
A fleeting memory, a smell
Description
Book Introduction
Only stories can explain smells.
A Feast of Olfactory Languages Discovered in Modern Literature
Memories of smells accompany the mind.
Excitement, ecstasy, preciousness, longing, embarrassment, pain, fear, a tingling sensation that cannot be described.
These experiences of smell are difficult to quantify or reduce to a formula.
Encountering the scent that permeates the air is a fleeting experience, one that neither photographs nor videos can capture.
So, a complete record of the meaning of olfactory experience still relies on the most analog methods.
This means that it is conveyed only through language.
Only 'writing', the oldest recording medium in human civilization, has recorded the sensations of a moment and the context they evoke.
But in fact, in most language areas, even basic olfactory words like 'sweet, bitter, spicy, salty, sour' and basic taste words are not organized.
Likewise, in Korean, basic olfactory words that solely indicate olfactory meanings are mentioned, such as ‘구리다, 누리다, 비리다, 구수하다, 고추하다.’
So when we talk about olfactory experiences, we either point directly to the object that is the source of the smell, borrow other sensory vocabulary, or use various metaphors to explain.
Olfactory language is an interesting way of linking 'odor object-odor characteristic-odor name'.
Olfactory language creates a conceptualization process that associates its referent with a specific meaning or image.
Even when describing a wine or coffee full of flavor, we often find ourselves unable to find a clear word to describe the flavor itself, or we end up creating long phrases using various determiners, nouns, and adjectives to convey a richness that cannot be captured in a single word.
To captivate the taste and aroma of wine, sommeliers use stories from nature and people.
When recreating olfactory experiences, which are closely related to taste, we have always relied on narrative.
A Feast of Olfactory Languages Discovered in Modern Literature
Memories of smells accompany the mind.
Excitement, ecstasy, preciousness, longing, embarrassment, pain, fear, a tingling sensation that cannot be described.
These experiences of smell are difficult to quantify or reduce to a formula.
Encountering the scent that permeates the air is a fleeting experience, one that neither photographs nor videos can capture.
So, a complete record of the meaning of olfactory experience still relies on the most analog methods.
This means that it is conveyed only through language.
Only 'writing', the oldest recording medium in human civilization, has recorded the sensations of a moment and the context they evoke.
But in fact, in most language areas, even basic olfactory words like 'sweet, bitter, spicy, salty, sour' and basic taste words are not organized.
Likewise, in Korean, basic olfactory words that solely indicate olfactory meanings are mentioned, such as ‘구리다, 누리다, 비리다, 구수하다, 고추하다.’
So when we talk about olfactory experiences, we either point directly to the object that is the source of the smell, borrow other sensory vocabulary, or use various metaphors to explain.
Olfactory language is an interesting way of linking 'odor object-odor characteristic-odor name'.
Olfactory language creates a conceptualization process that associates its referent with a specific meaning or image.
Even when describing a wine or coffee full of flavor, we often find ourselves unable to find a clear word to describe the flavor itself, or we end up creating long phrases using various determiners, nouns, and adjectives to convey a richness that cannot be captured in a single word.
To captivate the taste and aroma of wine, sommeliers use stories from nature and people.
When recreating olfactory experiences, which are closely related to taste, we have always relied on narrative.
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index
Prologue
1. The Contact Zone of Civilizations: Only Others Smell
Helen Keller's Gift: Joseon's Smellscape
The scent of spring in Joseon, violets
Stench: A Sense of Coexistence and Anxiety
“The problem of smell is entirely education-based!”
The Smell of Religion and Hygiene: From Frankincense and Myrrh to Water and Soap
2 Perfume, the Formation of Modern Taste
The barometer of modernity, the indicator of individuality
The seat of French perfume
An extension of the body, perfume sprayed on handkerchiefs and handwritten letters
A sign of decadence and debauchery, the bed perfume of Madame Free.
3 Writer's Nose
Lee Hyo-seok, fragrance collector
Baek Seok, the poet who collected the scent of hometown
A mischievous nose beyond modern boy
The side effects of the strict moral gentleman's theft and self-inflicted wounds
Can Dr. K really get rid of the 'shit smell'?
Yeom Sang-seop's nose crossing colonial Joseon
4 The smell of the city
The smell of Seoul, the smell of home, the smell of crossing the line
1960, the scent of first love's soap
Mother, remain as a smell
5 The Smell of the Future: Sense Changes Predicted by Science Fiction
The era of “odorophonics” is upon us.
Are you ready to meet another sense of being?
What if the 'smell' disappeared?
epilogue
Acknowledgements
main
References
1. The Contact Zone of Civilizations: Only Others Smell
Helen Keller's Gift: Joseon's Smellscape
The scent of spring in Joseon, violets
Stench: A Sense of Coexistence and Anxiety
“The problem of smell is entirely education-based!”
