
Equation of Salvation 2
Description
Book Introduction
“Even if time goes by, love remains for the same person.”
In a turbulent era, the emotions of two people facing fate resonate and come back to life.
《Salvation Equation》 is a romance novel that does not consume the genre device of regression as a simple fantasy, but rather weaves it intricately through delicate psychological descriptions and realistic historical backgrounds.
Set in England on the eve of World War I and America during the Great Depression of the 1920s, this story deeply explores human nature and emotions through war and loss, misunderstanding and forgiveness, and love and growth.
The protagonist, Madeline Loenfield, dies after an unhappy marriage and returns to her seventeen-year-old self.
She struggles to avoid repeating the mistakes of her past, but her connection to her former husband, the cold-hearted Earl Ian Nottingham, inevitably comes back to haunt her in this life.
A relationship that was initially filled with hatred and hurt begins to change as the overwhelming experience of war gradually creates emotional cracks.
Madeline begins a new life as a nurse, and Ian, in despair over the aftermath of war, comes to rely on Madeline.
The two overcome social hierarchies, inner wounds, and misunderstandings about each other to build a deeper trust and solidarity.
In particular, the sentiment that 'we were each other's wounds and at the same time each other's salvation' clearly shows that this work goes beyond a simple love story and contains the theme of 'mutual salvation'.
《Salvation Equation》 does not rely on mere emotional stimulation or clichés.
The author creates a three-dimensional picture of each character's psychology and the conditions of the times, providing readers with an immersive experience, as if they were watching a classic drama or a movie.
The protagonist's inner changes are gradual rather than dramatic, and its greatest strength is that it possesses both realistic persuasiveness and literary density.
Additionally, the novel's setting of Europe and the United States in the 1910s and 1920s overlaps with the era of "The Great Gatsby," naturally reflecting the dynamics of human desire and social change.
Madeline's journey to forge her own path and Ian's journey to overcome his trauma and cynicism provide readers with emotional catharsis.
Their journey, though disguised as a romance, ultimately boils down to a reflection on how love transforms and nurtures human beings.
Events such as war and bankruptcy, kidnapping and shooting, prison and escape are elaborately composed like a classic novel, and the mise-en-scène and literary style characteristic of period pieces are added to create a unique atmosphere for the work.
《Salvation Equation》 is a work that stands out for its emotional romance, emotional depth, the evolution of character relationships, and the solidity of its narrative structure.
It is not a novel that you simply read and forget, but a rare genre novel that leaves a lingering impression on the reader and makes them reflect on it.
In a turbulent era, the emotions of two people facing fate resonate and come back to life.
《Salvation Equation》 is a romance novel that does not consume the genre device of regression as a simple fantasy, but rather weaves it intricately through delicate psychological descriptions and realistic historical backgrounds.
Set in England on the eve of World War I and America during the Great Depression of the 1920s, this story deeply explores human nature and emotions through war and loss, misunderstanding and forgiveness, and love and growth.
The protagonist, Madeline Loenfield, dies after an unhappy marriage and returns to her seventeen-year-old self.
She struggles to avoid repeating the mistakes of her past, but her connection to her former husband, the cold-hearted Earl Ian Nottingham, inevitably comes back to haunt her in this life.
A relationship that was initially filled with hatred and hurt begins to change as the overwhelming experience of war gradually creates emotional cracks.
Madeline begins a new life as a nurse, and Ian, in despair over the aftermath of war, comes to rely on Madeline.
The two overcome social hierarchies, inner wounds, and misunderstandings about each other to build a deeper trust and solidarity.
In particular, the sentiment that 'we were each other's wounds and at the same time each other's salvation' clearly shows that this work goes beyond a simple love story and contains the theme of 'mutual salvation'.
《Salvation Equation》 does not rely on mere emotional stimulation or clichés.
The author creates a three-dimensional picture of each character's psychology and the conditions of the times, providing readers with an immersive experience, as if they were watching a classic drama or a movie.
