents a public bicycle and rides it to Cheonbyeon and back, and continues to walk the same path while talking on the phone.
People say they hate humid weather, but they really like it.
That's why I walk into the moisture.
--- p.116
As my mom said, watermelon tastes best before midsummer starts.
There's nothing quite like the refreshing sweetness of a crisp, watery bite.
I went to my mom's house and unexpectedly got some watermelon.
The sweetness of cutting the watermelon in half with a large knife, filling a plate with slices that will fill the plate enough to ask who will eat it all, and then picking up the fallen watermelon and chewing it without thinking.
It was especially sweet and refreshing to eat watermelon in that comfortable state, with nothing to do, no responsibilities, and no need to throw away the watermelon rind.
--- p.135
Even though I didn't read anything, that time was over.
There was no discomfort in my body, I could hear the sound of a car passing by in the distance, and the fatigue of playing in the water created a feeling of languidness and freedom as time passed.
The wind did nothing but stir the leaves floating on the pool and bring the scent of the grass from outside.
There was a small table in front of me where I could put my feet, and the coffee was fragrant and had plenty of ice.
--- pp.213-214
Our motorboat was the color of cream mixed with a drop of lemon juice.
The sea and sand looked like paint had been poured over them.
As the boat began to drift away, making a tremendous noise and roaring, I thought, 'The old white is pretty.'
People's bare feet, the water splashing, T-shirts clinging to their bodies and shirts blowing in the wind, warm, wet bodies.
Now I am in a country that is colder than Korea and I am walking through a city covered in snow.
When walking down the street, be careful not to get hit by a falling sign.
Because there are many good things in the world.
--- p.216
Sometimes I think that memories that are entangled in space are too scary.
Whenever I go there, the days when I used to frequent that place come rushing back, and I start to cherish the people I used to hang out with often back then.
At that time, the present or the current circumstances or anything like that are not important at all.
Only past memories and the feelings of that time become important.
It's a big deal whether a place disappears or remains the same.
--- p.232
I've been looking for a perfume that can smell like a summer night even when it's not summer, but perhaps because perfume has to be good, I've never been able to achieve that smell.
The smell of plankton, bacteria, and bad things mixed together.
The smell of dirt and dust.
Bad luck… .
Does it take all of that combined to create a nostalgic smell?
I came back from my trip and turned on a game called 'Pikmin Bloom'.
I picked up a lemon.
They said it would take 24 days to get it.
It was a yellow, fresh lemon.
--- pp.258-259
Publisher's Review
“Summer Lovers, Summer Feelings, Rain Showers, A Walk in the Park at Night”
Irish caramel, off-season lemons, the laxity of hot countries…
A season where all your senses are jumbled together and you feel dizzy
In Part 1, 'Lovers', the author's thoughts on the love he experienced during the summer unfold.
The author says that he is “a person who is only negative and has no innocence,” but the love he has had at all times is a pure love like a terribly hot summer.
While in love, the daily routine you have painstakingly created is shattered by the other person, and all your physical senses are focused on them, and after love ends, “a hell unfolds within you, where you are left alone.”
“I think it's okay to touch his hair when he looks cute.
I feel like I can hug him when he tosses and turns in his sleep.
I believe it's okay to say good night to him and place your palm on his cheek before leaving the room.
I think I can like that kid forever.
“If he had a rapper boyfriend and she became the most impressive woman at his concerts, I would be upset all day and hope the rapper goes to jail, but I still couldn’t stop watching him.” (p. 108)
In Part 2, ‘Senses,’ the author’s characteristically delicate and colorful descriptions vividly imprint images of summer.
We talk about the slightly sweet, chewy, dense watermelon we encountered in Chiang Mai, the warmth of a summer night that is so impulsive that you can feel a deep, ecstatic thrill just by breathing, and the story of a movie about a summer that seems to burst with excess.
“Wouldn’t everyone like that?
After swimming, I wipe the water off my hands on my T-shirt, then open the book I had left upside down on the sandy beach, and struggle to read the words in the blazing sun, either too much or too little sunlight, making it difficult to read.
That is, the dry wind blowing at that time dries the remaining moisture on the body.
