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Mozart's Confession
Mozart's Confession
Description
Book Introduction
Mozart, the genius who received God's favor,
The most intimate confession of Mozart, the 'human' we never knew about

Mozart spent a third of his life on the road.
So, writing a letter to Mozart meant more than just a greeting.
The maestro, who created heavenly harmonies by drawing notes on a staff, poured out all the earthly words he had experienced, such as hardship, glory, love, betrayal, and sorrow, on a letter paper.
The childish vanity of a 13-year-old boy showing off his newly learned Latin skills, the misery of a young man struggling for a few pennies, the anger he pours out toward a world that doesn't recognize his worth, and even the tears he sheds upon losing his mother.
If Mozart's music contains the brilliant talent of a master, it is no exaggeration to say that Mozart's letters contain the soul of the human Mozart.

So why didn't Mozart stop writing?
The answer is contained in letters Mozart wrote to his friends, his sister, and above all, his father.
The letters in "Mozart's Confessions" reveal his true life, full of noise hidden behind the great melodies.
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index
Mozart before writing the preface

Part 1: Italy, Into the Southern Light (1769–1776)

First letter Salzburg, 1769
Second Letter Milan, March 3, 1770
Third Letter Bologna, March 24, 1770
Fourth Letter Rome, April 21, 1770
Fifth Letter, Naples, May 19, 1770
Sixth Letter Rome, July 7, 1770
Seventh Letter Bologna, July 21, 1770
Eighth Letter Bologna, August 4, 1770
Ninth Letter Milan, December 18, 1772
Tenth Letter Munich, December 28, 1774
Eleventh Letter Munich, January 14, 1775
Twelfth Letter Munich, January 18, 1775
Thirteenth Letter Salzburg, September 4, 1776

Part 2: First Love, First Humiliation (1771–1778)

Fourteenth Letter Wasserburg, September 23, 1777
Fifteenth Letter Munich, September 26, 1777
Letter No. 16 Munich, September 29, 1777
Seventeenth Letter Munich, October 2, 1777
Eighteenth Letter Augsburg, October 17, 1777
Nineteenth Letter Augsburg, October 23, 1777
Letter 20 Augsburg, October 25, 1777
Letter Twenty-First, Mannheim, October 30, 1777
Twenty-Second Letter Mannheim, November 8, 1777
Letter Twenty-Third Mannheim, November 29, 1777
Letter Twenty-Fourth, Mannheim, December 3, 1777
Letter Twenty-Fifth, Mannheim, December 6, 1777
Letter Twenty-Sixth Mannheim, December 10, 1777
Letter Twenty-Seventh, Mannheim, December 20, 1777
Letter Twenty-Eighth, Mannheim, December 27, 1777
Letter Twenty-Ninth Mannheim, January 7, 1778
Letter 30, Mannheim, January 17, 1778
Letter 31, Mannheim, February 2, 1778
Letter 32, Mannheim, February 7, 1778
Letter 33, Mannheim, February 14, 1778
Letter 34, Mannheim, February 19, 1778
Letter 35, Mannheim, February 22, 1778
Letter 36, Mannheim, February 28, 1778
Letter 37, Mannheim, March 7, 1778
Letter 38, Mannheim, March 11, 1778

Part 3: Suffering in Paris and the Death of His Mother (1778–1779)

Letter Thirty-Ninth, Paris, March 24, 1778
Fortieth Letter, Paris, May 1, 1778
Letter 41, Paris, July 3, 1778
Letter 42, Paris, July 3, 1778
Letter 43, Paris, July 9, 1778
Letter 44, Paris, July 18, 1778
Letter 45, Paris, July 31, 1778
Letter 46, Paris, September 11, 1778
Letter 47, Strasbourg, October 15, 1778
Letter #48 Strasbourg, October 20, 1778
Letter 49, Mannheim, November 12, 1778
Fiftyth Letter Mannheim, December 3, 1778
Letter Fifty-First, Kaisersheim, December 18, 1778
Fifty-second letter, Munich, December 29, 1778
Fifty-third letter, Munich, December 31, 1778
Fifty-Fourth Letter Munich, January 8, 1779

Part 4: Immortal Melody (1780-1781)

Fifty-fifth Letter Munich, November 8, 1780
Letter Fifty-Sixth Munich, November 13, 1780
Fifty-seventh Letter Munich, November 22, 1780
Letter Fifty-Eighth, Munich, November 24, 1780
Letter 59 Munich, December 1, 1780
Sixtieth Letter Munich, December 13, 1780
Letter Sixty-First, Munich, December 16, 1780
Sixty-Second Letter Munich, January 3, 1781
Letter Sixty-Third Munich, January 10, 1781
Letter Sixty-Fourth, Munich, January 18, 1781

Detailed image
Detailed Image 1

Into the book
I live in a place where music is not very welcome.
Although some have left us, we still have great professionals, especially composers of depth, knowledge, and character.
The theater's situation is not good due to the absence of vocalists.
We don't have Mujiko, and it won't be easy to get.
They demand generous compensation, for generosity is not a courtly virtue.
--- p.39 From “Salzburg, September 4, 1776”

I met Chail Gong today, and he spoke to me with all the courtesy.
“I don’t think we’ll get much done here.
At the Nymphenburg Palace banquet, I asked the Elector privately, and he said, 'It's too early.
He must go to Italy and gain fame.
“I am not rejecting him, but it is not the time yet,” he said.
This is it! Most of these high-ranking officials have a convulsive passion for Italy.
--- p.54 From "Munich, September 29, 1777"

