At the beginning of the book
Note

Part 1 Deer

Jeongju Castle
Mountainous area
tavern wine story
rain
Me and Jirengi
Fox Nangol Tribe
Tongyeong
White night
Goya
Gazrang House
Gobang
bonfire
duck, calf, rabbit
First winter day
Hadap
Righteousness
Unknown World
Outside the castle
Autumn Sun Mountain Song
Gwangwon
Qingshi?
Mountain rain
Lonely road
pomegranate
Cornelian cherry
nuns
Sura 修羅
roe deer
The Tale of the Cow in the Temple
A place called Ogeumdeong
When? The sea of ​​Saki
Gate of creativity and gate of righteousness and others
Jeongmunchon
Fox Nangol
Three defenses

Part 2 Hamjusicho (Hamju Poetry Collection)

Tongyeong
duck
Between the lotus and the lotus
Yellow Day
decoction
Idu Gukju Road
Changwon-do, Changwon-do? The beginning of the south journey poem 1
Tongyeong?Namhaengsicho 2
Goseong Street? Namhaeng Sicho 3
Samcheonpo?Namhaengsicho 4
Hamjusicho (Hamju Poetry Collection)
Bukgwan
roe deer
Gosa Temple
Seonwoosa
mountain valley
ocean
Autumn night scenery
Mountain Jungeum
Mountain lodge
Hyangak (traditional Korean music)
Midnight
Baekhwa白樺
Me, Natasha, and the White Donkey
sunset
hometown
despair
dog
maternal grandparents' house
What I think is
I'm turning away like this
The sound of a water coot
Samho
Mulgye-ri
Daesan-dong
Namhyang
Night rain small meeting
last one
The joy of the swan
The sound of a swan
The evening when the magpie comes
A big man like a tiger in a house
Dongnyobu (童尿賦)
Andong
Hamnam Doan
Gujang-ro, Ball Road, Westbound Poetry Collection 1
North New? Westward Poetry Collection 2
Palwon 八院? The beginning of western travel poetry 3
Wolrimjang?Westward Poetry Collection 4
wooden tools

Part 3 There is a white wind wall

watermelon seeds, pumpkin seeds
From the North? To Jeong Hyeon-ung
Heo Jun
Prologue to "Pumpkin Flower Lantern"
Returning to farming
noodle
There is a white wind wall
A boy from the countryside
In Jodang?
Like Du Fu or Li Bai
hair
Mountain
Silent mountains and rivers
The village became a man-made ruin
Baekjung in July
Namshin Uiju Yudong Park Si-bongbang

text

定州城
mountain
wine story
rain
Me and Jirengi
Fox Nangyeom tribe
統營
Hinbam
old night
Gazrang House
Gobang
bonfire
duck, calf, rabbit
first winter day
summer
寂境
The new world
outside the castle
秋日山朝
曠原
Blue?
Mountain rain
Lonely road
?榴
Cornelian cherry
female
修羅
roe deer
The Story of a Small Villager
It's called Ogeumdeung
?Saki's sea
Outside the door of justice
旌門村
Fox Nangyeol
三防
統營
duck
Yeonjasikgan
黃日
liquid medicine
伊豆國湊街道
Nam-行詩抄(一)昌原道
Southern poetry book (2)
Namxi Poetry Arts (三) 固城街道
南行詩抄(四) 3千浦
咸州詩抄
North
roe deer
old temple
膳友辭
mountain
ocean
The first night
山中吟
mountain house
饗樂
Half of the night
白樺
Me, Natasha, and the donkey
night sky
late town
絶望
dog
maternal home
What I think is
I'm ignoring you like this
The sound of a water coot
Three lakes
物界里
Daesan-dong
Namchang
night rain
last one
The music of the gamuraegi
The sound of a wild bird
The evening when the magpie comes
A big man like a tiger in a house
童尿賦
An Dong-dong
咸南道安
West Road
Western Poetry (2) North New
Western poetry (three)
Western Poetry (Four) Moon Linjang
wooden tools
watermelon seeds, pumpkin seeds
From the North? To Zheng Xuanxiong
許俊
Prologue to "Pumpkin Lantern"
歸農
noodle
There is a wind wall
A boy from the countryside
In ?tang
Like Du Fu or Li Bai
hair
mountain
Silent mountains and rivers
The village became a man-made ruin
July Baekjung
South New State Lidong Park time and place