“Isn’t that the kind of freedom that summer can offer, a truly immense, foolish, and innocent one?” (pp. 120-121)
In the final chapter, Part 3, ‘Places,’ the author tells an episode about the summer spaces he longed for.
Kagoshima with a lover who seemed like he was about to break up at any moment, Namhae where he left in hopes of meeting the person he had in mind through a chance encounter, a quiet and fascinating unknown person he met on a colorful island in Thailand…
The author summons memories of a breathtakingly intense space, making the reader recall his own times and relationships.
“So it doesn’t have to be Hawaii.
I just want to tell my lover, or someone who might soon become my lover, to get out of here with me.
“Let’s go and walk around without underwear, don’t worry about what people think, walk staggering, kiss while waiting for the signal, play with me – these are all the same words.” (p. 206)
“If he saw me, I thought it would be so strange for me to suddenly appear here.
I hoped you would think I came from doing horizontal bars at Namhae Stadium.
Because my desire to see that person was so sincere.
I couldn't think of a good number of lies to tell.
Am I interested in this topic? Is this really my dream? Anyway, it's not love.
“I didn’t come here because I loved you.” (pp. 227-228)
“Summers inevitably touch, mingle, and invade each other.”
The afterglow of summer that remains clearer than reality
Anyone who has ever encountered the work of author Seo Han-na or knows anything about her will likely think of 'Human Summer' as the first image that comes to mind when thinking of the author.
The energy emanating from him is like a light yellow lemon with a refreshing and subtle scent.
The author remembers even the ordinary moments of everyday life and the people he knows in pieces, and he linguistically reproduces the human psychology and situations with a level of detail that no one can match.
Seo Han-na's unique, paradoxical writing style, shy yet full of impulsiveness and wildness, resembles the deep green of summer foliage, almost like a fresh blue.
He keeps it high until it's about to explode, but he holds it in and whispers quietly.
He has such a strange way of tickling people's hearts.
His talent, which is both charming and endearing, provides artistic inspiration to many fellow writers and musicians.
What makes this book different from other books on the subject of 'summer' is that it does not simply limit summer to the concept of a season.
The author describes the summer he remembers as “a season where I want to relax and observe the heat and noise.”
Sometimes, the writings that turn over and reveal even the innermost depths and corners of one's heart are his own attempts to reach the source.
Even the author, who “hates mixing things, whether it’s bibimbap or elevators,” says that on summer days, “we have no choice but to touch, mix, and invade.”
Reading the records of the moments created by this 'raw' season will allow you to preserve the lingering impressions of summer that will remain even clearer than the actual experience.
“Oh, I think his voice is nice.
Is it because he has a mature voice, like it's resonating deeply within a bamboo tube? No, I like the look in his eyes.
I like the way his eyes look at me so intently that it seems like he's going to turn my insides inside out, but also the way he looks like he might disappear at any moment.
Then what is it?
Why on earth did I fall in love?
“I think I like everything about him and the time he’s had.” (p. 185)
“In summer, it’s nice to watch people outdoors.
I want to do it again and again.
Not knowing that this is the very act of mixing, they say, “I don’t really like mixing, I don’t really like touching.”
“I don’t even know that the taste I’m looking for is there, and I leave the air-conditioned room and sit in the blazing sun all day.” (p. 262)
Irish caramel, off-season lemons, the laxity of hot countries…
A season where all your senses are jumbled together and you feel dizzy
In Part 1, 'Lovers', the author's thoughts on the love he experienced during the summer unfold.
The author says that he is “a person who is only negative and has no innocence,” but the love he has had at all times is a pure love like a terribly hot summer.
While in love, the daily routine you have painstakingly created is shattered by the other person, and all your physical senses are focused on them, and after love ends, “a hell unfolds within you, where you are left alone.”
“I think it's okay to touch his hair when he looks cute.
I feel like I can hug him when he tosses and turns in his sleep.
I believe it's okay to say good night to him and place your palm on his cheek before leaving the room.
I think I can like that kid forever.
“If he had a rapper boyfriend and she became the most impressive woman at his concerts, I would be upset all day and hope the rapper goes to jail, but I still couldn’t stop watching him.” (p. 108)
In Part 2, ‘Senses,’ the author’s characteristically delicate and colorful descriptions vividly imprint images of summer.
