
Record Man
Description
Book Introduction
- A word from MD
- [History of the Music Industry] The history of the music industry as seen through the lives of the "record men," the record producers behind the musicians.
It delicately weaves together the history of the music industry and the birth of great musicians such as Elvis Presley, Bob Dylan, Michael Jackson, and Madonna.
The epic journey from the gramophone and turntable to the streaming era is moving.
- Ahn Hyun-jae, art producer
A book covering the history of the music industry over the past 130 years.
Record Man: The Magnificent History of the Record Industry
The book begins with a story about how technological advancements, starting with sound recorders and leading to phonographs and turntables, formed the foundation of the music industry, and how records, as recordings of sound, evolved from cylindrical records to the "side-cut" records we're so fascinated by today.
Great inventors such as Thomas Edison, Alexander Graham Bell, and Emile Berliner appear one after another in this story.
Among them, the story of the birth of Columbia Records and the LP is particularly interesting.
Behind every great musician, there was an equally great record producer.
This book focuses on the lives of about 50 pioneers who shaped the lineage of the music industry.
Behind the curtain of success for Elvis Presley, Bob Dylan, the Beatles, the Doors, Michael Jackson, Madonna, U2 and others, there were legendary producers, record label heads and managers who were more convinced of their talent than anyone else.
Through raw stories told by John Hammond, Quincy Jones, Chris Blackwell, Phil Spector, George Martin, Brian Epstein, and Andrew Rugg Oldham, readers can encounter episodes never before introduced in Korea.
Without them, the success of these great musicians would have been non-existent, or rather, quite modest.
As the author writes, great artists with a firm sense of their own destiny tend to choose their own midwives.
Record Man: The Untold Story of the Record Industry concludes with a profound reflection on the music landscape of the 2010s, a decade dominated by streaming.
It also provides insightful analysis of why the indie label model is once again gaining traction across the popular music industry.
Indie has always been around since the 1950s.
For example, Sam Phillips' Sun Records, which discovered Elvis Presley in the 1950s, was the indie of its time.
Seymour Stein, the great record man who introduced Madonna to the world, says:
"God bless the indie! They've been introducing every new trend since rock 'n' roll, and even before that.
“Everything else, everything came from indie,” says Rick Rubin, producer of the Beastie Boys and Red Hot Chili Peppers. “There’s definitely a sense within the major labels today that we need to go back to a more indie model.”
Meanwhile, record man Martin Mills, at the top of the indie community, discovered Gary Numan, Pixies, Prodigy, White Stripes, Bon Iver, Cat Power, and The Libertines through Beggars Group, the world's largest indie collaboration.
And above all, there's Adele, the artist who has sold more albums than anyone else since the 2010s.
Most of the music translations introduced in Korea to date are centered around musicians.
Record Man: The Untold Story of the Record Industry, on the other hand, covers both the musicians and the producers/labels, giving the reader a much broader perspective and more diverse perspective.
By the end of the book, readers will feel as if they have read a grand epic.
The author also emphasizes in the preface, “We will set out on a great voyage.”
I am convinced that the emotion that the last sentence gives, in particular, cannot be compared to that of any other music-related book.
Record Man: The Magnificent History of the Record Industry
The book begins with a story about how technological advancements, starting with sound recorders and leading to phonographs and turntables, formed the foundation of the music industry, and how records, as recordings of sound, evolved from cylindrical records to the "side-cut" records we're so fascinated by today.
Great inventors such as Thomas Edison, Alexander Graham Bell, and Emile Berliner appear one after another in this story.
Among them, the story of the birth of Columbia Records and the LP is particularly interesting.
Behind every great musician, there was an equally great record producer.
This book focuses on the lives of about 50 pioneers who shaped the lineage of the music industry.
Behind the curtain of success for Elvis Presley, Bob Dylan, the Beatles, the Doors, Michael Jackson, Madonna, U2 and others, there were legendary producers, record label heads and managers who were more convinced of their talent than anyone else.
Through raw stories told by John Hammond, Quincy Jones, Chris Blackwell, Phil Spector, George Martin, Brian Epstein, and Andrew Rugg Oldham, readers can encounter episodes never before introduced in Korea.
