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Tango Master
Tango Master
Description
Book Introduction
Tango, called the dance of freedom and passion.
This book is a friendly guide for beginners and an encyclopedia of tango that experts can consult frequently to gain creative ideas. It is based on the wisdom and rich experience of the masters they learned from in Buenos Aires, the birthplace of tango, by Professors Yang Young-ah and Kim Dong-jun, who have been active as tango masters in Korea and abroad for 20 years.

Each chapter is filled with diverse topics such as the essence of tango, including basics, practice, manners, genre, music, DJing, band, history, curriculum, physical, and therapy, so that readers can understand and feel the world of tango more deeply and actually enjoy dancing it.

As the enthusiastic praise and recommendations from world-renowned tango masters demonstrate, "Tango Master" offers insight and depth unmatched in other dance books.
Thanks to the two authors' extensive experience in Buenos Aires, where they have honed their skills through in-depth lessons under legendary maestros, their stories soon become established tango canon, and the realistic episodes interspersed throughout the story make learning about tango even more enjoyable.
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index
Recommendation
In publishing the book

Chapter 1.
Tango for Beginners


Chapter 1.
Tango is a dance for two people
A meaningful tango partner
Qualities of a good partner
Find the partner you want
A place to find the partner you want

Chapter 2.
Find a Tango Master
The tango master is ultimately one person
How to Choose a Great Tango Master
Being good at tango vs. being good at dancing
Tango Master with Systematic Teaching Method
The Master's reputation is trustworthy

Chapter 3.
Tango Categories and Styles
Tango de Salo?n
Tango de Escenario

Chapter 4.
The Story of the Tango Club Milonga
Milongas in the city
White-and-white milonga
The composition of milonga music
The only rule of the milonga is the 'ronda'.
The Complete Guide to Milonga
Dance Request - 'Cabeceo'
The beginning and end of the dance
Be more gentle when you are with your partner
Cleanliness is the best etiquette

Chapter 2.
Tango, actually dancing


Chapter 5.
Understanding Tango Dance
How to embrace the tango, Abraso
Connecting with the Tango World
Conversation in Tango, Lead and Follow
The same dance never comes twice, the charm of improvisation
The best gift tango gives, Sentimento

Chapter 6.
How to dance the tango well
The Basics of Tango Dancing
Components of Tango
Basic Tango Positions
Creating space
The Golden Rule of Tango
Understanding the Axis and Center of Gravity in Walking
Dancing using the axis and center
walking style
The beginning of walking
How to use the abraso when walking
Cross step
Five seconds step
Beepbot
Hiro
The rules of composition for a tango song

Chapter 7.
Musicality
Tango vs. Milonga vs. Vals
Dancing at the Compass
Tango rhythm
Milonga rhythm
Waltz rhythm
Frasse and Paula
Practice with Frasse and Pausa
Cambio Dinamica
Tango Musicality
Trangkil
Moby Do
Antiguo
Variacion
Milonga Musicality
Vals Musicality

Chapter 8.
The Secret of the Tango Master
Sinking to the Bottom - Bien al piso
Dancing with Pausa - Bailar con la pausa
Rhythm - Cadencia
Flowing like water - Fluidez
Warm up - Simpati?a

Chapter 9.
Tango DJ Class
Choose energetic music
The classics of Tanda composition
The tanda composition of a traditional milonga
DJing Guide

Chapter 3.
History of Tango


Chapter 10.
Representative tango orchestra
Francisco Canaro (1888-1964)
Roberto Firpo (1884–1969)
Osvaldo Fresedo (1897–1984)
Juan D&Arienzo (1900-1976)
Aníbal Troilo (1914–1975)
Ricardo Tanturi (1905–1973)
Ángel D&Agostino (1900-1991)
Carlos Di Sarli (1903-1960)
Osvaldo Pugliese (1905–1995)
Astor Piazzolla (1921–1992)

Chapter 11.
History of Tango
Embryonic period (1880-1900)
The Perfection of Tango Cryoshow (1900-1920)
Popularization of Tango (1920s–1930s)
Depression (1930-1935)
Laying the Foundation for the Golden Age (1935-1940)
The Golden Age of Tango (1940–1960)
Decline (1960-1980)
Tango's Revival (1980–present)

Chapter 4.
Tango, for the leader


Chapter 12.
Tango Lesson Guide
Preparing for Tango Lessons
Structure of a Tango Lesson
Creating a Tango Lesson Curriculum
Recommended Tango Instructor Requirements