The Smell of Religion and Hygiene: From Frankincense and Myrrh to Water and Soap
2 Perfume, the Formation of Modern Taste
The barometer of modernity, the indicator of individuality
The seat of French perfume
An extension of the body, perfume sprayed on handkerchiefs and handwritten letters
A sign of decadence and debauchery, the bed perfume of Madame Free.
3 Writer's Nose
Lee Hyo-seok, fragrance collector
Baek Seok, the poet who collected the scent of hometown
A mischievous nose beyond modern boy
The side effects of the strict moral gentleman's theft and self-inflicted wounds
Can Dr. K really get rid of the 'shit smell'?
Yeom Sang-seop's nose crossing colonial Joseon
4 The smell of the city
The smell of Seoul, the smell of home, the smell of crossing the line
1960, the scent of first love's soap
Mother, remain as a smell
5 The Smell of the Future: Sense Changes Predicted by Science Fiction
The era of “odorophonics” is upon us.
Are you ready to meet another sense of being?
What if the 'smell' disappeared?
epilogue
Acknowledgements
main
References
Publisher's Review
written in letters
Stories of lost smells, unfamiliar smells, and familiar smells
‘Writing’ is the only archive that shows ‘what the sense of smell is to humans.’
Over the past seven years, I have been searching for the origins and traces of smells that have disappeared, unfamiliar smells, and familiar smells.
Through this, I wanted to talk about the meaning of smell, which has played a role in connecting or disconnecting time, space, and existence during the process of modernization, and in complementing or subverting visuality.
Modern literature and the media were a treasure trove of relevant material.
Interesting scenes that detect the scent of change called modernization can be found in novels, poetry, essays, daily newspaper articles, and advertisements.
This book primarily covers records from the late 19th century to the early 20th century, which were the introduction of change, but also covers some recent science fiction genres, such as the period after liberation when urbanization accelerated and sensibilities changed rapidly.
Although smells sometimes appeared in actual experiences or in rhetorical meanings, they were often difficult to separate, and since this is the essence of smell, we examined them together.
Smell and story have in common that they connect the present between 'past and future', and us between 'presence and absence'.
The 'story' that mediates the memories of the past and the imagination of the future is thus connected to the smell, which is a trace of existence.
Furthermore, this book chose the neutral word “smell” instead of “fragrance” and “odor” to comprehensively capture its complex nature in each aspect of our lives.
Smell mediates between past and present, space and people, here and there, things and us, me and you.
Smells allow them to be remembered in specific relationships and contexts.
The olfactory language recorded during the modernization process provided a different background from the visual language that was suitable for revealing the speed and direction of modernization, its grandeur and violence.
Olfactory language was also a shy informant, silently pointing out truths that were different from what was seen or invisible.
Stories of lost smells, unfamiliar smells, and familiar smells
‘Writing’ is the only archive that shows ‘what the sense of smell is to humans.’
Over the past seven years, I have been searching for the origins and traces of smells that have disappeared, unfamiliar smells, and familiar smells.
Through this, I wanted to talk about the meaning of smell, which has played a role in connecting or disconnecting time, space, and existence during the process of modernization, and in complementing or subverting visuality.
Modern literature and the media were a treasure trove of relevant material.
Interesting scenes that detect the scent of change called modernization can be found in novels, poetry, essays, daily newspaper articles, and advertisements.
This book primarily covers records from the late 19th century to the early 20th century, which were the introduction of change, but also covers some recent science fiction genres, such as the period after liberation when urbanization accelerated and sensibilities changed rapidly.
Although smells sometimes appeared in actual experiences or in rhetorical meanings, they were often difficult to separate, and since this is the essence of smell, we examined them together.
Smell and story have in common that they connect the present between 'past and future', and us between 'presence and absence'.
The 'story' that mediates the memories of the past and the imagination of the future is thus connected to the smell, which is a trace of existence.
Furthermore, this book chose the neutral word “smell” instead of “fragrance” and “odor” to comprehensively capture its complex nature in each aspect of our lives.
Smell mediates between past and present, space and people, here and there, things and us, me and you.
Smells allow them to be remembered in specific relationships and contexts.
The olfactory language recorded during the modernization process provided a different background from the visual language that was suitable for revealing the speed and direction of modernization, its grandeur and violence.
Olfactory language was also a shy informant, silently pointing out truths that were different from what was seen or invisible.
GOODS SPECIFICS
- Date of issue: October 20, 2025
- Page count, weight, size: 384 pages | 136*190*30mm
- ISBN13: 9791194413653
- ISBN10: 119441365X
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