Dearest Father, I cannot weave my heart into poetry.
Because I'm not a poet.
You can't draw out emotions by throwing light and darkness.
Because I am not a painter.
You can't even convey your thoughts through gestures.
Because I'm not a dancer.
But in sound, it is possible.
Because I am a musician.
--- p.93 From “Mannheim, November 8, 1777”

If something unavoidable happens, just let it happen.
I just hope that my father won't be too happy or sad.
No matter what happens, as long as you are healthy, everything will be okay.
Happiness exists only in our imagination anyway.
--- pp.96-97 from "Mannheim, November 29, 1777"

For lowly people like us, we have the privilege of choosing a wife who loves us and whom we love.
We are not nobles, not from a prestigious family, not rich, we are just ordinary, poor people.
So we don't need a rich wife.
Because our wealth is in our heads, and no one can take it away from us.
To take it away, we would have to cut off our heads, and then we would have no need for anything else.
--- p.137 From “Mannheim, February 7, 1778”

I am furious that my father so harshly criticized my cheerful and pure relationship with his brother's daughter (my cousin) in his letter.
But that relationship is completely different from what you think, Father, so there's no need to answer further.
I don't know what to say about what happened at Wallerstein.
I was very serious when I was with Becky or in the officers' mess, and I hardly spoke to anyone.
But let's just let all this pass.
--- p.148 From “Mannheim, February 19, 1778”

Cry, you can't help but cry, so cry.
But finally, find solace.
We must remember that everything is ordained by Almighty God.
How could we dare to rebel against Him? Rather, let us offer our prayers, thanking Him for His goodness, for Our Mother has died peacefully.
--- p.191 From “Paris, July 9, 1778”

The biggest reason I hope this goes well is because I want to quickly enjoy the happiness of embracing my beloved father and sister again.
Oh! How joyful and happy we will all live together! I earnestly pray that God will bestow this grace upon me.
May a new chapter finally open, in God's will! I hold on with the fervent hope that the day when we can all be happy will come soon.
In the name of God, I will somehow endure this life here, which goes against my nature, my temperament, my knowledge, my emotions, everything.
--- p.213 From “Paris, July 18, 1778”

Father, think about it yourself.
Put yourself in my shoes.
In Salzburg I have no idea where I stand.
Some days I'm treated like I'm everything, and some days I'm treated like I'm nothing.
I am not asking for anything great or anything insignificant.
If I am worthy of something, I just want to be that 'something'!
--- p.246 From "Strasburg, October 15, 1778"

Dearest Father, I can confidently say that she is one of my truest friends.
I call a friend only someone who thinks about his friend's well-being day and night and uses all his connections to make sure he is happy.
This is what Madame Cannabis looks like.
Of course, there may be some self-interest involved here as well.
But what in this world is there that isn't at all a matter of self-interest? What I like most about her is that she never tries to hide it.
--- p.266 From “Kaisersheim, December 18, 1778”

Please don't write me any more depressing letters.
Right now, I need a cheerful mind, a clear mind, and motivation to work.
You can't have any of these if you're sad.
Believe me, I know deep down how much my father deserves rest and peace.
But am I an obstacle to that peace? I don't want to be, but I fear I am.
--- p.299 From "Munich, November 24, 1780"

Publisher's Review
Mozart, in all his glory and suffering, wrote letters with his pen.
If music captured his talent, letters captured his life.

“I just hope that my father will not be too happy or sad.
No matter what happens, as long as you are healthy, everything will be okay.
“Happiness is something that exists only in our imagination anyway.”

Why are the most brilliant talents often born in the dark?
Mozart's youth was a truly turbulent and difficult period.
He had to plead with the nobles several times to get a job, and the girl he loved with all his heart left him.
While I was working hard in Paris, my mother's health, which had been by my side, deteriorated by the minute, and in the end, I had to send her away without being able to do anything.
But even so, Mozart did not stop writing and composing.
His pure passion for music and his love for his family were the pillars that supported him and his reason for living.
Perhaps the act of writing to him was a process of composing one's own life, not unlike engraving notes on a musical staff.

“I don’t want to stop dreaming.

“Who in this world doesn’t dream?”

"Mozart's Confessions" is a collection of letters compiled from among the hundreds of letters he left behind, focusing on the period from 1769 to 1781, when the boy became an adult and the son left his father's embrace to finally become a great artist.
If when you close your eyes and think of Mozart, all you see is a portrait of him with a white wig and the masterpieces he left behind, then you don't know him yet.


Perhaps the act of writing a letter to Mozart was a process of composing one's own life in real time, not unlike scribbling notes on a staff.
In these intimate records, he fought the world, longed for love, defended himself, and consoled himself.
Witnessing how an immortal melody was born amidst all the dissonance: the absurd power that weighed down on his life, the cold world that turned its back on him.
That in itself can be a comfort and an experience.
As you read each of the tightly written letters, you will see the small, frail, human Mozart, not the 'master' Mozart in the portrait with the white wig.
GOODS SPECIFICS
- Date of issue: October 27, 2025
- Page count, weight, size: 320 pages | 130*190*30mm
- ISBN13: 9791191059717
- ISBN10: 1191059715

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