The protagonist's inner changes are gradual rather than dramatic, and its greatest strength is that it possesses both realistic persuasiveness and literary density.
Additionally, the novel's setting of Europe and the United States in the 1910s and 1920s overlaps with the era of "The Great Gatsby," naturally reflecting the dynamics of human desire and social change.
Madeline's journey to forge her own path and Ian's journey to overcome his trauma and cynicism provide readers with emotional catharsis.
Their journey, though disguised as a romance, ultimately boils down to a reflection on how love transforms and nurtures human beings.
Events such as war and bankruptcy, kidnapping and shooting, prison and escape are elaborately composed like a classic novel, and the mise-en-scène and literary style characteristic of period pieces are added to create a unique atmosphere for the work.
《Salvation Equation》 is a work that stands out for its emotional romance, emotional depth, the evolution of character relationships, and the solidity of its narrative structure.
It is not a novel that you simply read and forget, but a rare genre novel that leaves a lingering impression on the reader and makes them reflect on it.
- You can preview some of the book's contents.
Preview
index
11.
christmas
12.
Hampton Night
13.
A dreamy beginning
14.
Beyond expectations
15.
I can't even guess
16.
Finally, finally
17.
Even if it's a joke
18.
Why
19.
Beautiful you
christmas
12.
Hampton Night
13.
A dreamy beginning
14.
Beyond expectations
15.
I can't even guess
16.
Finally, finally
17.
Even if it's a joke
18.
Why
19.
Beautiful you
Detailed image

Into the book
When he looked back, his face was red.
He was breathing heavily.
“Still, I feel relieved.
I, you… … .”
"me too.
I was worried because the ending was so harsh last time.
“I’m relieved to see you looking healthy.” And then there was silence.
It was a man who broke the tense silence.
“I don’t see my companion…….”
“I think he went first.”
“…….”
“I need to go in and call a taxi.”
The man frowned painfully upon hearing that.
The gaslight lengthened his shadow.
A single word, like a desperate cry, struck Madeline as she turned around.
“You are cruel to the end.”
“…….”
The footsteps stopped right there.
My body became stiff.
“Why, why…….”
Why don't you ever look back first?
Why don't you extend your hand first?
Are you giving up and turning away?
His low, questioning voice was already shattered.
“Ian…….”
“I’ve been waiting here for you to come back soon…
But you… … .”
“…….”
Ian closed his eyes.
It took a moment for me to realize that the man standing under the dim light was crying silently.
And that cold, sharp insight tore Madeline's dull heart to shreds.
In the courtroom, in prison, and now here, the man continued to reach out.
I was waiting.
But she ran away.
“Wait a minute, Ian… don’t cry.”
Madeline took a handkerchief out of her bosom.
I carefully wiped away the hot tears flowing down the man's large hands.
The back of his hand was bumpy with burn scars and veins.
"shit……."
“No, it’s okay to cry.
Ian.
sorry.
“I was wrong.”
Madeline was also out of her mind trying to comfort Ian, who was crying.
At that moment, a person's voice was heard from the front gate.
Madeline gently squeezed Ian's hand and moved toward the deserted fountain.
The shadow of the fountain completely enveloped the two.
In the still darkness, only the sound of their breathing could be heard.
Madeline reached out to where Ian was likely to be.
The tips of my middle and index fingers touched moisture and skin.
She carefully, delicately ran her hand along the area under Ian's eyes, as if holding a chick.
The man's heavy breathing stopped and I felt his eyelids flutter.
“I’ve always wondered.”
“…….”
“I just couldn’t figure out why you were treating me like this.
“There’s not much to like about me.”
“Look here.”
Let me be blunt.
“I love you.”
ah.
Madeline's hand stopped.
It was a choice of words so vivid and explicit that it was embarrassing.
The man grabbed Madeline's wrist with his gloved hand.
He lowered his head and brushed his rough lips against the back of Madeline's hand.
He bent over and smelled of the clean, clear scent of winter.
“I want to hold you forever.