Without them, the success of these great musicians would have been non-existent, or rather, quite modest.
As the author writes, great artists with a firm sense of their own destiny tend to choose their own midwives.
Record Man: The Untold Story of the Record Industry concludes with a profound reflection on the music landscape of the 2010s, a decade dominated by streaming.
It also provides insightful analysis of why the indie label model is once again gaining traction across the popular music industry.
Indie has always been around since the 1950s.
For example, Sam Phillips' Sun Records, which discovered Elvis Presley in the 1950s, was the indie of its time.
Seymour Stein, the great record man who introduced Madonna to the world, says:
"God bless the indie! They've been introducing every new trend since rock 'n' roll, and even before that.
“Everything else, everything came from indie,” says Rick Rubin, producer of the Beastie Boys and Red Hot Chili Peppers. “There’s definitely a sense within the major labels today that we need to go back to a more indie model.”
Meanwhile, record man Martin Mills, at the top of the indie community, discovered Gary Numan, Pixies, Prodigy, White Stripes, Bon Iver, Cat Power, and The Libertines through Beggars Group, the world's largest indie collaboration.
And above all, there's Adele, the artist who has sold more albums than anyone else since the 2010s.
Most of the music translations introduced in Korea to date are centered around musicians.
Record Man: The Untold Story of the Record Industry, on the other hand, covers both the musicians and the producers/labels, giving the reader a much broader perspective and more diverse perspective.
By the end of the book, readers will feel as if they have read a grand epic.
The author also emphasizes in the preface, “We will set out on a great voyage.”
I am convinced that the emotion that the last sentence gives, in particular, cannot be compared to that of any other music-related book.
- You can preview some of the book's contents.
Preview
index
To our Korean readers, 4
Introduction 10
Chapter 1.
Talking Machine 16
Chapter 2.
The Golden Age of Inventors and Legal Battles 28
Chapter 3.
The Master's Voice 36
Chapter 4.
Exodus 47
Chapter 5.
Invisible Waves: The Rise of Radio 58
Chapter 6.
Survivors 65
Chapter 7.
Crossing the Dead Sea 77
Chapter 8.
World War I and the Rise of the LP 96
Chapter 9.
Rock and Roll, Sun Records, Elvis Presley 108
Chapter 10.
The Folly of John Hammond, Bob Dylan 125
Chapter 11.
Motown Records and Berry Gordy III 138
Chapter 12.
British Invasion 150
Chapter 13.
Andrew Ruth Oldham and the Rolling Stones 162
Chapter 14.
Fading of Glory 175
Chapter 15.
188 from east to west
Chapter 16.
Black Canvas 204
Chapter 17.
Forbidden Fruit 216
Chapter 18.
David and Goliath 230
Chapter 19.
Kings of the Record Business 242
Chapter 20.
The Rise of Disco 254
Chapter 21.
Island Records 271
Chapter 22.
Voice of the Future 283
Chapter 23.
Virgin Records and Rough Trade 299
Chapter 24.
Sodom and Gomorrah 315
Chapter 25.
The Other Side of Success 327
Chapter 26.
Michael Jackson, CDs, and MTV 341
Chapter 27.
The Legend of Bob Marley 348
Chapter 28.
The Golden Age of 366 has come to an end
Chapter 29.
Ruined Temple 380
Chapter 30.
Bubblegum Forest 394
Chapter 31.
Revelation 404
Introduction 10
Chapter 1.
Talking Machine 16
Chapter 2.
The Golden Age of Inventors and Legal Battles 28
Chapter 3.
The Master's Voice 36
Chapter 4.
Exodus 47
Chapter 5.
Invisible Waves: The Rise of Radio 58
Chapter 6.
Survivors 65
Chapter 7.
Crossing the Dead Sea 77
Chapter 8.
World War I and the Rise of the LP 96
Chapter 9.
Rock and Roll, Sun Records, Elvis Presley 108
Chapter 10.
The Folly of John Hammond, Bob Dylan 125
Chapter 11.
Motown Records and Berry Gordy III 138
Chapter 12.
British Invasion 150
Chapter 13.
Andrew Ruth Oldham and the Rolling Stones 162
Chapter 14.