Chapter 13.
Preparing for tango performances and competitions
Preparing for a Tango Performance
Preparing for a tango competition
Tango de Pista Judging Rules
Tango de Essenario Judging Rules

Chapter 5.
Tango Physical


Chapter 14.
Tango Physiology Basics
Definition of Tango Physiology
Tango Muscles and Tango Bones
Tango Walk In-Depth Analysis
Tango basic posture
The upper body loves and the lower body dances.
Second heart

Chapter 15.
Tango Therapy
Definition of Tango Therapy
How Tango Therapy Works
How to implement tango therapy
An overview of the three traditional therapies that make up tango therapy.
The effects of tango therapy
Dance therapy effects
The effect of citherapy
Music therapy effects
Walking effect
hug effect
Areas of application of tango therapy

supplement.
Tango Essentials Dictionary
In closing the book

Detailed image
Detailed Image 1

Into the book
Tango is called 'a dance with one heart and four legs'.
The upper body feels passion through the chest, and the legs, created from below the chest, perform a dynamic dance.

A good tango satisfies two criteria:
Lindo y Comodo
One is beauty and the other is comfort.
When a couple dances the tango, it should look beautiful from the outside and be comfortable for both of them.

--- p.222

When you dance the tango, it's insulting to hear things like, "You dance like so-and-so," or "You're similar to so-and-so."
Tango masters, in particular, have put in a tremendous amount of effort to create their own unique style, so hearing such things feels like an insult to their unique world.
This unique tango style and unique world are the result of long-term communication with a partner, mutually influencing each other.
The key to developing your own unique style while dancing with the same partner for a long time is patience.
Many tango masters say this:
Tango is about patience and perseverance.
--- p.31

There was a boy in Kalitos' class.
The boy first saw the tango dance during an elementary school class.
Although it was a video, the tango displayed on the screen was enough to captivate the boy.
Among the captivating dances of many masters representing the time, the master that the boy was particularly captivated by was Kalitos.
The boy immediately pestered his parents to take him to Kalitos' tango lessons.
The boy was 12 years old at the time and said he wanted to become a tango dancer when he grew up.
Every Monday and Wednesday evening, his parents drove an hour away to drop him off at Kalitos and Rosa's classes.
So six years later, when the boy was 18, he became the world tango champion.
He is Sebastian Jimenez, the youngest World Tango Champion in the Tango Salon category in 2010.
At one time I found it strange and surprising that he had learned only from Callitos, but now I know that he was right in making that choice.
--- p.40

When dancing the tango, the request or rejection of a dance between a man and a woman is made through eye contact and head gestures called 'cabeceo'.
Porteno men, who are proud, find it quite humiliating to be rejected when they ask for a dance.
So, if there is a woman I like, I try to build intimacy through conversation before asking her to dance.
Approach her, offer her a compliment and wait for an opportunity, and when the chances of success increase, send her the final confirmation, the 'cabeseo'.
Cabese is a gesture in which a man and a woman who are willing to dance nod their heads to show their consent when their eyes meet.

--- p.69

Both partners should be comfortable while dancing the tango.
If one of the two people sacrifices and endures discomfort, it is difficult to sustain a beautiful dance or a good relationship.
Abraso is imprinted with the face of a couple and a unique image.
When talking about a couple at a milonga and not knowing their name, you can say something like, "Oh, there's a couple that does this abraso," and imitate their movements.
In this way, Abraso reveals his attitude towards others and his own nature.
Positive aspects such as being passionate, gentle, kind, strong, warm, and loving are sometimes highlighted, while negative aspects such as being cold, sentimental, arrogant, and narrow-minded are also shown.
That's why they say 'Abraso is everything in tango'.

--- p.81

Mario Orlando is one of the three leading DJs from Buenos Aires.
He is famous for never stepping on the floor at any milonga he DJs.
I believed the floor was filled with all the bad energy from the people who danced that day.
So, even if you go back a little, you should never walk across the floor, but rather walk outside.
Meanwhile, he was proud that it was all thanks to him that people were able to vent their bad energy onto the floor.
He emphasized that the DJ's important role is to play music that is good for dancing and has energy so that people who come to the milonga can fully release energy and go home with a light step.
--- p.139
GOODS SPECIFICS
- Date of issue: May 1, 2024
- Page count, weight, size: 252 pages | 432g | 152*210*17mm
- ISBN13: 9791198726704
- ISBN10: 1198726709

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