It's always been like that.
“I don’t care if you say it’s a dirty desire.”
Hearing those words, Madeline felt as if her lungs were about to burst, her collarbones swelling.
He was mature enough to know that what he was talking about was not a simple hug of friendship.
It was fortunate that I could hide my blushing face in the dark.
She turned her hand over and ran her fingertips over Ian's dry lips.
There was one thing I had to correct.
“Ian, you’re not dirty.”
You, you are… … .
ah.
I want to speak, but my vision is blurry.
Is it because I don't have glasses?
It might have been because of the faint light streaming from the mansion.
“You are beautiful.”
It was a word she blurted out, surprising even herself.
But after saying it, I felt satisfied.
I was happy.
Only then could she properly name the fear and guilt she had been feeling.
The man's devotion was dazzling and frightening.
I was completely frightened by his beautiful appearance, regardless of what other people thought.
Fear and foolishness have clouded my vision so far.
Ian shuddered at the sight of Madeline shining with joy.
Yes, you are beautiful.
Madeline smiled brightly.
Tears welled up in her gentle eyes.
You are beautiful even when you are hurt.
It's beautiful even if you don't overcome it.
I was scared.
I ran away because I was scared.
From your dazzling affection… … .
But now it's all too late.
She stroked the man's cheek.
I felt the man completely accepting the soft, feathery fingertips of a young bird.
"sorry."
“You can turn it back.”
It has to be that way.
The man's voice was urgent.
His aimless hands held Madeline's hand like a lifeline.
His body was trembling as if it was vibrating.
“We have come too far.
“It’s all my fault… ….” Tears continued to flow.
“It’s okay.
“I will forgive your mistakes, so you should forgive mine.”
Those words became the fuse.
The sparkling flames burned through the wick and towards the heart.
Are you the end for me?
In the end, in the end.
Madeline shook her head.
And that was when.
The man stroked Madeline's cheek with his shaking hand and then pulled her away.
And then the lips of the man and the woman, who had lowered their heads, met.
At first, I was impulsive, eager, and therefore extremely clumsy.
Their lips were rubbing against each other.
I could taste the salty taste of tears and the bitter taste of cigarettes on my tongue.
Madeline opened her mouth, out of breath, and a hot tongue pushed in.
It was a kiss so explicit and erotic that I had never dared to imagine it before.
I felt like Ian was pouring into me, penetrating me.
He was breathing heavily.
“Still, I feel relieved.
I, you… … .”
"me too.
I was worried because the ending was so harsh last time.
“I’m relieved to see you looking healthy.” And then there was silence.
It was a man who broke the tense silence.
“I don’t see my companion…….”
“I think he went first.”
“…….”
“I need to go in and call a taxi.”
The man frowned painfully upon hearing that.
The gaslight lengthened his shadow.
A single word, like a desperate cry, struck Madeline as she turned around.
“You are cruel to the end.”
“…….”
The footsteps stopped right there.
My body became stiff.
“Why, why…….”
Why don't you ever look back first?
Why don't you extend your hand first?
Are you giving up and turning away?
His low, questioning voice was already shattered.
“Ian…….”
“I’ve been waiting here for you to come back soon…
But you… … .”
“…….”
Ian closed his eyes.
It took a moment for me to realize that the man standing under the dim light was crying silently.
And that cold, sharp insight tore Madeline's dull heart to shreds.
In the courtroom, in prison, and now here, the man continued to reach out.
I was waiting.
But she ran away.
“Wait a minute, Ian… don’t cry.”
Madeline took a handkerchief out of her bosom.
I carefully wiped away the hot tears flowing down the man's large hands.
The back of his hand was bumpy with burn scars and veins.
"shit……."
“No, it’s okay to cry.
Ian.
sorry.
“I was wrong.”
Madeline was also out of her mind trying to comfort Ian, who was crying.
At that moment, a person's voice was heard from the front gate.
Madeline gently squeezed Ian's hand and moved toward the deserted fountain.