Fading of Glory 175
Chapter 15.
188 from east to west
Chapter 16.
Black Canvas 204
Chapter 17.
Forbidden Fruit 216
Chapter 18.
David and Goliath 230
Chapter 19.
Kings of the Record Business 242
Chapter 20.
The Rise of Disco 254
Chapter 21.
Island Records 271
Chapter 22.
Voice of the Future 283
Chapter 23.
Virgin Records and Rough Trade 299
Chapter 24.
Sodom and Gomorrah 315
Chapter 25.
The Other Side of Success 327
Chapter 26.
Michael Jackson, CDs, and MTV 341
Chapter 27.
The Legend of Bob Marley 348
Chapter 28.
The Golden Age of 366 has come to an end
Chapter 29.
Ruined Temple 380
Chapter 30.
Bubblegum Forest 394
Chapter 31.
Revelation 404
Detailed image

Publisher's Review
introduction
To our Korean readers,
It is a great honor to be able to share the Korean edition of this book with you at this exciting time when Korea and its cultural standing are receiving global attention.
Korea is gradually establishing itself as an artistic powerhouse in the field of music.
That's true.
While the United States and the United Kingdom remain the world leaders in pop music, the emergence of regional powerhouses, including South Korea, as Scandinavia once did, underscores the following:
In the 21st century, a broader perspective and taste are unfolding in a more diverse market.
First, let's check how far we've come.
This book was first published in the United States about ten years ago.
At the time, the music industry was experiencing its worst recession in a century.
It was a few years before streaming really took off, and some jaded industry insiders believed the industry was doomed.
They said.
People will no longer spend money on music, and musicians will soon become extinct.
Fortunately, the optimists were right.
Life is always about adapting.
So, music just found a way to reach us in a new way.
Laws and business models have gradually caught up, and we are now experiencing a massive global renaissance.
Streaming is truly globalizing music in a way that physical media never could.
This book is about how we interpret the popular culture we encounter around us.
In short, it is about capturing a specific flow of change within a certain movement.
New magic always happens somewhere.
And it comes to us thanks to a precious few who discover raw talent and guide it to stardom.
This book is also about these people.
Behind this history lies a true story about a future that is constantly being formed.
Change, new voices, new rhythms and dances, and the next generations.
I hope you find this book inspiring and beneficial.
Perhaps some of you might go further and put this into practice yourself.
Have a nice trip.
_GARETH MURPHY
To our Korean readers,
It is a great honor to be able to share the Korean edition of this book with you at this exciting time when Korea and its cultural standing are receiving global attention.
Korea is gradually establishing itself as an artistic powerhouse in the field of music.
That's true.
While the United States and the United Kingdom remain the world leaders in pop music, the emergence of regional powerhouses, including South Korea, as Scandinavia once did, underscores the following:
In the 21st century, a broader perspective and taste are unfolding in a more diverse market.
First, let's check how far we've come.
This book was first published in the United States about ten years ago.
At the time, the music industry was experiencing its worst recession in a century.
It was a few years before streaming really took off, and some jaded industry insiders believed the industry was doomed.
They said.
People will no longer spend money on music, and musicians will soon become extinct.
Fortunately, the optimists were right.
Life is always about adapting.
So, music just found a way to reach us in a new way.
Laws and business models have gradually caught up, and we are now experiencing a massive global renaissance.
Streaming is truly globalizing music in a way that physical media never could.
This book is about how we interpret the popular culture we encounter around us.
In short, it is about capturing a specific flow of change within a certain movement.
New magic always happens somewhere.
And it comes to us thanks to a precious few who discover raw talent and guide it to stardom.
This book is also about these people.
Behind this history lies a true story about a future that is constantly being formed.
Change, new voices, new rhythms and dances, and the next generations.
I hope you find this book inspiring and beneficial.
Perhaps some of you might go further and put this into practice yourself.
Have a nice trip.
_GARETH MURPHY
GOODS SPECIFICS
- Date of issue: March 20, 2025
- Page count, weight, size: 424 pages | 660g | 153*225*30mm
- ISBN13: 9791193978641
- ISBN10: 1193978645
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