Baek Seok's poetic world and its current significance
The language and notation of the original Baekseok poem, and the principles of authenticity
Baek Seok's chronology of poetry
Baekseok Chronology
Word Dictionary Reference

A jewel of modern Korean poetry,
Reading Baek Seok's poetry in its correct edition

Baek Seok is a jewel-like poet who breathed vibrant life into modern Korean poetry and is one of the most beloved poets in the history of modern Korean poetry.
Since his poetry collection and complete works were belatedly discovered and received attention in the 1980s, many publications have been published, but Professor Koh Heung-jin's 『Authentic Collection of Baek Seok's Poetry』 is considered the most reliable among them.
This is because it is a true and authentic copy of Baekseok's poetry, containing the long-term efforts of Professor Koh Heung-jin, who devoted himself to the study of Baekseok's poetry.
Establishing a standard edition of a literary work is a very important task in the history of literature because it serves as the basis for accurate study and appreciation of the work.
Its importance is especially great in Baek Seok's poetry.
As is well known, Baek Seok's poetry actively utilizes unfamiliar vernacular words, and if all of these were to be changed to modern standard language, the poetry would lose its flavor.
Professor Koh Heung-jin meticulously analyzes the language of the original Baek Seok poems and references relevant research to preserve the unfamiliar dialects and archaic words that are a key attraction of Baek Seok's poetry, while correcting typos and spelling errors resulting from the confusing spelling of the time, thereby bringing Baek Seok's poetry back to life in its entirety.

Bearing in mind these special circumstances surrounding Baek Seok's poetry, a very close examination and attention to the language of Baek Seok's original poems is required.
(……) This work will highlight the dialect, archaic words, and coined words used by Baek Seok, thereby further preserving the flavor of the original text as Baek Seok originally intended, and by refining the notation, it will become a way to make Baek Seok's poetry more familiar to today's readers. (「The Language and Notation of Baek Seok's Original Poetry, and the Principles of the Authenticity」, pp. 330-331)

Professor Koh Hyeong-jin, who has studied Baek Seok's poetry for a long time, has made special efforts to establish a reasonable standard for Baek Seok's poetry by deeply researching the vocabulary, phonology, and grammatical characteristics of the Pyeongan dialect that Baek Seok used based on his deep understanding of his poetic world, examining the contents of the unified Korean spelling system established at the time and the process of its establishment, and even meticulously examining the editing style of the publications at the time.
The section at the end of the book titled “Baekseok’s Original Language and Notation, and the Principles of the Original Version” provides a detailed explanation of the process, further enhancing confidence in the original version.
The process of confirming the original text that serves as the basis for the original text is also a part where the rigor of the 『Jeongbon Baekseok Poetry Collection』 stands out.
Professor Koh Heung-jin was not satisfied with the reprints of the pages containing Baek Seok's poems, but rather searched through the original magazines stored in various libraries one by one, comparing them with each other to increase the accuracy of the original reading. In cases where it was still difficult to determine the original text, he spared no effort in verifying the original text by comparing it with other types in the magazine.

Furthermore, one of the greatest features of the 『Jeongbon Baekseok Poetry Collection』 is the accurate explanation of the countless unfamiliar words that appear in Baekseok's poetry.
To this end, Professor Koh Hyung-jin not only consulted existing research on the language of Baek Seok's poetry, but also extensive data from related fields such as language, geography, customs, and history of the time related to Baek Seok's poetry, to confirm the meaning of the poetic language used by Baek Seok, and explained it in a friendly and concise manner, allowing today's readers to easily approach Baek Seok's rich linguistic field.
It is only natural that the works of an outstanding poet like Baek Seok transcend time and are loved by readers for a long time. However, behind this, there is painstaking research and effort to restore the seemingly unfamiliar works of the time into a form that can be easily accepted by today's readers.
This is the significance of the 『Authentic Baek Seok Poetry Collection』, which meticulously and over a long period of time examined each and every word of Baek Seok's poetry to find the correct form of his works.