The shadow of the fountain completely enveloped the two.
In the still darkness, only the sound of their breathing could be heard.
Madeline reached out to where Ian was likely to be.
The tips of my middle and index fingers touched moisture and skin.
She carefully, delicately ran her hand along the area under Ian's eyes, as if holding a chick.
The man's heavy breathing stopped and I felt his eyelids flutter.
“I’ve always wondered.”
“…….”
“I just couldn’t figure out why you were treating me like this.
“There’s not much to like about me.”
“Look here.”
Let me be blunt.
“I love you.”
ah.
Madeline's hand stopped.
It was a choice of words so vivid and explicit that it was embarrassing.
The man grabbed Madeline's wrist with his gloved hand.
He lowered his head and brushed his rough lips against the back of Madeline's hand.
He bent over and smelled of the clean, clear scent of winter.
“I want to hold you forever.
It's always been like that.
“I don’t care if you say it’s a dirty desire.”
Hearing those words, Madeline felt as if her lungs were about to burst, her collarbones swelling.
He was mature enough to know that what he was talking about was not a simple hug of friendship.
It was fortunate that I could hide my blushing face in the dark.
She turned her hand over and ran her fingertips over Ian's dry lips.
There was one thing I had to correct.
“Ian, you’re not dirty.”
You, you are… … .
ah.
I want to speak, but my vision is blurry.
Is it because I don't have glasses?
It might have been because of the faint light streaming from the mansion.
“You are beautiful.”
It was a word she blurted out, surprising even herself.
But after saying it, I felt satisfied.
I was happy.
Only then could she properly name the fear and guilt she had been feeling.
The man's devotion was dazzling and frightening.
I was completely frightened by his beautiful appearance, regardless of what other people thought.
Fear and foolishness have clouded my vision so far.
Ian shuddered at the sight of Madeline shining with joy.
Yes, you are beautiful.
Madeline smiled brightly.
Tears welled up in her gentle eyes.
You are beautiful even when you are hurt.
It's beautiful even if you don't overcome it.
I was scared.
I ran away because I was scared.
From your dazzling affection… … .
But now it's all too late.
She stroked the man's cheek.
I felt the man completely accepting the soft, feathery fingertips of a young bird.
"sorry."
“You can turn it back.”
It has to be that way.
The man's voice was urgent.
His aimless hands held Madeline's hand like a lifeline.
His body was trembling as if it was vibrating.
“We have come too far.
“It’s all my fault… ….” Tears continued to flow.
“It’s okay.
“I will forgive your mistakes, so you should forgive mine.”
Those words became the fuse.
The sparkling flames burned through the wick and towards the heart.
Are you the end for me?
In the end, in the end.
Madeline shook her head.
And that was when.
The man stroked Madeline's cheek with his shaking hand and then pulled her away.
And then the lips of the man and the woman, who had lowered their heads, met.
At first, I was impulsive, eager, and therefore extremely clumsy.
Their lips were rubbing against each other.
I could taste the salty taste of tears and the bitter taste of cigarettes on my tongue.
Madeline opened her mouth, out of breath, and a hot tongue pushed in.
It was a kiss so explicit and erotic that I had never dared to imagine it before.
I felt like Ian was pouring into me, penetrating me.
--- From the text
Publisher's Review
A return to embracing wounds, a reconstruction of emotions
While "The Salvation Equation" borrows the familiar genre formula of "regression," it follows a completely different emotional trajectory.
In this work, regression is not simply about ‘living again’, but rather about ‘feeling again’.
When Madeline returns to the past, she doesn't just live in the same time period, but rather experiences emotions and relationships in a completely different way.
The resolve not to repeat the failures of a past life soon turns into the courage to face the emotions that one has left behind.
In particular, Ian Nottingham, whom she meets again, was the person who caused her the most pain in her previous life, so their relationship goes beyond simple romance and becomes a stage for healing and recovery.
Regression is not an escape she chooses, but a second chance at life, a chance to become emotionally complete.