We talk about the slightly sweet, chewy, dense watermelon we encountered in Chiang Mai, the warmth of a summer night that is so impulsive that you can feel a deep, ecstatic thrill just by breathing, and the story of a movie about a summer that seems to burst with excess.
“Wouldn’t everyone like that?
After swimming, I wipe the water off my hands on my T-shirt, then open the book I had left upside down on the sandy beach, and struggle to read the words in the blazing sun, either too much or too little sunlight, making it difficult to read.
That is, the dry wind blowing at that time dries the remaining moisture on the body.
“Isn’t that the kind of freedom that summer can offer, a truly immense, foolish, and innocent one?” (pp. 120-121)
In the final chapter, Part 3, ‘Places,’ the author tells an episode about the summer spaces he longed for.
Kagoshima with a lover who seemed like he was about to break up at any moment, Namhae where he left in hopes of meeting the person he had in mind through a chance encounter, a quiet and fascinating unknown person he met on a colorful island in Thailand…
The author summons memories of a breathtakingly intense space, making the reader recall his own times and relationships.
“So it doesn’t have to be Hawaii.
I just want to tell my lover, or someone who might soon become my lover, to get out of here with me.
“Let’s go and walk around without underwear, don’t worry about what people think, walk staggering, kiss while waiting for the signal, play with me – these are all the same words.” (p. 206)
“If he saw me, I thought it would be so strange for me to suddenly appear here.
I hoped you would think I came from doing horizontal bars at Namhae Stadium.
Because my desire to see that person was so sincere.
I couldn't think of a good number of lies to tell.
Am I interested in this topic? Is this really my dream? Anyway, it's not love.
“I didn’t come here because I loved you.” (pp. 227-228)
“Summers inevitably touch, mingle, and invade each other.”
The afterglow of summer that remains clearer than reality
Anyone who has ever encountered the work of author Seo Han-na or knows anything about her will likely think of 'Human Summer' as the first image that comes to mind when thinking of the author.
The energy emanating from him is like a light yellow lemon with a refreshing and subtle scent.
The author remembers even the ordinary moments of everyday life and the people he knows in pieces, and he linguistically reproduces the human psychology and situations with a level of detail that no one can match.
Seo Han-na's unique, paradoxical writing style, shy yet full of impulsiveness and wildness, resembles the deep green of summer foliage, almost like a fresh blue.
He keeps it high until it's about to explode, but he holds it in and whispers quietly.
He has such a strange way of tickling people's hearts.
His talent, which is both charming and endearing, provides artistic inspiration to many fellow writers and musicians.
What makes this book different from other books on the subject of 'summer' is that it does not simply limit summer to the concept of a season.
The author describes the summer he remembers as “a season where I want to relax and observe the heat and noise.”
Sometimes, the writings that turn over and reveal even the innermost depths and corners of one's heart are his own attempts to reach the source.
Even the author, who “hates mixing things, whether it’s bibimbap or elevators,” says that on summer days, “we have no choice but to touch, mix, and invade.”
Reading the records of the moments created by this 'raw' season will allow you to preserve the lingering impressions of summer that will remain even clearer than the actual experience.
“Oh, I think his voice is nice.
Is it because he has a mature voice, like it's resonating deeply within a bamboo tube? No, I like the look in his eyes.
I like the way his eyes look at me so intently that it seems like he's going to turn my insides inside out, but also the way he looks like he might disappear at any moment.
Then what is it?
Why on earth did I fall in love?
“I think I like everything about him and the time he’s had.” (p. 185)
“In summer, it’s nice to watch people outdoors.
I want to do it again and again.
Not knowing that this is the very act of mixing, they say, “I don’t really like mixing, I don’t really like touching.”
“I don’t even know that the taste I’m looking for is there, and I leave the air-conditioned room and sit in the blazing sun all day.” (p. 262)
GOODS SPECIFICS
- Date of issue: August 7, 2025
- Page count, weight, size: 264 pages | 276g | 120*188*17mm
- ISBN13: 9791172133047
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