Madeline decides to live this life for herself, but her re-entry into Ian forces her to re-calibrate her emotional rift.
Through this process, the work redefines the device of regression as a ‘recovery of emotions’ and a ‘prerequisite for salvation.’
Readers are not only drawn to a comparison between past and present lives, but also to a detailed exploration of how emotions function and recover within them.
An emotional drama that breathes with the times
The novel begins in 1910s England and expands to 1920s America.
The passage of time, such as World War I, the Great Depression, the spread of socialism, and the rise of gangs, have a real impact on the characters' choices and emotions.
War is not just a backdrop; it is a direct force that destroys and changes the characters' lives, and through it, readers gain a deeper understanding of the characters' inner selves.
Madeline, who is establishing her presence as a nurse, and Ian, who is about to give up on life after becoming disabled, but ends up relying on Madeline - their relationship feels like an alliance of coexistence and survival rather than simple love.
Ian is no longer the cynical heir to aristocratic society, and Madeline is no longer a naive victim.
They understand each other in front of the wall of reality, sometimes pushing each other away, sometimes embracing each other, and gradually getting closer.
Although dramatic events such as shootings, imprisonment, escapes, and the American immigrant community occur one after another, the emotional connection between the two people is always at the center of them.
This work displays a rare narrative structure that delicately weaves together the solemnity of a period piece, the sensibility of romance, and realistic human drama.
Two characters, a narrative of mutual salvation
Ian Nottingham is a man torn apart by the aftermath of war, the responsibilities of his family, and emotions he cannot even handle himself.
Although he hurt Madeline in his previous life, in his returned life he gradually transforms into a weak and human being who cannot survive without Madeline.
Madeline, too, does not avoid the wounds she has received, and as she makes efforts to understand Ian, she grows into a different person than before.
If I were to summarize the core sentiment of this novel in one word, it would be this:
“We were each other’s wounds, and at the same time, we were each other’s salvation.”
As the two live with their own pain, they learn how to share their wounds.
A relationship that cannot be simply explained by the word 'love' - an ironic tangle of emotions that were both a prison to each other, but also a liberation.
Through these relationships, The Equation of Salvation maturely portrays the depth of emotion and the subtle balance of human psychology.
Ultimately, what this work is trying to say is that love is not about changing someone, but rather the courage to endure the process of changing together.
The perfect intersection of literary and popular appeal
《Salvation Equation》 is a rare work that simultaneously satisfies literary sensibility and narrative density while maintaining genre-specific fun.
The writing style of author Boheme 1800 is restrained yet possesses poetic beauty.
The sentence structure that evokes the fragrance of classical literature, the descriptions that exquisitely capture the range of emotions, and the subtle tension in the dialogue between characters far surpass the level of simple genre literature.
Especially in moments of intense emotion, sentences that are not exaggerated and are compressed with delicate language leave a lasting impression on the reader.
Scenes where landscape and emotion intersect, and sentences that suggestively reveal emotional lines, come across as sensually as a classic film.
This work goes beyond the simple pleasure of following the plot; it simultaneously offers the joy of reading and a lingering aftertaste.
Moreover, the composition of the novel is so diverse that it makes genre distinctions meaningless.
The tension of a regression, the tragedy of a period piece, the emotion of a romance, and the sophistication of a psychological drama all come together in a smooth and flowing way.
Despite the complex interaction of these various elements, the story itself is not distracting at all, but rather draws the reader in with its density.
《The Equation of Salvation》 is more than just a simple 'reading material'; it is an emotionally fulfilling experience.
While "The Salvation Equation" borrows the familiar genre formula of "regression," it follows a completely different emotional trajectory.
In this work, regression is not simply about ‘living again’, but rather about ‘feeling again’.
When Madeline returns to the past, she doesn't just live in the same time period, but rather experiences emotions and relationships in a completely different way.
The resolve not to repeat the failures of a past life soon turns into the courage to face the emotions that one has left behind.
In particular, Ian Nottingham, whom she meets again, was the person who caused her the most pain in her previous life, so their relationship goes beyond simple romance and becomes a stage for healing and recovery.
Regression is not an escape she chooses, but a second chance at life, a chance to become emotionally complete.
Madeline decides to live this life for herself, but her re-entry into Ian forces her to re-calibrate her emotional rift.
Through this process, the work redefines the device of regression as a ‘recovery of emotions’ and a ‘prerequisite for salvation.’
Readers are not only drawn to a comparison between past and present lives, but also to a detailed exploration of how emotions function and recover within them.
An emotional drama that breathes with the times
The novel begins in 1910s England and expands to 1920s America.
The passage of time, such as World War I, the Great Depression, the spread of socialism, and the rise of gangs, have a real impact on the characters' choices and emotions.
War is not just a backdrop; it is a direct force that destroys and changes the characters' lives, and through it, readers gain a deeper understanding of the characters' inner selves.
Madeline, who is establishing her presence as a nurse, and Ian, who is about to give up on life after becoming disabled, but ends up relying on Madeline - their relationship feels like an alliance of coexistence and survival rather than simple love.
Ian is no longer the cynical heir to aristocratic society, and Madeline is no longer a naive victim.
They understand each other in front of the wall of reality, sometimes pushing each other away, sometimes embracing each other, and gradually getting closer.
Although dramatic events such as shootings, imprisonment, escapes, and the American immigrant community occur one after another, the emotional connection between the two people is always at the center of them.
This work displays a rare narrative structure that delicately weaves together the solemnity of a period piece, the sensibility of romance, and realistic human drama.
Two characters, a narrative of mutual salvation
Ian Nottingham is a man torn apart by the aftermath of war, the responsibilities of his family, and emotions he cannot even handle himself.
Although he hurt Madeline in his previous life, in his returned life he gradually transforms into a weak and human being who cannot survive without Madeline.
Madeline, too, does not avoid the wounds she has received, and as she makes efforts to understand Ian, she grows into a different person than before.
If I were to summarize the core sentiment of this novel in one word, it would be this:
“We were each other’s wounds, and at the same time, we were each other’s salvation.”
As the two live with their own pain, they learn how to share their wounds.
A relationship that cannot be simply explained by the word 'love' - an ironic tangle of emotions that were both a prison to each other, but also a liberation.
Through these relationships, The Equation of Salvation maturely portrays the depth of emotion and the subtle balance of human psychology.
Ultimately, what this work is trying to say is that love is not about changing someone, but rather the courage to endure the process of changing together.
The perfect intersection of literary and popular appeal
《Salvation Equation》 is a rare work that simultaneously satisfies literary sensibility and narrative density while maintaining genre-specific fun.
The writing style of author Boheme 1800 is restrained yet possesses poetic beauty.
The sentence structure that evokes the fragrance of classical literature, the descriptions that exquisitely capture the range of emotions, and the subtle tension in the dialogue between characters far surpass the level of simple genre literature.
Especially in moments of intense emotion, sentences that are not exaggerated and are compressed with delicate language leave a lasting impression on the reader.
Scenes where landscape and emotion intersect, and sentences that suggestively reveal emotional lines, come across as sensually as a classic film.
This work goes beyond the simple pleasure of following the plot; it simultaneously offers the joy of reading and a lingering aftertaste.
Moreover, the composition of the novel is so diverse that it makes genre distinctions meaningless.
The tension of a regression, the tragedy of a period piece, the emotion of a romance, and the sophistication of a psychological drama all come together in a smooth and flowing way.
Despite the complex interaction of these various elements, the story itself is not distracting at all, but rather draws the reader in with its density.
《The Equation of Salvation》 is more than just a simple 'reading material'; it is an emotionally fulfilling experience.
GOODS SPECIFICS
- Date of issue: September 30, 2025
- Page count, weight, size: 392 pages | 458g | 130*210*20mm
- ISBN13: 9791169775441
- ISBN10: 1169775446
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